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Walter Ophey was a German artist. He was known for his modernist paintings, which often depicted landscapes and still-life scenes.
Ophey studied at the Academy of Fine Arts in Düsseldorf. His early work was influenced by Impressionism, but he later became associated with the Expressionist movement.
In 1909 Ophey, together with some other Düsseldorf artists, formed the artistic group the Special Union (Sonderbund). The first chairman of the Special Union was the well-known German philanthropist and collector Carl Ernst Osthaus. In the following years this group became one of the most powerful avant-garde art movements in Germany.
Ophey's paintings are characterized by their bright colors and bold, simplified forms. He often depicted rural landscapes and still-life scenes, infusing them with a sense of emotional intensity. He was also known for his use of color, which he used to convey mood and atmosphere.
Ophey's work was exhibited extensively during his lifetime, including at the Berlin Secession and the Salon d'Automne in Paris. Despite his relatively short career, he was recognized as an important figure in the development of modernist painting in Germany.
Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.
Friedrich Kallmorgen was a German Impressionist painter who specialized in landscapes and cityscapes.
Walter Moras was a German landscape painter.
His favorite subject was provincial Germany: roads among the trees, rivers and streams, villages and mills. Moras is deservedly considered a master of winter landscapes. He was a realist painter, but he did not avoid some influence of impressionism in his works.
Eugen Felix Prosper Bracht was a German landscape painter.
A late Romanticist painter, Bracht was known for his moody landscapes and coastal scenes in North Germany, and began a sketching trip through Syria, Palestine and Egypt from 1880 to 1881. In 1882, he became a Professor of Landscape Painting at the Prussian Academy of Arts.
Later, Bracht became a representative of German Impressionism.
In 1901, he obtained a teaching position at the Dresden Academy of Fine Arts that he held until 1919.
Henri Joseph Harpignies was a French landscape painter of the Barbizon school.
Josef Kolschein the Younger was a German painter, draughtsman and printmaker. He studied painting at the Düsseldorf Academy of Art in Eugen Dücker's landscape class.
Josef Kolshain the Younger advocated plein air painting and, influenced by French impressionism, sought a new colourful representation of landscapes. The artist followed this style throughout his career.
Walter Moras was a German landscape painter.
His favorite subject was provincial Germany: roads among the trees, rivers and streams, villages and mills. Moras is deservedly considered a master of winter landscapes. He was a realist painter, but he did not avoid some influence of impressionism in his works.
Gustav Kampmann was a German landscape painter and graphic artist. His work includes landscape paintings and lithographs, rarely with persons, sometimes with architectural elements. Kampmann has developed a personal, highly idiosyncratic style that impresses us with its openness, merely addressing motives, and spontaneous gesture. His works have a painterly freedom and a degree of abstraction that was not typical for that time.
Ludwig Knaus was a German genre painter of the younger 7 Düsseldorf school of painting.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Alessandro Turchi was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Orbetto. His style has been described as soft and Caravaggesque at the same time.
George Leslie Hunter was a Scottish painter, regarded as one of the four artists of the Scottish Colourists group of painters.
Alessandro Allori, full name Alessandro di Cristofano di Lorenzo del Bronzino Allori, was an Italian painter of the Florentine school of late Mannerism.
Allori was one of the major artists of Florence in the late 16th century. He painted prostrate images and portraits. His son Cristofano Allori (1577-1621) also became an artist.
George Leslie Hunter was a Scottish painter, regarded as one of the four artists of the Scottish Colourists group of painters.
