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David Cox was a British landscape painter, celebrated for his pivotal role in the Birmingham School of landscape artists and as a precursor to Impressionism. Born in Birmingham in 1783, Cox initially worked in his hometown as a scene painter before pursuing a career in watercolors and, later, oils in London. His paintings are renowned for their dynamic depiction of the English and Welsh countryside, capturing the sublime effects of weather and light with a loose, expressive brushwork that distinguished him from his contemporaries.
Throughout his career, Cox experimented with various materials, notably adopting what came to be known as "Cox Paper," a rough paper that enhanced the textural effects of his watercolors. His works are held in high esteem and are part of collections in major museums, including The Metropolitan Museum of Art and the Tate Gallery, where his notable works such as "Journey Home" and "Rhyl Sands" are displayed.
In the latter years of his life, Cox returned to Birmingham, where he continued to innovate in both watercolors and oils until his death in 1859. His contributions to the landscape genre have left a lasting impact on the field of British art.
For collectors and art experts interested in David Cox's work, staying updated on sales and auction events can provide opportunities to acquire pieces by this influential artist. Sign up here to receive updates exclusively related to David Cox's artwork.
Thomas Miles Richardson II was an English landscape painter and watercolourist.
Jules Pascin, born Julius Mordecai Pincas, was a Bulgarian-born American painter and draftsman. He studied art in Vienna, Munich, and Paris, where he settled in 1905.
Pascin became known for his portraits and nudes, which often featured elongated figures and fluid lines. He was also noted for his use of watercolors and his depictions of Parisian nightlife, cafes, and brothels. His work was influenced by the Fauvists and the German Expressionists.
Pascin was a member of the Montparnasse artistic community in Paris, and he was friends with many of the leading artists and writers of the day, including Pablo Picasso, Henri Matisse, and Ernest Hemingway. He was married twice, but his personal life was marked by numerous affairs and a struggle with alcoholism.
His work is held in many major collections, including the Museum of Modern Art in New York and the Art Institute of Chicago.
Elisabeth Sonrel was a French painter and illustrator in the Art Nouveau style. Her works included allegorical subjects, mysticism, symbolism, portraits, and landscapes.
Léon Augustin Lhermitte was a French naturalist painter and etcher whose primary subject matter was rural scenes depicting peasants at work.
Maurice Brazil Prendergast was an American post-Impressionist painter known for the vibrant and saturated colors he used in his work, mostly in the genre of landscape and urban life. In 1886 Prendergast moved to Paris, where he studied at the École Julien under the tutelage of the masters of Impressionism, including Paul Cézanne, who had a great influence on Prendergast's style.
After his return to the United States in 1891, Prendergast became a popularizer of Impressionism in the United States. His work became brighter and more saturated in color than other American artists of the time, and he began to use a dotted style similar to the technique of divisionism. His paintings became similar to tapestries or mosaics.
Prendergast became a member of a group of artists known as the Founders of American Art, who advocated the use of bright and saturated colors instead of the muted and earthy tones adopted in traditional American art. Prendergast left behind a legacy that laid the foundation for the development of Post-Impressionism and Modernism in American art.
Los Carpinteros is a Cuban artist collective founded in Havana in 1992 by Marco Antonio Castillo Valdes, Dagoberto Rodriguez Sanchez, and Alexandre Arrechea (who left the group in 2003).
In their work the artists incorporate aspects of architecture, design and sculpture to create installations and drawings that “negotiate the space between the functional and the nonfunctional", where they derive their “inspiration from the physical world” and express their interest in the intersection of art and society in a humorous manner. Los Carpinteros create a response to places, spaces and objects, how they have been conceived, built, used and abandoned.
Maurice Denis, a French painter and writer, was an influential figure in the transition from impressionism to modern art. Born on November 25, 1870, in Granville, France, Denis's artistic journey began at the Académie Julian in Paris. Here, he met future collaborators like Paul Sérusier and Pierre Bonnard, with whom he later formed the Nabis group, a collective deriving its name from the Hebrew word "Nabi," meaning "Prophet".
Denis's style evolved from neoimpressionism, influenced by artists like Seurat, to a more decorative and colorful approach under the influence of Gauguin. This shift is evident in works like "Taches du soleil sur la terrace" (1890). He famously stated, "Art is no longer a visual sensation... it is a creation of our spirit," highlighting his belief in art as an idealistic expression, transcending mere imitation of nature.
Denis was also impacted by Japanese art, which influenced his compositions and styles, contributing to his unique and recognizable approach. His philosophy on art, encapsulated in his 1890 essay published in "Art et Critique," emphasized the importance of color and form in creating emotional depth, a notion that laid the groundwork for modernism. He argued that a painting's essence lies in its colors and composition, rather than its subject matter.
Throughout his career, Denis's work evolved towards a more classical approach. His involvement with the Ateliers d'Art Sacré, founded in 1919, demonstrated his interest in religious art and decoration. His notable works include "The Legend of Saint Hubert" (1897) and "The History of Music" for the Théâtre des Champs Elysées (1912-1913).
Tragically, Maurice Denis's life ended on November 13, 1943, when he was struck by a truck during the German occupation of Paris. However, his legacy endures through his contributions to modern art and symbolism, his influence on fellow artists, and his works displayed in various museums and galleries.
For collectors and art experts, Denis's work offers a unique glimpse into the evolution of modern art. His blend of symbolism, color, and form marks a significant shift in art history. To stay updated on new sales and auction events related to Maurice Denis's work, sign up for our newsletter. This subscription will keep you informed about the latest developments in the world of this remarkable artist.
Marc Chagall (Russian: Марк Заха́рович Шага́л), born Moishe Shagal in 1887 near Vitebsk, Belarus (then part of the Russian Empire), was a Belarusian and French artist celebrated for his pivotal role in the avant-garde movement and his unique integration of Eastern European Jewish culture into modern art. His contributions spanned several artistic formats including painting, stained glass, stage sets, ceramics, tapestries, and fine art prints. Chagall's early modernist tendencies were enriched by his experiences across Saint Petersburg, Paris, and Berlin before World War I, leading to a distinctive style that melded Cubism, Symbolism, and Fauvism with his Jewish heritage.
Chagall's work is recognized for its emotional depth, often exploring themes of love, memory, and Jewish folklore through vibrant colors and dreamlike imagery. Notably, art critic Robert Hughes described him as "the quintessential Jewish artist of the twentieth century," a sentiment echoed by art historian Michael J. Lewis who regarded Chagall as a significant figure within European modernism and as the world's preeminent Jewish artist of his time.
Among Chagall's famed contributions are his stained-glass windows for the cathedrals of Reims and Metz, the UN, and the Jerusalem Windows in Israel. His monumental paintings include parts of the ceiling of the Paris Opéra and works that explore biblical themes, a hallmark of his oeuvre that underscores his enduring engagement with spiritual and religious motifs.
For art collectors and antiques experts, Chagall's works are notable not only for their artistic innovation but also for their rich cultural and historical significance. His art is housed in many prestigious museums worldwide, including the Marc Chagall National Museum in Nice, France, which focuses on his works inspired by religion and houses the series of paintings illustrating the biblical message.
For those interested in exploring Chagall's legacy and the vibrant intersection of culture, art, and history his work represents, signing up for updates on new product sales and auction events related to Marc Chagall can provide invaluable insights and opportunities. This is an invitation to engage more deeply with the world of art and culture that Chagall so uniquely encapsulated in his work.
Julio Galán was a Mexican artist and architect. Galán was one of Latin America's neo-expressionist painters of the end of the last century and the beginning of this one. His paintings and collages are full of elements that usually represent his life.
Louis-François Cassas was a distinguished French landscape painter, sculptor, architect, archeologist and antiquary.
Besides his architectural and archaeological drawings and sketches, he drew numerous costumes studies, views and processions, as well as scenes from daily life, plants and animals of all sorts. He also exhibited views of his travels at the "Salons", which were periodic art exhibitions sponsored by the French Académie Royale, in 1804 and 1814, and published Picturesque views of the Principal Sites and Monuments of Greece, of Sicily, and of the Seven Hills of Rome, of which thirty parts had already been published by 1813.
Milton Clark Avery was an American artist who, with his wife, the artist Sally Michelle Avery, created his own "Avery style. Avery was one of the most influential abstract artists in the United States in the mid-20th century.
His work is characterized by bright colors and recognizable geometric shapes. He often used these elements to create abstract compositions in which he placed great emphasis on the harmony of color and line. In addition to abstract works, Avery also created figurative paintings, often depicting landscapes and portraits. He used bright colors and strong contrasts to create emotional depth in his works.
Avery's work is held in many museums, including the Museum of Modern Art in New York, the Guggenheim Museum, and the National Gallery of Art in Washington, DC.
Remigio Cantagallina was an Italian etcher active in the Baroque period.
