19./20. jahrhundert
Carl Friedrich Moritz Müller was a 19th century German realist painter and master of the genre.
Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Franz Johann Wilhelm Hünten was a 19th century German marine painter.
Carl Wuttke was a German painter of the last quarter of the nineteenth and first quarter of the twentieth centuries. He is known as a landscape and architectural painter.
Carl Wuttke traveled extensively, visiting Italy, Spain, Norway, Africa, the United States, China and Japan. He created many paintings, including paintings for German Emperor Wilhelm II. Wuttke, although he specialized in landscape, also painted genre scenes. His vivid colors and style make him one of the forerunners of Impressionism
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Albert Gleizes was a pioneering French artist, theoretician, and philosopher, renowned for his contributions to Cubism and his influence on the School of Paris. Born in Paris in 1881, Gleizes' artistic journey began in his late teens, inspired by Impressionism and later evolving through Post-Impressionist and Symbolist phases. His early work, such as "La Seine à Asnières" exhibited in 1902, showcases his initial foray into painting. Gleizes' commitment to developing art free from commercial constraints led him to co-found the Abbaye de Créteil, a self-supporting artist community, although it was short-lived due to financial difficulties.
Gleizes' exploration of Cubism began around 1910, in collaboration with artists like Jean Metzinger, with whom he wrote "Du Cubisme," the first major treatise on the movement. This period marked a significant shift in his style towards the geometric simplification of forms, a hallmark of Cubism. His works from this era, including "Portrait de Jacques Nayral" and "Landschaft bei Paris," exemplify his innovative approach to capturing the essence of subjects through cubist principles. Gleizes was also a member of the Section d'Or group, further establishing his role in the Cubist movement.
In addition to his painting, Gleizes was deeply involved in writing and promoting Cubism, influencing the acceptance and understanding of modern art globally, including his significant impact in New York. His later works, such as "Pour Contemplation," reflect a spiritual and theological depth, moving towards a synthesis of the physical and metaphysical. Gleizes' art is celebrated for its revolutionary approach to form and color, contributing significantly to the development of modern art. His works are held in prestigious collections worldwide, including the Tate Modern and the Musée des Beaux-Arts in Lyon.
For those intrigued by the revolutionary spirit and profound impact of Albert Gleizes on modern art, signing up for updates on new product sales and auction events related to his work offers a unique opportunity to connect with the legacy of this Cubist master. This subscription is an invaluable resource for collectors and experts in art and antiques, promising exclusive insights into the world of Albert Gleizes.
Wilhelm von Kobell was a German painter of the first half of the 19th century. He is known as a landscape painter, animalist and battle painter.
Von Kobell initially produced landscapes and animal paintings, but later focused mainly on battle painting. He visited Vienna and Paris between 1809 and 1810 to study this genre. His battle paintings, based on extensive research, are characterized by striking realism. They are important for the study of military history.
Eduard Thöny was a German caricaturist and illustrator known for his work for the journal Simplicissimus, to which he was invited to contribute by Albert Langen.
Edward Harrison Compton was a German landscape painter and illustrator of English descent.
Like his father he was inspired by the Alps to become a mountain painter (Bergmaler) working in both oils and watercolour. However, an attack of Polio at the age of 28 meant that he had to find more accessible landscapes to paint in Germany, England, northern Italy and Sicily. He also provided illustrations for several travel books published by A & C Black.
Edward Harrison Compton was a German landscape painter and illustrator of English descent.
Like his father he was inspired by the Alps to become a mountain painter (Bergmaler) working in both oils and watercolour. However, an attack of Polio at the age of 28 meant that he had to find more accessible landscapes to paint in Germany, England, northern Italy and Sicily. He also provided illustrations for several travel books published by A & C Black.
Edward Harrison Compton was a German landscape painter and illustrator of English descent.
Like his father he was inspired by the Alps to become a mountain painter (Bergmaler) working in both oils and watercolour. However, an attack of Polio at the age of 28 meant that he had to find more accessible landscapes to paint in Germany, England, northern Italy and Sicily. He also provided illustrations for several travel books published by A & C Black.
Alexander Max Koester was a German painter. He depicted coastal landscapes and still lifes with flowers. After the artist first presented one of his landscapes with a family of ducks in Berlin in 1899, he earned the nickname "Duck Koester." The "duck" paintings were extremely popular with art lovers.
Alexander Max Koester was a German painter. He depicted coastal landscapes and still lifes with flowers. After the artist first presented one of his landscapes with a family of ducks in Berlin in 1899, he earned the nickname "Duck Koester." The "duck" paintings were extremely popular with art lovers.