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Carl Buchheister was a German constructivist artist noted for his multiple series of "model paintings"at Galerie Lambert Weyl, Paris. which he began in 1925. He was born in Hanover, Germany. Although he was not officially part of the Bauhaus movement, Buchheister was a close friend of Wassily Kandinsky and paralleled many of the social and artistic goals of the Bauhaus school. With regard to constructivism, Buchheister was typically more playful and improvisational than his contemporaries, becoming interested in the Dada movement after a collaboration with Kurt Schwitters in the late 1920s which led him to incorporate more varied materials such as acrylic glass, aluminum, wood, and twine into his compositions. This direction was given much freer rein after World War II and the end of Nazism. He died in Hanover in 1964.
![[Бивуак русских войск на Елисейских Полях в Париже по состоянию на 31 марта 1814 г.]. Bivouac des troupes Russes aux Champs Elisées a Paris au 31 Mars 1814. 1814. Гравюра на стали, акварель. 30,5 x 40,6 см.](/assets/image/picture_2303678/13986/mswzqoo1imnovara15l1cdfwnenyll2l1zyootq5o7-rbnnlj4v2-yzect46tkzr1659663050jpg__fix_374_244.jpeg)
![[Бивуак русских войск на Елисейских Полях в Париже по состоянию на 31 марта 1814 г.]. Bivouac des troupes Russes aux Champs Elisées a Paris au 31 Mars 1814. 1814. Гравюра на стали, акварель. 30,5 x 40,6 см.](https://veryimportantlot.com/assets/image/picture_2303678/13986/mswzqoo1imnovara15l1cdfwnenyll2l1zyootq5o7-rbnnlj4v2-yzect46tkzr1659663050jpg__fix_374_244.jpeg)
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Rembrandt Harmenszoon van Rijn, a Dutch Baroque painter and printmaker, was born on July 15, 1606, in Leiden, Netherlands, and died on October 4, 1669, in Amsterdam. He is celebrated as one of the greatest storytellers in art history, acclaimed for his adept portrayal of human emotions and dramatic narratives. Rembrandt's extensive oeuvre includes portraits, self-portraits, landscapes, genre scenes, allegorical, historical, and biblical themes, as well as animal studies. His artistry shined during the Dutch Golden Age, a period marked by cultural and scientific achievements in the Netherlands.
Rembrandt's education in art began around the age of 10 when he left the Latin School in Leiden to train as an artist. He apprenticed with artists like Jacob van Swanenburg and Pieter Lastman, mastering various aspects of painting. He opened his own studio in Leiden around 1624 or 1625, sharing it with his colleague Jan Lievens. By 1631, he had moved to Amsterdam, where he achieved significant success and trained many important Dutch painters.
Among Rembrandt's notable works are "The Anatomy Lesson of Dr. Nicolaes Tulp" (1632), "The Night Watch" (1642), and "The Syndics of the Amsterdam Drapers’ Guild" (1662). He was also renowned for his self-portraits, creating around 80 over his lifetime, more than any other artist until the 20th century. These self-portraits were not just artistic endeavors but also experiments with facial expressions and lighting effects. Additionally, Rembrandt was a master etcher, transforming etching from a reproductive technique into an art form.
Rembrandt's painting style is characterized by its dramatic use of light and shadow, known as chiaroscuro. His ability to depict materials realistically was unparalleled; his portrayal of metals and fabrics was so lifelike that they appeared to glow and be tangible. He was also known for his impasto technique, applying paint thickly to the canvas, adding a three-dimensional quality to his works.
Despite his artistic prowess, Rembrandt faced financial difficulties and personal tragedies throughout his life. He declared bankruptcy in 1656, a downfall attributed partly to his extensive collection of art objects and curiosities. His masterpieces, however, continued to garner appreciation and influence generations of artists that followed.
For collectors and experts in art and antiques, Rembrandt's works represent a pinnacle of artistic achievement in the Dutch Golden Age. His mastery in portraying the human condition and his innovative techniques in painting and etching make his works highly prized and influential in the art world.
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Richard Dean Tuttle is an American postminimalist artist known for his small, casual, subtle, intimate works. His art makes use of scale and line. His works span a range of formats, from sculpture, painting, drawing, printmaking, and artist’s books to installation and furniture.
Günther Förg was a German painter, graphic designer, sculptor and photographer. His abstract style was influenced by American abstract painting.
Jenny Holzer is an American neo-conceptual artist, based in Hoosick, New York. The main focus of her work is the delivery of words and ideas in public spaces and includes large-scale installations, advertising billboards, projections on buildings and other structures, and illuminated electronic displays.
Holzer belongs to the feminist branch of a generation of artists that emerged around 1980, and was an active member of Colab during this time, participating in the famous The Times Square Show.
Rebecca Horn is a German visual artist, who is best known for her installation art, film directing, and her body modifications such as Einhorn (Unicorn), a body-suit with a very large horn projecting vertically from the headpiece. She directed the films Der Eintänzer (1978), La ferdinanda: Sonate für eine Medici-Villa (1982) and Buster's Bedroom (1990). Horn presently lives and works in Paris and Berlin.
François Morellet was a French contemporary abstract painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art and he played a prominent role in the development of geometrical abstract art and post-conceptual art.
François Morellet was a French contemporary abstract painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art and he played a prominent role in the development of geometrical abstract art and post-conceptual art.
Günther Förg was a German painter, graphic designer, sculptor and photographer. His abstract style was influenced by American abstract painting.
Peter Fischli and David Weiss, often shortened to Fischli/Weiss, were a Swiss artist duo that collaborated beginning in 1979. Their best-known work is the film Der Lauf der Dinge (1987), described by The Guardian as being "post apocalyptic", as it concerned chain reactions and the ways in which objects flew, crashed and exploded across the studio in which it was shot.
Sigmar Polke was a German painter and photographer.
Polke experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products. In the last 20 years of his life, he produced paintings focused on historical events and perceptions of them.
Emil Schumacher was a German painter. He was an important representative of abstract expressionism in post-war Germany.
In 2009 the Kunstquartier Hagen was inaugurated combining the Karl Ernst Osthaus-Museum Hagen as well as the newly built Emil Schumacher Museum in one Museum complex.
Pieter Brueghel the Younger was a Flemish artist celebrated for his detailed landscapes, religious themes, proverbs, and vibrant village scenes. Despite being the son of the illustrious Pieter Bruegel the Elder, Brueghel the Younger carved out his own niche in the art world, earning the moniker 'Hell Brueghel' for his dynamic scenes of fires and energetic copies of his father's peasant life portrayals.
Brueghel the Younger's original creations, such as "The Village Lawyer," showcase his keen observation of village life, merging the energy and boldness of 17th-century style with his father's idiom. His work is characterized by its lively, picturesque depiction of peasants, albeit some critics argue they lack the subtlety and humanism of his father's creations. Despite this, Brueghel the Younger's legacy includes a significant number of original works and copies that were rediscovered in the 20th century, highlighting his contribution to the Flemish painting tradition.
His workshop was known for its prolific output, especially in producing copies of Bruegel the Elder's compositions, a testament to the enduring popularity and influence of the Bruegel family's artistic legacy. However, Brueghel the Younger also impressed with his unique compositions, contributing to the genre of still life and village scenes with a distinct style that resonated well into modern times.
For collectors and experts in art and antiques, Pieter Brueghel the Younger's works represent an important period in Flemish art, offering insights into the evolution of genre painting and the detailed portrayal of rural life. His paintings, held in esteemed collections worldwide, continue to be studied and admired for their vibrancy, narrative quality, and historical value.
To explore more about Pieter Brueghel the Younger and to stay updated on sales and auction events related to his work, signing up for specialized updates can offer exclusive insights into the world of this influential Flemish painter. This subscription ensures enthusiasts and collectors are well-informed about developments related to Brueghel the Younger's oeuvre, enhancing their appreciation and understanding of his artistic legacy.
Norbert Prangenberg was an abstract painter, sculptor, and engraver. Though he had no formal training and did not fully engage with art until his 30s, Prangenberg did finally come up with a style that was uniquely his own, not fitting comfortably into the neo-expressionist or neo-geo movements of his time, in the 1970s and 1980s. At this time, he was considered a major figure in contemporary German art. Though he got his start with abstract paintings, he also became known for making sculptures of all sizes; and while his work initially appears abstract, the titles given sometimes allude to the human body or a landscape. As a trained gold- and silversmith, as well as a glassblower, he always showed an attention to materials and how they could be physically engaged with. He was interested in how his own two hands could affect the painting or sculpture's surface. Traces of the artist's hand appear literally throughout his entire oeuvre, before he lost the battle with liver cancer in 2012.
