Thomas Blanchet (1614 - 1689) - photo 1

Thomas Blanchet

Thomas Blanchet, a distinguished French painter, sculptor, and architect, left an indelible mark on the Baroque era with his multifaceted talent. Blanchet's journey in art saw him transitioning from sculpture to painting under the guidance of Jacques Sarazin. His early years in Paris were enriched by the emerging Baroque influence and the Mannerism of the School of Fontainebleau, placing him among contemporaries like Simon Vouet​​.

Blanchet's formative years extended beyond French borders, as he ventured to Rome around 1645 to 1653. There, he immersed himself in the circle of Nicolas Poussin and visited the studios of Andrea Sacchi and Pietro da Cortona, earning high praise from Gianlorenzo Bernini. This period was marked by significant commissions, including works for Niccolò Guido di Bagno and the creation of engravings and mausoleums, notably in Venice for René de Voyer d'Argenson​​​​.

His repertoire was vast, encompassing classical themes, religious narratives, and architectural capriccios, as evidenced in works like "Time and Truth overcoming Envy and Discord" and "La Résurrection De Lazare"​​. Blanchet's influence extended to Lyon, where he contributed to the city's cultural heritage through frescoes at the Collège de la Trinité, now Collège Ampère, and designed significant public and private spaces including the Palais de Roanne's grand chamber ceilings​​.

For collectors and experts in art and antiques, Thomas Blanchet's oeuvre represents a bridge between French and Italian Baroque, embodying the era's dramatic expressions and classical reverence. His works, found in both public spaces and museums, continue to be celebrated for their historical and artistic significance.

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Date and place of birt:1614, Paris, France
Date and place of death:21 june 1689, Lyon, France
Period of activity: XVII century
Specialization:Architect, Artist, Draftsman, Engraver, Painter, Sculptor
Art school / group:Королевская академия живописи и скульптуры
Genre:History painting, Mythological painting, Portrait, Religious genre
Art style:Baroque, Classicism, Old Masters

Creators Baroque

Peter Candid (1548 - 1628)
Peter Candid
1548 - 1628
Johann Gregor Höroldt (1696 - 1775)
Johann Gregor Höroldt
1696 - 1775
Godfrey Kneller (1646 - 1723)
Godfrey Kneller
1646 - 1723
Clara Lobedan (1840 - 1917)
Clara Lobedan
1840 - 1917
Giovanni Antonio (Gianantonio) Guardi (1699 - 1760)
Giovanni Antonio (Gianantonio) Guardi
1699 - 1760
 Pseudo-Roestraten (1675 - 1724)
Pseudo-Roestraten
1675 - 1724
Jan van Bijlert (1597 - 1671)
Jan van Bijlert
1597 - 1671
Maurelio Scanavini (1665 - 1698)
Maurelio Scanavini
1665 - 1698
 Maestro di Tressa (1215 - 1250)
Maestro di Tressa
1215 - 1250
Philippe de Champaigne (1602 - 1674)
Philippe de Champaigne
1602 - 1674
Philip van Dijk (1683 - 1753)
Philip van Dijk
1683 - 1753
Ferdinand Petzl (1819 - 1899)
Ferdinand Petzl
1819 - 1899
Paolo Veronese (1528 - 1588)
Paolo Veronese
1528 - 1588
Giuseppe Nicola Nasini (1657 - 1736)
Giuseppe Nicola Nasini
1657 - 1736
Johann Georg Waxschlunger (XVII century - 1737)
Johann Georg Waxschlunger
XVII century - 1737
Willem Drost (1633 - 1659)
Willem Drost
1633 - 1659