5 x 50cm)
Karl Otto Götz was a German artist, filmmaker, draughtsman, printmaker, writer and professor of art at the Kunstakademie Düsseldorf. He was one of the oldest living and active artists older than 100 years of age and is best remembered for his explosive and complex abstract forms. His powerful, surrealist-inspired works earned him international recognition in exhibitions like documenta II in 1959. Götz never confined himself to one specific style or artistic field. He also explored generated abstract forms through television art. Götz is one of the most important members of the German Art Informel movement.
Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively.
Andreas Amrhein is a contemporary german artist. His first verified exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria, China and elsewhere.
Friedrich Meckseper was a German painter, graphic artist, draughtsman, designer and author.
Friedrich Meckseper was a German painter, graphic artist, draughtsman, designer and author.
Bernd Berner is a German painter and graphic artist.
Heinz Kreutz is a German abstract expressionist painter.
Walter Stöhrer is a German painter and graphic artist, a representative of gesture-figure painting.
He studied painting at the Academy of Arts in Karlsruhe and was a member of the Academy of Arts in Berlin.
Walter Dexel was a German painter, commercial graphic designer, and transportation planner. He also functioned as an art historian and directed a museum in Braunschweig during the Second World War.
Axel Hütte is a German photographer. He is considered one of main representatives of the Düsseldorf School of Photography.
Max Ackermann was a German painter and graphic artist. He was a pupil of Adolf Hölzel and is considered a pioneer of abstract painting.
Helmut Newton (born Helmut Neustädter) was a German-Australian photographer. The New York Times described him as a "prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications."
Bernard Schultze was a German painter who co-founded the Quadriga group of artists along with Karl Otto Götz and two other artists.
Rosa Loy is a German artist, representative of the "New Leipzig School of Painting", living and working in Leipzig.
She was educated at Humboldt University in Berlin and studied at the Academy of Visual Arts in Leipzig. Rosa Loy is one of the few artists in Germany working with a new femininity in the style of New Romanticism. Her characters live in a world of fantasy, dreams and folklore, in colorful surreal and symbolic settings.
Loy boldly combines femininity and beauty in her figurative paintings. Her work also reflects her relationship with her husband Neo Rauch. Together they are internationally known as a successful creative couple. They both have their own independent works, which are nevertheless influenced by each other and can successfully combine the forces of masculinity and femininity.
Rosa Loy works in casein on canvas and paper and is also proficient in a variety of graphic techniques. She has participated in numerous exhibitions of Leipzig artists in international art museums. In addition, her work is included in the collections of major art institutions and organizations such as the Museum of Modern Art, New York, the Museum of Contemporary Art, Los Angeles, and the Deutsche Bank Collection.
Conrad Felixmüller was a twentieth-century German artist, born Conrad Felix Müller. He is known as a painter, graphic artist, illustrator and printmaker, a representative of the New Materiality movement, who worked in the Expressionist style.
Felixmüller created about 2,500 paintings and graphic drawings, the main motif of which was the human being. The artist considered himself a socially critical expressionist, and his works reflected scenes from everyday life. In the 1930s, many of his works were confiscated by the Nazis as examples of degenerate art and destroyed. As a result of the bombing of Berlin in 1944, Felixmüller lost much of his work.
Karl Schmidt-Rottluff, a prominent figure in the German Expressionist movement, was not just an artist but a pioneer who significantly influenced the early 20th-century art scene. Born in Rottluff, Germany, in 1884, he later added his hometown's name to his surname, showcasing a deep connection to his roots. Schmidt-Rottluff was a founding member of the artist group Die Brücke, which played a critical role in the development of Expressionism in Germany. His works, characterized by bold colors and stark contrasts, were a departure from traditional artistic expressions and embraced a more emotional and subjective interpretation of reality.
Schmidt-Rottluff's contributions to art were not limited to painting; he was also a master printmaker, with a significant body of work comprising woodcuts, lithographs, and etchings. His artistic endeavors were marked by a fascination with the natural world, social issues, and an exploration of human emotion, themes that remained consistent throughout his career. Despite facing persecution during the Nazi regime, with many of his works labeled as "degenerate," Schmidt-Rottluff's resolve did not waver. In 1937, 608 of his paintings were seized, and by 1941, he was forbidden to paint. Yet, his legacy continued to grow post-World War II, and he was later honored with professorship at the University of Arts in Berlin-Charlottenburg in 1947, where he influenced a new generation of artists.
The value and impact of Schmidt-Rottluff's work are reflected in the presence of his pieces in prestigious collections worldwide, including the Museum of Modern Art, Neue Galerie, Los Angeles County Museum of Art, and many others. His works are celebrated for their emotional depth, innovative use of color, and ability to convey complex themes through simplified forms. Notably, some of his significant pieces have been subjects of restitution efforts, highlighting the historical importance and continued relevance of his work in the context of art history and cultural heritage.
For collectors and experts in art and antiques, Schmidt-Rottluff's oeuvre offers a profound insight into the evolution of Expressionism and the broader cultural and political narratives of the early 20th century. His works not only serve as a testament to his individual genius but also as a reflection of the tumultuous era that shaped them.
To stay informed about new discoveries, sales, and auction events related to Karl Schmidt-Rottluff's work, signing up for updates is highly recommended. This ensures that enthusiasts and collectors alike are always in the loop regarding opportunities to engage with and acquire pieces by this influential artist, ensuring his legacy continues to inspire and resonate with future generations.
Antoni Tàpies i Puig, 1st Marquess of Tàpies was a Catalan Spanish painter, sculptor and art theorist, who became one of the most famous European artists of his generation.
