LÁSZLÓ MOHOLY-NAGY (1895-1946)

Lot 445
03.03.2023 13:00UTC +00:00
Classic
Sold
£ 693 000
AuctioneerCHRISTIE'S
Event locationUnited Kingdom, London
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ID 908361
Lot 445 | LÁSZLÓ MOHOLY-NAGY (1895-1946)
Estimate value
£ 400 000 – 600 000
LÁSZLÓ MOHOLY-NAGY (1895-1946)

Composition G4

signed, dated and inscribed 'Moholy=Nagy zu Galalithbild G4 (26)' (on the reverse of the paper); signed again, dated and inscribed 'MOHOLY=NAGY G26' (on the backboard)

oil on red Galalith over India ink and wash on paper

15 3/4 x 19 5/8 in. (40 x 49.6 cm.)

Executed in 1926





Provenance

Private collection, Zurich, by whom acquired directly from the artist, by 1934, and thence by descent; sale, Christie’s, London, 4 February 2014, lot 11.

Acquired at the above sale by the present owner.



Literature

Exh. cat., Albers and Moholy-Nagy: from the Bauhaus to the New World, Tate Modern, London, 2006, no. 13, p. 18 (illustrated; titled ‘Composition’, dated '1925-1927' and with incorrect medium).

A. Schulz Marty, ‘Eine Galalithplatte als Gestaltungmedium und Bildträger im Werk ‘Composition G4‘ von László Moholy-Nagy‘, in Zeitschrift für Kunsttechnologie und Konservierung, vol. I, Worms, 2007, pp. 33-37 (illustrated pp. 33-35; details illustrated p. 36).



Exhibited

Zurich, Kunsthaus, Abstrakte und surrealistische Malerei und Plastik, October - November 1929, no. 89, p. 18 (titled 'G IV'; with incorrect dimensions).

Zurich, Kunsthaus, Neue Deutsche Malerei, June - July 1934, no. 84, p. 12 (titled 'G IV'; dated '1925-1926').

Zurich, Galerie Orlando, Das Bauhaus, Weimar, Dessau, Berlin und The New Bauhaus Chicago, April - October 2005, p. 54 (illustrated; titled 'Composition'; dated 'circa 1921' and with incorrect medium).



Special Notice


This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.



Post Lot Text

Ms Hattula Moholy-Nagy has confirmed the authenticity of this work.
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