Richard Jackson (né en 1939) - photo 1
Richard Jackson (né en 1939) - photo 2
Richard Jackson (né en 1939) - photo 3
Richard Jackson (né en 1939) - photo 4
Richard Jackson (né en 1939) - photo 5
Richard Jackson (né en 1939) - photo 6

Richard Jackson (né en 1939)

Lot 159
21.09.2022 15:00UTC +01:00
Classic
Sold
€ 6 300
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 813877
Lot 159 | Richard Jackson (né en 1939)
Estimate value
€ 5 000 – 7 000
Richard Jackson (né en 1939)

Beer lamp

peluche, lampe, métal, bois et système éléctrique

42 x 57 x 35 cm.

Réalisée en 2003, cette œuvre est le numéro sept d'une édition de douze exemplaires.



teddy bear, lamp, metal, wood and electric system

23 5/8 x 18 7/8 x 16 7/8 in.

Executed in 2003, this work is number seven from an edition of twelve.





Provenance

Galerie Yvon Lambert, New York

Acquis auprès de celle-ci en 2007



Special notice


This item will be transferred to an offsite warehouse after the sale. Please refer to department for information about storage charges and collection
details.



Post lot text

Né en Californie en 1939, Richard Jackson est l’une des figures les plus influentes de l’art américain des années 1970. Ayant recours aux installations et à des œuvres réalisées in situ, son travail se plaît à déconstruire le concept et la pratique de la peinture. C’est notamment le cas de ses sculptures – à l’instar de celle conservée dans la collection du Comte et de la Comtesse Jean-Jacques de Flers – qui suivent ce principe de détournement : l’artiste conçoit ainsi des animaux dans lesquels il fait entrer et sortir de la peinture, par l’intermédiaire de tuyaux, d’entonnoirs ou d’orifices. Son œuvre est exposée en 1988 à la Menil Collection de Houston, en 1992 au Musée d’Art Contemporain de Los Angeles et à la Galerie Georges-Philippe & Nathalie Vallois en 2014.

Born in California in 1939, Richard Jackson is one of the most influential figures in American art during the 1970s. Using installations and site-specific works, he likes to deconstruct the concept and practice of painting. This is particularly true of his sculptures —such as the one in the collection of the Count and Countess Jean-Jacques de Flers— which follow this principle of diversion: thus, the artist conceives animals into which he allows paint to flow in and out through pipes, funnels or orifices. His work was exhibited in 1988 at the Menil Collection in Houston, in 1992 at the Museum of Contemporary Art in Los Angeles and at the Georges-Philippe & Nathalie Vallois Gallery in 2014.
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