Hilda Rix Nicholas (1884 - 1961)
Hilda Rix Nicholas
Hilda Rix Nicholas was an Australian artist. Born in the Victorian city of Ballarat, she studied under a leading Australian Impressionist, Frederick McCubbin, at the National Gallery of Victoria Art School from 1902 to 1905 and was an early member of the Melbourne Society of Women Painters and Sculptors. After travelling to Tangier in 1912, Rix held several successful exhibitions of her work, with one drawing, Grande marché, Tanger, purchased by the French government. She was one of the first Australians to paint post-impressionist landscapes, was made a member of the Société des Peintres Orientalistes Français, and had works hung in the Paris Salon in 1911 and 1913. Returning to Australia in 1918, Rix Nicholas once more took up professional painting, and held an exhibition of over a hundred works at Melbourne's Guild Hall. Many sold, including In Picardy, purchased by the National Gallery of Victoria. Following a period painting in rural locations in the early 1920s, Rix Nicholas returned to Europe. In 1926, Rix Nicholas returned to Australia. Though she continued to paint significant works including The Summer House and The Fair Musterer, Rix Nicholas, a staunch critic of modernism and disdainful of emerging major artists such as Russell Drysdale and William Dobell, grew out of step with trends in Australian art. Her pictures followed a conservative modern style, portraying an Australian pastoral ideal.
Date and place of birt: | 1 september 1884, Ballarat, Australia |
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Date and place of death: | 3 august 1961, Delegate, Australia |
Nationality: | United Kingdom, France, Australia, England |
Period of activity: | XIX, XX century |
Specialization: | Artist, Landscape painter, Painter, Portraitist |
Genre: | Flower still life, Genre art, Landscape painting, Portrait, Rural landscape, Still life |
Art style: | Realism, Orientalism |
Technique: | Charcoal, Oil, Oil on canvas, Pastel |