art & language
Geoffrey Chaucer was a medieval English poet and novelist, one of the founders of the literary English language.
Geoffrey Chaucer came from a wealthy family, in 1357 became a civil servant of Countess Elizabeth of Ulster and remained at the British court all his life. Later in his royal service, he traveled on diplomatic missions to France, Spain, and Italy. He made important contributions to the management of public affairs as a courtier, diplomat and civil servant. And very importantly, in these travels Chaucer was exposed to the works of Dante, Petrarch and Boccaccio, which later had a profound influence on his writing.
"The Canterbury Tales" became Geoffrey Chaucer's most famous and recognized work, although this voluminous work remained unfinished. He also wrote the popular science treatise "A Treatise on the Astrolabe", the historical poems "Troilus and Criseyde" and "Legends of Glorious Women", and many poems.
Geoffrey Chaucer is called the forerunner of the literature of the English Renaissance. He was the first to write works in his native language instead of Latin, for which he earned the title of "father of English poetry." Chaucer was buried in Westminster Abbey, and his grave became the first in the so-called "Poet's Corner", where Charles Dickens, Rudyard Kipling and Alfred Tennyson were later buried.
Hanne Darboven was a German conceptual artist known for her large-scale installations, drawings, and writings that explore the intersections of mathematics, language, and time.
Darboven studied at the Hochschule für Bildende Künste in Hamburg. In the 1960s, she became associated with the Conceptual Art movement, creating works that often involved systems of numerical and textual notation.
In the 1970s, Darboven began to produce her signature installations, which combined writing, drawing, and found objects to create immersive environments that explored complex systems of meaning and structure. One of her most famous works is "Kulturgeschichte 1880-1983", a monumental installation consisting of 1,590 framed sheets of paper, each containing a series of numbers, letters, and symbols that chart the course of modern history.
Throughout her career, Darboven continued to explore the relationship between language, numbers, and time, often drawing inspiration from her own life and experiences. She exhibited her work widely in Europe and the United States, and was the subject of numerous retrospectives and solo exhibitions.
Her legacy as a pioneering conceptual artist continues to be recognized and celebrated by the art world today.
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