картина на бумаге
![Гоген, П. Ноа-ноа: Путешествие на Таити / Поль Гогэн; Пер. О.И.Ш.; Ред. и вступ. ст.: [Поль Гогэн] Я. Тугендхольда.](/assets/image/picture_1793616/678a7/jhg2slzjwmrldiogieavacebgingnvk3zb8fzwax5oblo4mf5a3fpb7ukdyijr1635872357jpg__fix_374_244.jpeg)
![Гоген, П. Ноа-ноа: Путешествие на Таити / Поль Гогэн; Пер. О.И.Ш.; Ред. и вступ. ст.: [Поль Гогэн] Я. Тугендхольда.](https://veryimportantlot.com/assets/image/picture_1793616/678a7/jhg2slzjwmrldiogieavacebgingnvk3zb8fzwax5oblo4mf5a3fpb7ukdyijr1635872357jpg__fix_374_244.jpeg)
![Жирар де Пропиак, К.Ж.Ф. Достопамятности в мире, или Описание существующих на Земле редких произведений природы и искуства [в 4 т.] / Изд. г. Пропиаком.; пер. с фр.; с картинами.](/assets/image/picture_1905685/02329/o74zmsiz-2cey4zu42nc3lptthxqyp3mad75g8vo2as0u-z9g-jtmzbhgunvsdw71639497058jpg__fix_374_244.jpeg)
![Жирар де Пропиак, К.Ж.Ф. Достопамятности в мире, или Описание существующих на Земле редких произведений природы и искуства [в 4 т.] / Изд. г. Пропиаком.; пер. с фр.; с картинами.](https://veryimportantlot.com/assets/image/picture_1905685/02329/o74zmsiz-2cey4zu42nc3lptthxqyp3mad75g8vo2as0u-z9g-jtmzbhgunvsdw71639497058jpg__fix_374_244.jpeg)
![[Толстой, Л.Н. Анна Каренина: в 2 т]. Tolstoy, L. Anna Karenin: [in 2 v.] / by Leo Tolstoy; translated by Constance Garnett.](/assets/image/picture_1793598/7344f/f2exv6lruhunazagllyml9mp2zwhk3sizyarl8dpgc-jdmctkkvpl-lxv-nbvtl1635871025jpg__fix_374_244.jpeg)
![[Толстой, Л.Н. Анна Каренина: в 2 т]. Tolstoy, L. Anna Karenin: [in 2 v.] / by Leo Tolstoy; translated by Constance Garnett.](https://veryimportantlot.com/assets/image/picture_1793598/7344f/f2exv6lruhunazagllyml9mp2zwhk3sizyarl8dpgc-jdmctkkvpl-lxv-nbvtl1635871025jpg__fix_374_244.jpeg)
![Фаррар, Ф.В. Жизнь Иисуса Христа [в 2 т.] / [Соч.] Ф.В. Фаррара; новый перевод с 30-го английскаго издания А.П. Лопухина. — 8-е изд. (иллюстрированное 3-е).](/assets/image/picture_1905644/9d6b2/4hbom9sruzxuzrqipcpxbneiaeiivbhdgbu24rv0jhxibdbvmnvmkgfacskeu3bc1639497058jpg__fix_374_244.jpeg)
![Фаррар, Ф.В. Жизнь Иисуса Христа [в 2 т.] / [Соч.] Ф.В. Фаррара; новый перевод с 30-го английскаго издания А.П. Лопухина. — 8-е изд. (иллюстрированное 3-е).](https://veryimportantlot.com/assets/image/picture_1905644/9d6b2/4hbom9sruzxuzrqipcpxbneiaeiivbhdgbu24rv0jhxibdbvmnvmkgfacskeu3bc1639497058jpg__fix_374_244.jpeg)
Vasily Vasilievich Vereshchagin (Russian: Васи́лий Васи́льевич Вереща́гин) was a Russian painter and writer of the second half of the 19th century. He is known as a painter, one of the most brilliant battle painters of his time.
Vasily Vereshchagin traveled extensively and visited several wars. His paintings demonstrated the inhumanity of war and its catastrophic consequences, such as one of his most famous works, The Apotheosis of War. The master's work also includes exotic landscapes and everyday scenes.
Natalia Sergeevna Goncharova (Russian: Ната́лья Серге́евна Гончаро́ва) was a pivotal Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer, celebrated for her groundbreaking contributions to several art movements including Rayonism, Futurism, and Cubism. Born in Russia in 1881, Goncharova's artistic journey was marked by her vibrant exploration of Eastern and Western traditions, making her a leading figure in Russian modernism before she relocated to Paris in 1921, where she continued her artistic endeavors until her death in 1962.
Goncharova's work was distinguished by her engagement with the avant-garde, notably through her involvement with movements and groups such as Jack of Diamonds, Donkey's Tail, and Der Blaue Reiter. Her innovative approach blended Primitivism with Russian folk art (luboks), iconography, and modern European styles, making her work highly influential and controversial in its time. For instance, her series "Mystical Images of War" showcased her unique method of merging contemporary events with traditional forms.
Her later years in Paris were characterized by a continued pursuit of innovation, as evidenced by her designs for ballet costumes and sets, further cementing her legacy in the art world. Goncharova's collaborations with notable figures such as her partner Mikhail Larionov and her contributions to the Ballets Russes highlight her versatile talent and enduring influence on both Russian and French avant-garde art scenes.
For collectors and experts in art and antiques, Goncharova's work offers a rich exploration of avant-garde movements and the blending of cultural traditions. Her bold experimentation and pioneering spirit make her pieces highly sought after in the art community.
To stay updated on new discoveries, sales, and auction events related to Natalia Sergeevna Goncharova, sign up for our newsletter. This subscription is your gateway to the latest in the world of avant-garde art, ensuring you're always informed about opportunities to add to your collection.
Arthur Wardle was a British animal painter.
Natalia Sergeevna Goncharova (Russian: Ната́лья Серге́евна Гончаро́ва) was a pivotal Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer, celebrated for her groundbreaking contributions to several art movements including Rayonism, Futurism, and Cubism. Born in Russia in 1881, Goncharova's artistic journey was marked by her vibrant exploration of Eastern and Western traditions, making her a leading figure in Russian modernism before she relocated to Paris in 1921, where she continued her artistic endeavors until her death in 1962.
Goncharova's work was distinguished by her engagement with the avant-garde, notably through her involvement with movements and groups such as Jack of Diamonds, Donkey's Tail, and Der Blaue Reiter. Her innovative approach blended Primitivism with Russian folk art (luboks), iconography, and modern European styles, making her work highly influential and controversial in its time. For instance, her series "Mystical Images of War" showcased her unique method of merging contemporary events with traditional forms.
Her later years in Paris were characterized by a continued pursuit of innovation, as evidenced by her designs for ballet costumes and sets, further cementing her legacy in the art world. Goncharova's collaborations with notable figures such as her partner Mikhail Larionov and her contributions to the Ballets Russes highlight her versatile talent and enduring influence on both Russian and French avant-garde art scenes.
For collectors and experts in art and antiques, Goncharova's work offers a rich exploration of avant-garde movements and the blending of cultural traditions. Her bold experimentation and pioneering spirit make her pieces highly sought after in the art community.
To stay updated on new discoveries, sales, and auction events related to Natalia Sergeevna Goncharova, sign up for our newsletter. This subscription is your gateway to the latest in the world of avant-garde art, ensuring you're always informed about opportunities to add to your collection.
Fernando Botero Angulo was a Colombian painter and sculptor, celebrated for his volumetric stylization of figures and objects in his works. Born in Medellín, Colombia, Botero's signature style, known as "Boterismo", portrays people and animals in exaggerated and inflated shapes, often conveying social criticism or humor.
Fernando Botero's journey into the art world was marked by his early rejection of traditional artistic paths, opting instead to explore an innovative style that would later dominate his career. His art, infused with a mix of political satire and playful humor, has graced numerous galleries and public spaces worldwide. Notable public installations include his sculptures in Park Avenue, New York City, and the Champs-Élysées in Paris. His works are in the collections of many major international museums and have fetched high sums at auctions.
Fernando Botero's ability to capture the human condition through rounded, corpulent figures has endeared him to a global audience. His notable works such as "The Presidential Family" and "The Death of Pablo Escobar" are poignant commentaries on Colombian politics and society. Furthermore, Botero donated significant numbers of his works to Colombian museums, enriching the cultural heritage of his native country.
His influence extends beyond paintings and sculptures, as Fernando Botero has also engaged with social issues through his art. His series on Abu Ghraib prison abuses reflects his commitment to human rights and his capacity to address painful subjects through his distinct aesthetic.
For those interested in the vibrant world of art and culture, Botero's work remains a testament to the power of visual satire and cultural commentary. To stay updated on exhibitions and auctions featuring Fernando Botero’s works, sign up for alerts and dive deeper into the rich legacy of this monumental artist.
Fernando Botero Angulo was a Colombian painter and sculptor, celebrated for his volumetric stylization of figures and objects in his works. Born in Medellín, Colombia, Botero's signature style, known as "Boterismo", portrays people and animals in exaggerated and inflated shapes, often conveying social criticism or humor.
Fernando Botero's journey into the art world was marked by his early rejection of traditional artistic paths, opting instead to explore an innovative style that would later dominate his career. His art, infused with a mix of political satire and playful humor, has graced numerous galleries and public spaces worldwide. Notable public installations include his sculptures in Park Avenue, New York City, and the Champs-Élysées in Paris. His works are in the collections of many major international museums and have fetched high sums at auctions.
Fernando Botero's ability to capture the human condition through rounded, corpulent figures has endeared him to a global audience. His notable works such as "The Presidential Family" and "The Death of Pablo Escobar" are poignant commentaries on Colombian politics and society. Furthermore, Botero donated significant numbers of his works to Colombian museums, enriching the cultural heritage of his native country.
His influence extends beyond paintings and sculptures, as Fernando Botero has also engaged with social issues through his art. His series on Abu Ghraib prison abuses reflects his commitment to human rights and his capacity to address painful subjects through his distinct aesthetic.
For those interested in the vibrant world of art and culture, Botero's work remains a testament to the power of visual satire and cultural commentary. To stay updated on exhibitions and auctions featuring Fernando Botero’s works, sign up for alerts and dive deeper into the rich legacy of this monumental artist.
Fernando Botero Angulo was a Colombian painter and sculptor, celebrated for his volumetric stylization of figures and objects in his works. Born in Medellín, Colombia, Botero's signature style, known as "Boterismo", portrays people and animals in exaggerated and inflated shapes, often conveying social criticism or humor.
Fernando Botero's journey into the art world was marked by his early rejection of traditional artistic paths, opting instead to explore an innovative style that would later dominate his career. His art, infused with a mix of political satire and playful humor, has graced numerous galleries and public spaces worldwide. Notable public installations include his sculptures in Park Avenue, New York City, and the Champs-Élysées in Paris. His works are in the collections of many major international museums and have fetched high sums at auctions.
Fernando Botero's ability to capture the human condition through rounded, corpulent figures has endeared him to a global audience. His notable works such as "The Presidential Family" and "The Death of Pablo Escobar" are poignant commentaries on Colombian politics and society. Furthermore, Botero donated significant numbers of his works to Colombian museums, enriching the cultural heritage of his native country.
His influence extends beyond paintings and sculptures, as Fernando Botero has also engaged with social issues through his art. His series on Abu Ghraib prison abuses reflects his commitment to human rights and his capacity to address painful subjects through his distinct aesthetic.
For those interested in the vibrant world of art and culture, Botero's work remains a testament to the power of visual satire and cultural commentary. To stay updated on exhibitions and auctions featuring Fernando Botero’s works, sign up for alerts and dive deeper into the rich legacy of this monumental artist.
John Varley was an English watercolour painter and astrologer, and a close friend of William Blake.
Jozsef Ripple-Ronai is a Hungarian impressionist painter.
He studied painting at the Munich Academy and there he became acquainted with contemporary art movements. Ripple-Ronai moved almost immediately to Post-Impressionism in his art. Returning home to Hungary, he was the first to introduce new currents and styles to Hungarian painting.
Fernando Botero Angulo was a Colombian painter and sculptor, celebrated for his volumetric stylization of figures and objects in his works. Born in Medellín, Colombia, Botero's signature style, known as "Boterismo", portrays people and animals in exaggerated and inflated shapes, often conveying social criticism or humor.
Fernando Botero's journey into the art world was marked by his early rejection of traditional artistic paths, opting instead to explore an innovative style that would later dominate his career. His art, infused with a mix of political satire and playful humor, has graced numerous galleries and public spaces worldwide. Notable public installations include his sculptures in Park Avenue, New York City, and the Champs-Élysées in Paris. His works are in the collections of many major international museums and have fetched high sums at auctions.
Fernando Botero's ability to capture the human condition through rounded, corpulent figures has endeared him to a global audience. His notable works such as "The Presidential Family" and "The Death of Pablo Escobar" are poignant commentaries on Colombian politics and society. Furthermore, Botero donated significant numbers of his works to Colombian museums, enriching the cultural heritage of his native country.
His influence extends beyond paintings and sculptures, as Fernando Botero has also engaged with social issues through his art. His series on Abu Ghraib prison abuses reflects his commitment to human rights and his capacity to address painful subjects through his distinct aesthetic.
For those interested in the vibrant world of art and culture, Botero's work remains a testament to the power of visual satire and cultural commentary. To stay updated on exhibitions and auctions featuring Fernando Botero’s works, sign up for alerts and dive deeper into the rich legacy of this monumental artist.
Fernando Botero Angulo was a Colombian painter and sculptor, celebrated for his volumetric stylization of figures and objects in his works. Born in Medellín, Colombia, Botero's signature style, known as "Boterismo", portrays people and animals in exaggerated and inflated shapes, often conveying social criticism or humor.
Fernando Botero's journey into the art world was marked by his early rejection of traditional artistic paths, opting instead to explore an innovative style that would later dominate his career. His art, infused with a mix of political satire and playful humor, has graced numerous galleries and public spaces worldwide. Notable public installations include his sculptures in Park Avenue, New York City, and the Champs-Élysées in Paris. His works are in the collections of many major international museums and have fetched high sums at auctions.
Fernando Botero's ability to capture the human condition through rounded, corpulent figures has endeared him to a global audience. His notable works such as "The Presidential Family" and "The Death of Pablo Escobar" are poignant commentaries on Colombian politics and society. Furthermore, Botero donated significant numbers of his works to Colombian museums, enriching the cultural heritage of his native country.
His influence extends beyond paintings and sculptures, as Fernando Botero has also engaged with social issues through his art. His series on Abu Ghraib prison abuses reflects his commitment to human rights and his capacity to address painful subjects through his distinct aesthetic.
For those interested in the vibrant world of art and culture, Botero's work remains a testament to the power of visual satire and cultural commentary. To stay updated on exhibitions and auctions featuring Fernando Botero’s works, sign up for alerts and dive deeper into the rich legacy of this monumental artist.
