art & language
Martin Wong was a Chinese-American painter of the late 20th century. His work has been described as a meticulous blend of social realism and visionary art styles. Wong's paintings often explored multiple ethnic and racial identities, exhibited cross-cultural elements, demonstrated multilingualism, and celebrated his queer sexuality.
Vincenzo Campi was a notable painter of the 16th century, widely recognized for his unique style that combined traditional subjects with everyday life. Campi's journey in the world of art was influenced by his family background, as he trained under his brother Giulio and was part of a family of Italian painters known for their contributions to Mannerist painting.
Vincenzo Campi's paintings stood out for their vivid depictions of market scenes and kitchen tableaux, focusing on everyday objects and food with an extraordinary level of realism. This approach was quite innovative for his time. His works like "Pescivendoli" (The Fishmongers, 1579) and "The Ricotta Eaters" (1580) are emblematic of his style, combining elements of still life and genre painting. In "The Ricotta Eaters," for instance, Campi artistically weaves together themes of food and sensuality, presenting a scene that is both a hymn to life and pleasure and a subtle commentary on social classes and morality.
Vincenzo Campi's paintings were not just mere representations of daily life; they often carried deeper social and cultural meanings. For instance, in his depiction of the lower working classes in "Fishmongers," he illustrated contemporary beliefs regarding food's appropriateness based on social hierarchy. The paintings of commoners consuming foods like beans, dark bread, and cheese, as shown in "The Ricotta Eaters," reflected the societal norms of the time regarding class and diet.
Vincenzo Campi's work did not only portray the peasants in a crude or humorous light, but also carried a sophisticated blend of comedy and criticism, reflecting a deeper understanding of the human condition and social structures of his time.
Campi's style and themes influenced other artists in Cremona and contributed to the development of genre painting in northern Italy. His work, in some ways, served as a precursor to Caravaggio’s realism that emerged in the subsequent decade.
For collectors and connoisseurs of art and antiques, Vincenzo Campi's paintings offer a unique window into the societal and cultural aspects of 16th-century Italy, blending everyday life with deeper social commentaries. His work continues to be an important part of the conversation in the history of art.
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Olafur Eliasson is an Icelandic–Danish artist known for sculptured and large-scale installation art employing elemental materials such as light, water, and air temperature to enhance the viewer's experience. In 1995 he established Studio Olafur Eliasson in Berlin, a laboratory for spatial research. In 2014, Eliasson and his long-time collaborator, German architect Sebastian Behmann founded Studio Other Spaces, an office for architecture and art. Olafur represented Denmark at the 50th Venice Biennale in 2003 and later that year installed The Weather Project, which has been described as «a milestone in contemporary art», in the Turbine Hall of Tate Modern, London.
Eucharius Rösslin the Elder or Eucharius Rößlin was a German medieval scholar, physician-midwife, and pharmacist.
In 1493 Eucharius became apothecary in Freiburg, and 13 years later was elected physician of the city of Frankfurt am Main. From there he moved to Worms, in the service of Katherine, Princess of Saxony and Duchess of Brunswick and Lüneburg. One of his duties was to oversee and supervise the city's midwives, whose ignorance led to a high infant and female mortality rate.
In order to remedy this, Eucharius wrote and published a book on midwifery called Der Rosengarten ("The Rose Garden for Pregnant Women and Midwives") in Strasbourg in 1513. It was in German and contained several engravings. The book proved very popular and soon became the standard medical textbook for midwives. For nearly two centuries it was the authoritative guide to midwifery in Europe, translated into seven languages and reprinted over a hundred times.
In 1517 Rösslin returned to work in Frankfurt and remained in that position until his death in 1526. His son, also named Eucharius Rösslin, succeeded him as city physician.
Ralf Winkler, alias A. R. Penck, was a German painter, printmaker, sculptor, and jazz drummer. A neo-expressionist, he became known for his visual style, reminiscent of the influence of primitive art.
Alighiero Fabrizio Boetti, known as Alighiero e Boetti, was an Italian conceptual artist, considered to be a member of the art movement Arte Povera.
Perhaps best known is Boetti's series of large embroidered maps of the world, called simply Mappa.
Joan Mitchell was an American painter, celebrated for her pivotal role in the Abstract Expressionist movement. Born in Chicago in 1925, Mitchell's work transcends the traditional boundaries of art, blending intense emotion with a deeply personal use of color and gesture. Her canvases are vast arenas where light, color, and texture merge to evoke landscapes, memories, and emotions. Unlike many of her contemporaries, Mitchell's art was not just about the act of painting but about capturing the essence of her experiences and emotions, making her a unique voice in 20th-century art.
Mitchell's paintings, characterized by their vibrant colors and dynamic brushstrokes, have been exhibited in some of the world's most prestigious museums and galleries. Notable works like "Hudson River Day Line" and "Bracket" found homes in institutions such as the Denver Art Museum and the San Francisco Museum of Modern Art (SFMOMA), respectively. These pieces exemplify Mitchell's ability to convey the complexity of nature and emotion, bridging the gap between abstract expressionism and the lyrical landscapes that inspired her.
Despite her critical acclaim, Mitchell's work was initially overshadowed by her male peers, selling for a fraction of their value. However, the 21st century has seen a significant reassessment of her contributions, with her paintings now commanding millions at auction. This shift is part of a broader reevaluation of women and minority artists in the art historical canon, reflecting changing perspectives on gender and creativity. Collectors and experts in art and antiques now recognize Joan Mitchell as a titan of post-war American painting, whose works continue to inspire and captivate audiences worldwide.
For those intrigued by the legacy of Joan Mitchell and the dynamic world of abstract expressionism, we invite you to sign up for updates. Our subscription service will keep you informed about new product sales and auction events related to Joan Mitchell's art, offering exclusive insights into one of the most influential artists of the 20th century.
Armand Pierre Fernandez, widely known by his mononym Arman, was a French-born American artist celebrated for his innovative contributions to the Nouveau Réalisme movement and his radical use of everyday objects in art. Born in Nice, France, on November 17, 1928, Arman's early exposure to art came from his father, an antiques dealer and amateur artist, which deeply influenced his later artistic endeavors.
Arman moved beyond traditional painting techniques early in his career, instead creating his signature "Accumulations" and "Poubelles" (trash) sculptures. These works involved assembling and compacting everyday items like watches, clocks, and even automobiles, embedding these objects in layers of concrete or encasing them in Plexiglas. One of his most notable large-scale works is "Long Term Parking," a 60-foot high sculpture made of concrete-encased cars, situated in Jouy-en-Josas, France.
His work is an essential bridge between European and American trends in Pop art and has been widely exhibited in major institutions like the Metropolitan Museum of Art in New York, the Tate Gallery in London, and the Centre Pompidou in Paris. Arman's innovative techniques and philosophical approach to materials challenged conventional categorizations of art and inspired future generations of artists.
For collectors and enthusiasts interested in staying updated on exhibitions and sales related to Arman's work, signing up for updates can provide essential insights and opportunities related to this influential artist. Join our community to ensure you don't miss out on new discoveries and auction events associated with Arman's legacy.
Juan Uslé Oceja is a Spanish contemporary painter. His work varies between abstraction and figurative representation. In 2002, he received the Premio Nacional de Artes Plásticas, a national arts prize awarded by the Ministerio de Cultura of Spain. He works both in New York City and in Saro in Cantabria.
Alexander Calder was an American artist celebrated for his revolutionary contributions to modern sculpture, including his invention of the mobile. Born into a family of artists on July 22, 1898, in Lawnton, Pennsylvania, and passing away on November 11, 1976, in New York, Calder harnessed his background in mechanical engineering to create kinetic sculptures that moved with air currents, alongside his monumental stationary sculptures known as "stabiles".
Calder's early life was marked by his creation of toys and various objects, showcasing his inherent talent and creativity from a young age. Despite initially pursuing a career in mechanical engineering, Calder's true calling in the arts was undeniable. He moved to New York City, where he enrolled at the Art Students League, laying the groundwork for his iconic artistic style. In 1926, Calder relocated to Paris, which became a pivotal moment in his career, leading to the creation of "Calder's Circus," a whimsical assembly of wire figures that gained him entry into the avant-garde art circles of Europe.
Throughout the 1930s and beyond, Calder's work evolved from figurative painting to abstract sculptures that brought motion into the realm of art, a transition influenced by his visit to Piet Mondrian's studio. His innovative mobiles and stabiles were celebrated for their ingenuity and aesthetic appeal, earning Calder international recognition and numerous accolades. Among his well-known public commissions are the .125 mobile for John F. Kennedy Airport and the monumental red-painted steel stabile, "Flamingo," for the Federal Center Plaza in Chicago.
Calder's legacy extends far beyond his sculptures; his work encompassed painting, printmaking, jewelry design, and even set and costume design for theatre productions. His influence on modern art is profound, inspiring future generations of artists to explore the kinetic possibilities of sculpture.
For art enthusiasts and collectors interested in Alexander Calder's groundbreaking work, staying informed about upcoming sales and auctions is essential. Sign up for updates to never miss an opportunity to own a piece by this influential American sculptor, highlighting his unique contributions to the art world.
