19./20. jahrhundert
Tomaso Buzzi was an Italian architect and designer.
He also worked as a furniture and glass designer and wrote articles in Domus and Dedalo. Buzzi's slow departure from modernism accentuated after 1945, when he worked mainly as a private architect for the Italian aristocracy and the big bourgeoisie of the Volpi, Agnelli, etc.
Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.
Carlo Scarpa was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design.
Carlo Scarpa was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design.
Jules Louis Dupré was a French painter, one of the chief members of the Barbizon school of landscape painters. If Corot stands for the lyric and Rousseau for the epic aspect of the poetry of nature, Dupré is the exponent of its tragic and dramatic aspects.
Auguste Frédéric Dufaux the Younger was a Swiss painter and sculptor.
Auguste's father, painter and sculptor Frédéric Guillaume Dufaux (1820-1872), taught him to draw, then he entered the Geneva School of Fine Arts, continued his studies in Paris and Florence.
Dufaux painted lovely female portraits in genre and intimate scenes, children playing, and many depictions of nude women, often near water. He lived in Paris from 1876 to 1891 and participated in the Salon des Artistes Français. From his travels in Egypt and Algeria, Dufaux brought back paintings of local exotic subjects. Dufaux also worked on a panoramic painting of the French Army's entry into Le Verrière and executed several sculptures of famous personalities.
Eduard von Grützner was a German painter of the late 19th and early 20th centuries. He went down in the history of European art as a portrait painter and a brilliant master of genre.
Eduard von Grützner in most of his paintings depicted the life of monks, who usually appear to the audience in the images of merry rioters, leading a not ideal lifestyle. The public liked the original humorous style of the painter, and Grützner's work had many admirers.
Grützner was awarded the Royal Order of St. Michael and also received the title of honorary professor at the Munich Academy of Fine Arts. He also became a Knight of the Order of Civil Merit of the Bavarian Crown and received the title of nobleman, with the prefix "von" added to his last name.
Von Grützner is also known as a collector of art and antiques. For many years he collected masterpieces of the Gothic and Renaissance masters, and towards the end of his life he became interested in Far Eastern art.
Franz von Defregger was an Austrian artist known for producing genre art and history paintings set in his native county of Tyrol.