From 1933 onwards he worked mainly as an advertising painter so as not to be considered a degenerate artist. After 1945 Kubicek belonged to the Berlin fantasists who tried to process the events of the war with a form of surrealism. Time-critical collages that Kubicek made for the magazine Ulenspiegel, as well as his free-spirited paintings in the Gerd Rosen Gallery, drew the attention of the Allies to him. This led to heated discussions in post-war Berlin.
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