sammlung alte meister
Rudolf von Alt was an Austrian watercolorist and landscape painter.
Rudolf studied at the Academy of Art in Vienna, painted architectural landscapes and portraits. In search of interesting views, he traveled extensively throughout Europe, worked for some time in Rome and Naples, visited the lakes of Lombardy, then Galicia, Bohemia, Bavaria. In 1863 Rudolf von Alt came to the Crimea to paint views of the Empress's estate, and in 1867 he traveled to Sicily.
Critics note his masterful command of watercolor, thanks to which the artist very realistically conveys the details of architecture and shades of light. Von Alta's later works reflect the trends of Impressionism.
Italo Valenti was an Italian painter of the Informel.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Franz Seraph Lenbach was a German painter known primarily for his portraits of prominent personalities from the nobility, the arts, and industry. Because of his standing in society, he was often referred to as the "Malerfürst" (Painter Prince).
Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.