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Karl Otto Götz was a German artist, filmmaker, draughtsman, printmaker, writer and professor of art at the Kunstakademie Düsseldorf. He was one of the oldest living and active artists older than 100 years of age and is best remembered for his explosive and complex abstract forms. His powerful, surrealist-inspired works earned him international recognition in exhibitions like documenta II in 1959. Götz never confined himself to one specific style or artistic field. He also explored generated abstract forms through television art. Götz is one of the most important members of the German Art Informel movement.
Günter Fruhtrunk was a German geometric abstract painter and printmaker whose work relates to op art.
Victor Vasarely, a seminal figure in the Op art movement, was a Hungarian-French artist celebrated for his pioneering contributions to geometric abstract art. Born Győző Vásárhelyi in Pécs, Hungary, in 1906, Vasarely's artistic journey led him to Paris, where he honed a distinctive style marked by optical illusions and kinetic art. By the late 1940s, he had developed his iconic approach, utilizing geometric shapes and a limited color palette to create artworks that seemed to move and vibrate. His work "Zebra," created in 1937, is often cited as one of the earliest examples of Op art, showcasing his fascination with creating the illusion of depth and movement on a flat surface.
Throughout the 1950s and 1960s, Vasarely's exploration into optical effects deepened, leading to significant series like his "Vega" works. These pieces are characterized by their illusionary three-dimensional space, seemingly pushing and pulling the viewer into the canvas. His dedication to optical and geometric abstraction was not just a pursuit of aesthetic innovation but also an exploration of the viewer's perception, making the observer an integral part of the artwork.
Vasarely's influence extended beyond the canvas, impacting architecture, sculpture, and even space exploration. In 1970, he founded the first museum dedicated to his works in Gordes, followed by the establishment of the Fondation Vasarely in Aix-en-Provence in 1976, showcasing his vision of integrating art with the environment. His artworks have found homes in prestigious institutions like the Museum of Modern Art and have been celebrated in exhibitions worldwide.
For collectors and experts in art and antiques, Vasarely's works offer a mesmerizing blend of scientific precision and artistic expression, encapsulating a moment in art history where the boundaries between viewer and artwork blurred. His legacy is a testament to the power of visual perception and the endless possibilities of abstract art.
For those interested in delving deeper into Victor Vasarely's visionary world and perhaps acquiring a piece of this history, signing up for updates on new product sales and auction events related to Vasarely's works is highly recommended. Stay informed and embrace the opportunity to own a part of the optical and geometric abstraction movement that Vasarely so brilliantly pioneered.
Gerd Winner is a contemporary German painter, sculptor, graphic artist, printmaker and university lecturer.
Michael van Ofen is a German artist who lives and works in Düsseldorf, Germany.
Van Ofen's works are based on well-known paintings from the nineteenth century. He takes them apart into pictorial elements and reassembles them like a mosaic or a puzzle, in the process creating a new work, alienated from its roots, but faithful to its original idea and form. The objects in the artist's works are divided down to the brushstrokes, they are usually dominated by a single color.
Thomas Huber is a Swiss contemporary artist renowned for his ability to weave metaphysical narratives and architectural elements into his figurative paintings. Thomas Huber has cultivated a unique artistic language that explores the relationship between space, reality, and perception through a blend of surreal scenarios and precise perspective.
Thomas Huber's work is characterized by its introspective quality, often described as "paintings about paintings," reflecting on the nature of art itself. His style, marked by clean lines and a cool, detached aesthetic, uses architecture and space to question the boundaries between illusion and reality. This approach has led to a body of work that is both ironic and timeless, inviting viewers into a fantasy world constructed from complex symbols and contradictory elements.
Throughout his career, Huber has received numerous accolades, including the prestigious Prix Meret Oppenheim in 2013 and the Art Prize of the Heitland Foundation in 2005. His works are part of significant collections in both Germany and France, and he has been featured in solo and group exhibitions worldwide.
One of Thomas Huber's recent exhibitions, "Lago Maggiore" at MASI Lugano, showcases a series of large-scale paintings and watercolors inspired by the breathtaking views of Lake Maggiore. This body of work represents a pictorial homecoming for Huber, reflecting a shift in his artistic focus towards nature and the landscapes of his youth. The exhibition not only highlights Huber's transition from architectural to natural themes but also maintains his signature exploration of the imaginary and real through meticulous composition and atmospheric depth.
For collectors and experts in art and antiques, Thomas Huber's oeuvre offers a rich exploration of the intersections between art, architecture, and the metaphysical. His ability to challenge and redefine perceptions of reality through his work makes him a significant figure in contemporary art.
To discover more about Thomas Huber's work and to stay updated on new sales and auction events related to his art, signing up for updates is highly recommended. This subscription is a valuable resource for anyone interested in the evolving landscape of contemporary art and the unique contributions of Thomas Huber.
Friedrich Gräsel was a German sculptor, painter and graphic artist. He was known for his kinetic sculptures, which often incorporated light, sound, and movement.
Gräsel studied at the Academy of Fine Arts Nuremberg and later taught at the Academy of Fine Arts Munich. He began creating kinetic sculptures in the 1960s, using a wide range of materials such as metal, wood, and plastic to create dynamic, interactive works of art.
Gräsel's sculptures often feature intricate mechanisms and complex systems of movement, inviting viewers to engage with the work on a sensory level. His work frequently incorporates elements of humor and whimsy, while also exploring deeper themes related to technology, nature, and the human condition.
Gräsel exhibited his work extensively throughout Europe, including at the Venice Biennale, Documenta in Kassel, and the Museum of Modern Art in Paris. He was also awarded numerous honors and awards for his work, including the Bavarian Order of Merit in 1987 and the Art Prize of the City of Nuremberg in 1997.
Bernd Berner is a German painter and graphic artist.
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Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Norbert Prangenberg was an abstract painter, sculptor, and engraver. Though he had no formal training and did not fully engage with art until his 30s, Prangenberg did finally come up with a style that was uniquely his own, not fitting comfortably into the neo-expressionist or neo-geo movements of his time, in the 1970s and 1980s. At this time, he was considered a major figure in contemporary German art. Though he got his start with abstract paintings, he also became known for making sculptures of all sizes; and while his work initially appears abstract, the titles given sometimes allude to the human body or a landscape. As a trained gold- and silversmith, as well as a glassblower, he always showed an attention to materials and how they could be physically engaged with. He was interested in how his own two hands could affect the painting or sculpture's surface. Traces of the artist's hand appear literally throughout his entire oeuvre, before he lost the battle with liver cancer in 2012.
Norbert Prangenberg was an abstract painter, sculptor, and engraver. Though he had no formal training and did not fully engage with art until his 30s, Prangenberg did finally come up with a style that was uniquely his own, not fitting comfortably into the neo-expressionist or neo-geo movements of his time, in the 1970s and 1980s. At this time, he was considered a major figure in contemporary German art. Though he got his start with abstract paintings, he also became known for making sculptures of all sizes; and while his work initially appears abstract, the titles given sometimes allude to the human body or a landscape. As a trained gold- and silversmith, as well as a glassblower, he always showed an attention to materials and how they could be physically engaged with. He was interested in how his own two hands could affect the painting or sculpture's surface. Traces of the artist's hand appear literally throughout his entire oeuvre, before he lost the battle with liver cancer in 2012.
Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively.
Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively.
