gemischte technik
Edgar Hofschen was a German artist.
Raimund Girke is a German artist known for his minimalist and monochromatic abstract paintings. He was at the origin of analytical painting, participated in the 1977 edition of Documenta VI in Kassel, Germany, and is widely known for his explorations of white.
Raimund Hirke belonged to a generation of young European artists who overcame the subjectivism of abstract expressionism and sought new, objective, reductive expressions based on scientific and mathematical principles. Girke's paintings were characterized by loose compositions and a limited colour palette, often with subtle variations in shades of white or grey.
Karl Otto Götz was a German artist, filmmaker, draughtsman, printmaker, writer and professor of art at the Kunstakademie Düsseldorf. He was one of the oldest living and active artists older than 100 years of age and is best remembered for his explosive and complex abstract forms. His powerful, surrealist-inspired works earned him international recognition in exhibitions like documenta II in 1959. Götz never confined himself to one specific style or artistic field. He also explored generated abstract forms through television art. Götz is one of the most important members of the German Art Informel movement.
Fritz Winter was a German painter of the postwar period best known for his abstract works in the Art Informel style.
Karl Fred Dahmen is a German artist, one of the most important representatives of German post-war art and the Informel movement. In 1967 he took up the post of Professor of Fine Arts at the Munich Academy.
He painted expressive abstract pictures with a tectonic structure, and since the mid-1950s, relief paintings and collages on the damage to the local landscape caused by open-pit mining. Later in Dahmen's oeuvre, glazed object boxes appear, recounting the impressions of his daily working life.
Gianfranco Baruchello is an Italian artist, poet and film director. He was a partner of Marcel Duchamp who introduced him to the New York art scene, Pop Art and American Abstract Expressionism.
Emil Schumacher was a German painter. He was an important representative of abstract expressionism in post-war Germany.
In 2009 the Kunstquartier Hagen was inaugurated combining the Karl Ernst Osthaus-Museum Hagen as well as the newly built Emil Schumacher Museum in one Museum complex.
Fritz Winter was a German painter of the postwar period best known for his abstract works in the Art Informel style.
Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively.
Walter Stöhrer is a German painter and graphic artist, a representative of gesture-figure painting.
He studied painting at the Academy of Arts in Karlsruhe and was a member of the Academy of Arts in Berlin.
Ulrich Erben is a German painter. From 1980 to 2005, he was a Professor of Painting at the Kunstakademie Münster (University of Fine Arts Münster). He is known as a master of the color field style of abstract painting, closely related to abstract expressionism, in which he creates tension between a defined surface structure, his own method of applying paint to a canvas, and the relationship of various shades of white or color to each other in their placement as part of a composition on the flat plane of a canvas. In 1986 and 2008, he was awarded the Konrad-von-Soest Prize for Visual Arts by the Landschaftsverband Westfalen-Lippe (Landscape Society Westphalia-Lippe).
Hans Staudacher is an Austrian avant-garde painter.
At first he studied painting on his own, then attended a school of painting in Carinthia, where he began to create small format abstract works in gray-black tones. Subsequently, the artist moved to Vienna, where he painted already larger multicolored paintings. He soon became a member of the Vienna Secession; his exhibitions at the Informel were groundbreaking in Austria at the time.
Between 1954 and 1962 he traveled repeatedly to Paris, where he began to study the arts of Tachisme (or Art-Informel) and Lettrisme. These two elements shaped Hans Staudacher's later artistic legacy. Beginning in the 1960s, his work moved into an abstract style, and these works are a unique combination of lyrical informel art and abstract expressionism.
Staudacher is the founder of the Austrian organization Art Informel. Hans Staudacher was awarded the title of professor in 1976. Among his many awards are the Grand Prize of the Tokyo Biennale in 1965, the Cultural Award of the Province of Carinthia in 1989, and the Golden Honor of the City of Vienna in 2004.
Gerhard Hoehme was a German expressionist painter.
Emil Schumacher was a German painter. He was an important representative of abstract expressionism in post-war Germany.
In 2009 the Kunstquartier Hagen was inaugurated combining the Karl Ernst Osthaus-Museum Hagen as well as the newly built Emil Schumacher Museum in one Museum complex.
Karl Heinz Bohrmann was a German painter, graphic artist and engraver.
Bernard Schultze was a German painter who co-founded the Quadriga group of artists along with Karl Otto Götz and two other artists.
Bernard Schultze was a German painter who co-founded the Quadriga group of artists along with Karl Otto Götz and two other artists.
Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
Julio González was a Spanish sculptor and painter. He was began his artistic career as a painter, but later turned to sculpture, becoming one of the most important figures in the development of modern sculpture in the 20th century.
González's work was heavily influenced by his interest in industrial materials, and he is known for his innovative use of iron and steel in sculpture. He was one of the first artists to use welding techniques in sculpture, and his work often features abstract forms and flowing lines.
González moved to Paris in 1900, where he became involved in the avant-garde art scene and formed close friendships with artists such as Pablo Picasso and Joan Miró. He continued to work as an artist throughout his life, producing a wide range of sculptures and paintings.
Today, his work is widely regarded as some of the most important in the history of modern sculpture, and his legacy has had a significant impact on the development of contemporary art. His sculptures can be found in collections around the world, including at the Museum of Modern Art in New York City and the Tate Gallery in London.
