1666
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Pier Francesco Mola, called Il Ticinese, was an Italian painter of the High Baroque, mainly active around Rome.
Joost Cornelisz. Droochsloot was a Dutch painter of the Dutch Golden Age, member of the Guild of St. Luke in Utrecht. He was a versatile painter, painting landscapes, moral allegories, and biblical stories. But he was mainly known for his genre rustic scenes with many participants, these paintings often had a moral component. In his compositions, Drochslot paid much attention to detail and signed them with the monogram "JCODS."
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Joost Cornelisz. Droochsloot was a Dutch painter of the Dutch Golden Age, member of the Guild of St. Luke in Utrecht. He was a versatile painter, painting landscapes, moral allegories, and biblical stories. But he was mainly known for his genre rustic scenes with many participants, these paintings often had a moral component. In his compositions, Drochslot paid much attention to detail and signed them with the monogram "JCODS."
Pier Francesco Mola, called Il Ticinese, was an Italian painter of the High Baroque, mainly active around Rome.
Joost Cornelisz. Droochsloot was a Dutch painter of the Dutch Golden Age, member of the Guild of St. Luke in Utrecht. He was a versatile painter, painting landscapes, moral allegories, and biblical stories. But he was mainly known for his genre rustic scenes with many participants, these paintings often had a moral component. In his compositions, Drochslot paid much attention to detail and signed them with the monogram "JCODS."
Joost Cornelisz. Droochsloot was a Dutch painter of the Dutch Golden Age, member of the Guild of St. Luke in Utrecht. He was a versatile painter, painting landscapes, moral allegories, and biblical stories. But he was mainly known for his genre rustic scenes with many participants, these paintings often had a moral component. In his compositions, Drochslot paid much attention to detail and signed them with the monogram "JCODS."
Benedetto Luti was an Italian painter and draughtsman of the academic Baroque style of the Florentine school.
Benedetto Luti began his artistic career in his hometown. Studied under Gabbiani and Tommaso Redi. He enjoyed the patronage of the Grand Duke of Tuscany Cosimo III de' Medici, a great fan of pastel drawing. In 1691 the artist moved from Florence to Rome. Luti was one of the first great masters to use pastel not only for sketches and outlines, but also to paint portraits in this technique. Benedetto Luti also painted oil paintings and frescoes. From 1720, he headed the Accademia di San Luca in Rome.
Benedetto Luti was also a successful art dealer and ran the art school he founded. His pupils included Giovanni Paolo Pannini, Placido Costanzi, Jean-Baptiste van Loo and his brother Charles-André van Loo.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Pier Francesco Mola, called Il Ticinese, was an Italian painter of the High Baroque, mainly active around Rome.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Nicolas Lagneau was a French draftsman noted for his portrait drawings. He was especially interested in grotesque physiognomies, which he drew in meticulous detail either from models or from his imagination. His drawings are usually executed in black and red chalk, sometimes with the addition of blue or yellow gouache. In their heightened realism, and their emphasis on facial expressions, wrinkles, and deformities, Lagneau's portraits reveal the influence of Rembrandt's early works.
Lagneau's drawings are plentiful in French and US museums.
Pier Francesco Mola, called Il Ticinese, was an Italian painter of the High Baroque, mainly active around Rome.
Antonio Balestra, an Italian painter, is celebrated for his contributions to the Baroque art movement. Initially training in his hometown, Balestra's artistic journey took him to Venice and Rome, where he honed his skills and absorbed diverse artistic influences. By 1694, his talents were recognized with a prestigious award from the Accademia di San Luca in Rome, underscoring his growing reputation.
Antonio Balestra's works, characterized by their adherence to classical artistic standards, are found in various Italian cities, including Venice, Bologna, and Verona. He was known for his religious paintings, such as "The Miracle of Saint Nicholas" and "The Annunciation," as well as his contributions to church decorations and altarpieces.
Despite his traditional approach, Antonio Balestra's legacy is cemented in the art world, with works displayed in notable museums and his influence extending to pupils and subsequent generations of artists. His devotion to the established norms of academic painting reflected a broader dialogue within the art community about innovation versus tradition during his time.
For art collectors and enthusiasts, Antonio Balestra's works offer a glimpse into the Baroque era's rich artistic heritage, showcasing a blend of devout religiosity and meticulous craftsmanship. To stay informed about Antonio Balestra's art and related auction events, consider subscribing to updates, ensuring you remain connected to the enduring appeal of his artistic legacy.
Jan Abrahamsz Beerstraaten was a Dutch painter of marine art and landscapes, particularly of events of the First Anglo-Dutch War and Dutch-Swedish War.
Paolo Gerolamo Piola was an Italian painter of the Baroque period active mainly in Genoa. His father was the prominent Genoese painter Domenico Piola. Paolo Gerolamo was very active painting sacred subjects and frescoes.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Pier Francesco Mola, called Il Ticinese, was an Italian painter of the High Baroque, mainly active around Rome.
Pier Francesco Mola, called Il Ticinese, was an Italian painter of the High Baroque, mainly active around Rome.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Pier Francesco Mola, called Il Ticinese, was an Italian painter of the High Baroque, mainly active around Rome.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Benedetto Luti was an Italian painter and draughtsman of the academic Baroque style of the Florentine school.
Benedetto Luti began his artistic career in his hometown. Studied under Gabbiani and Tommaso Redi. He enjoyed the patronage of the Grand Duke of Tuscany Cosimo III de' Medici, a great fan of pastel drawing. In 1691 the artist moved from Florence to Rome. Luti was one of the first great masters to use pastel not only for sketches and outlines, but also to paint portraits in this technique. Benedetto Luti also painted oil paintings and frescoes. From 1720, he headed the Accademia di San Luca in Rome.
Benedetto Luti was also a successful art dealer and ran the art school he founded. His pupils included Giovanni Paolo Pannini, Placido Costanzi, Jean-Baptiste van Loo and his brother Charles-André van Loo.
Jan Abrahamsz Beerstraaten was a Dutch painter of marine art and landscapes, particularly of events of the First Anglo-Dutch War and Dutch-Swedish War.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
