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Friedensreich Regentag Dunkelbunt Hundertwasser was an Austrian visual artist and architect who also worked in the field of environmental protection.
Hundertwasser stood out as an opponent of "a straight line" and any standardization, expressing this concept in the field of building design. His best known work is the Hundertwasserhaus in Vienna, which has become a notable place of interest in the Austrian capital, characterised by imaginative vitality and uniqueness.
Victor Hugo was a French poet, novelist, dramatist, and politician, celebrated for his profound impact on art, culture, painting, and history. Born on February 26, 1802, in Besançon, France, Hugo emerged as a pivotal figure in the Romantic literary movement. His illustrious career spanned over six decades, during which he authored numerous works in various genres.
Victor Hugo's legacy is particularly notable for his novels "The Hunchback of Notre-Dame" (1831) and "Les Misérables" (1862), which have left an indelible mark on literature and culture. These works not only showcase his storytelling prowess but also reflect his deep engagement with the social issues of his time. His commitment to addressing societal concerns is further evidenced by his active political life and advocacy for causes like the abolition of capital punishment and slavery.
Beyond his literary and political contributions, Victor Hugo was also an accomplished artist, having produced over 4,000 drawings throughout his lifetime. His passion for the arts and dedication to social causes cemented his status as a national hero in France. When he passed away on May 22, 1885, his significance was underscored by a state funeral at the Panthéon in Paris, attended by over 2 million people, making it the largest in French history.
For collectors and experts in art and antiques, Victor Hugo's multifaceted legacy offers a rich tapestry of creativity and commitment to explore. His works not only provide profound literary enjoyment but also serve as a window into the cultural and historical milieu of 19th-century France.
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Esteban Fekete was a Hungarian, German, and Argentine painter. He worked and experimented in different techniques - color woodcuts, oil paintings on canvas, wood or organelite. In his paintings we see the world of people, animals and their environment.
Utagawa Hiroshige (Japanese: 歌川 広重) was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.
Utagawa Hiroshige (Japanese: 歌川 広重) was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.
Utagawa Hiroshige (Japanese: 歌川 広重) was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.
Utagawa Kunisada (Jap. 歌川 国貞, also known as Utagawa Toyokuni III (Jap. 三代歌川豊国)) is the largest Japanese artist and master of color graphics (woodcuts) of the Edo period.
Utagawa Kunisada (Jap. 歌川 国貞, also known as Utagawa Toyokuni III (Jap. 三代歌川豊国)) is the largest Japanese artist and master of color graphics (woodcuts) of the Edo period.
