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František Kupka was a Czech painter and graphic artist. He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism (Orphism). Kupka's abstract works arose from a base of realism, but later evolved into pure abstract art.
Anna Maria Mengs was a German painter of the second half of the 18th century. She is known as a painter and graphic artist, famous for her portraits.
Anna Maria Mengs was the daughter of Anton Raphael Mengs, a famous German painter and representative of classicism, from whom she studied painting. In 1777 she married the Spanish engraver Manuel Salvador Carmona and had seven children. Despite family obligations, she continued to paint miniatures and pastels, as contemporaries noted, with talent and exquisite taste. In 1793, a year after her death, her work was exhibited at the Accademia de San Fernando in Madrid.
Ellsworth Kelly was an American painter, sculptor, and printmaker associated with hard-edge painting, Color Field painting and minimalism. His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland. Kelly often employed bright colors. He lived and worked in Spencertown, New York.
Georgia Totto O'Keeffe was an American modernist artist. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been called the "Mother of American modernism".
Jacobus Hendrik Pierneef was a South African landscape artist, generally considered to be one of the best of the old South African masters. His distinctive style is widely recognised and his work was greatly influenced by the South African landscape.
Most of his landscapes were of the South African highveld, which provided a lifelong source of inspiration for him. Pierneef's style was to reduce and simplify the landscape to geometric structures, using flat planes, lines and colour to present the harmony and order in nature. This resulted in formalised, ordered and often-monumental view of the South African landscape, uninhabited and with dramatic light and colour.
Pierneef's work can be seen worldwide in many private, corporate and public collections, including the Africana Museum, Durban Art Gallery, Johannesburg Art Gallery, Nelson Mandela Metropolitan Art Museum, Pierneef Museum and the Pretoria Art Gallery.
Tristan Tzara, originally named Sami (Samuel) Rosenstock, was a Romanian and French artist and writer best known as a founding figure of the Dada movement. Born in 1896 in Moinești, Romania, Tzara's influence extends across poetry, performance, and manifesto writing, marking him as a pivotal personality in 20th-century art and culture. His work challenged conventional norms and sought to disrupt the traditional boundaries of art, making him a central figure in the avant-garde community.
Dada, the movement with which Tzara is most closely associated, emerged as a reaction against the horrors of World War I, advocating for irrationality and anti-bourgeois protest. Tzara's contributions, including his manifestos, poetry, and performances, were instrumental in shaping Dada's legacy. His art and writings emphasized the importance of spontaneity and chaos, challenging the status quo and the very definition of art itself. Tzara's approach was not confined to a single medium; he explored poetry, playwriting, and critical theory, leaving a diverse and impactful body of work.
Though Tzara is not widely known for sculpture or painting in the traditional sense, his influence on these and other art forms is undeniable. His work and ideas laid the groundwork for later avant-garde movements, including Surrealism. While specific works of Tzara in museums or galleries were not detailed in the research, his legacy is preserved through the collections of major institutions worldwide, reflecting his enduring impact on the arts.
For collectors and experts in art and antiques, understanding Tzara's contributions provides insight into the radical shifts in culture and art in the early 20th century. His work remains a testament to the power of art to challenge, provoke, and transform. To stay informed about new product sales and auction events related to Tristan Tzara, sign up for our updates. This subscription ensures you're alerted to unique opportunities to engage with the history and legacy of a key figure in modern art.
Guillaume Apollinaire, real name Wilhelm Albert Vladimir Apollinaris de Wąż-Kostrowicki, a French poet of Polish descent, was a towering figure in the early 20th century's literary and art scenes. Known for his experimental verse and support of avant-garde art movements like Cubism and Surrealism, Apollinaire's work pushed the boundaries of traditional aesthetics and inspired a generation of artists and writers.
Guillaume Apollinaire's literary contributions were vast and varied. He was an early advocate for Cubism, a relationship most prominently seen in his collaborations with artists like Pablo Picasso. He not only wrote about art but also collected it, surrounding himself with works by modernist masters such as Henri Rousseau and Georges Braque. His Paris apartment was a small museum of modern art, filled with pieces he often sold to support his literary endeavors. This vibrant artistic environment fueled his creativity, leading to major works such as Alcools and Calligrammes, which explored the possibilities of poetic form and typography to represent visual and verbal content in a unified way.
Despite his innovative work in poetry and art criticism, Guillaume Apollinaire's life was marked by personal challenges, including a grievous injury during World War I. Yet, even these difficulties did not hinder his prolific output. Among his notable works during this period was the play Les Mamelles de Tirésias, which was performed in 1917 and is considered a precursor to theatrical Surrealism.
Apollinaire's influence extended beyond his lifetime, particularly through his mentoring of future Surrealist leaders like André Breton. His forward-thinking approach to art and literature made him a central figure in the transition from traditional to modernist forms in both fields.
For collectors and experts in art and antiques, Guillaume Apollinaire's work represents a nexus of literary brilliance and pivotal artistic movements. His life and work provide fascinating insights into the dynamic and transformative world of early 20th-century art and literature.
Sign up for updates on auctions and sales events featuring items related to Guillaume Apollinaire. Stay informed about opportunities to acquire unique artifacts that celebrate his legacy in the realms of poetry and art.
Werner Mathias Goeritz Brunner was a Mexican painter and sculptor of German origin. After spending much of the 1940s in North Africa and Spain, he and his wife, photographer Marianne Gast, immigrated to Mexico in 1949.
In 1953 he first presented his "Manifiesto de la Arquitectura Emocional" (Emotional Architecture Manifesto) at the pre-inauguration of the Museo Experimental El Eco in Mexico City, which he designed in 1952-53. During the 1950s, Goeritz also collaborated with Luis Barragán to make monumental abstract sculptures in reinforced concrete, including El animal del Pedregal (The Animal of the Pedregal, 1951) and the Torres de la Ciudad Satélite (Towers of Satellite City, 1957).
Andre Lhote, a French artist, was a pivotal figure in the Cubist movement, known for his contributions as a painter, theoretician, critic, and art teacher. His journey in the arts began at the École des Beaux-Arts in Bordeaux, focusing on decorative arts before shifting his full attention to painting after moving to Paris in 1906. Lhote's work initially drew influences from Paul Gauguin and Paul Cézanne, but by 1910, he was deeply entrenched in Cubism, aligning with artists like Fernand Léger and Jean Metzinger.
Andre Lhote's impact extended beyond his paintings; he was instrumental in developing Cubist theory through his writings and art criticism, notably contributing to La nouvelle revue française. In 1922, he founded the Académie André Lhote in Paris, shaping the future of many artists, including Henri Cartier-Bresson. His dedication to teaching and theoretical work earned him the Grand Prix National de Peinture in 1955 and a position as president of the UNESCO commission for sculpture's International Association of Painters, Engravers, and Sculptors.
For art collectors and experts, Andre Lhote's work represents a crucial chapter in the history of Cubism, offering insights into the movement's evolution and its theoretical underpinnings. To stay updated on exhibitions or sales featuring Andre Lhote's work, consider signing up for updates from reputable art institutions or galleries.
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