canvas art
Martial Raysse is a French artist and actor. He lives in Issigeac, France. He holds the record for the most expensive work sold by a living French artist.
Arthur Kampf was a German painter. He was associated with the Düsseldorf school of painting.
Kampf's work is most strongly associated with the genre of traditional history painting, though throughout his lifetime he explored styles influenced by Impressionism and Art Nouveau. He was also celebrated for large scale portrait work and in particular children's portraiture. Kampf also worked extensively as an illustrator, contributing drawings to volumes by Shakespeare (1925), R. Herzog, History of Prussia (1913) and J.W. Goethe, Faust (1925). Kampf's artwork post World War II largely focused on religious themes.
Arthur Garfield Dove was an American artist. An early American modernist, he is often considered the first American abstract painter. Dove used a wide range of media, sometimes in unconventional combinations, to produce his abstractions and his abstract landscapes. Me and the Moon from 1937 is a good example of an Arthur Dove abstract landscape and has been referred to as one of the culminating works of his career. Dove did a series of experimental collage works in the 1920s. He also experimented with techniques, combining paints like hand mixed oil or tempera over a wax emulsion as exemplified in Dove's 1938 painting Tanks, in the collection of the Boston Museum of Fine Arts.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Bartolommeo Ligozzi was an Italian painter known for his colourful and detailed still lifes with flowers and fruit. He belonged to the famous Ligozzi family of artists.
Bartolomeo Ligozzi's paintings influenced botanical illustration. He brought scientific precision to his images, providing valuable documentation of plant species.
Bartolomeo Passerotti was an Italian painter of the mannerist period, who worked mainly in his native Bologna.
He influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passerotti) was influenced by Passerotti's genre scenes in a select set of paintings (such as The Beaneater and The Butcher's Shop, the latter being originally attributed to Passerotti). Lucio Massari and Francesco Brizzi were among his pupils. Three of Passerotti's sons, including Ventura (1566–1618), Aurelio (1560–1609) and Tiburzio, were painters.
Bartolomeo Passerotti was an Italian painter of the mannerist period, who worked mainly in his native Bologna.
He influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passerotti) was influenced by Passerotti's genre scenes in a select set of paintings (such as The Beaneater and The Butcher's Shop, the latter being originally attributed to Passerotti). Lucio Massari and Francesco Brizzi were among his pupils. Three of Passerotti's sons, including Ventura (1566–1618), Aurelio (1560–1609) and Tiburzio, were painters.
Arthur Clifton Goodwin was an American painter. He was a prominent member of the Boston School of painters, who were known for their impressionistic style and focus on light and color.
Goodwin initially studied at the Cowles Art School in Boston and later trained in Paris at the Academie Julian. He was deeply influenced by the work of the French Impressionists, particularly Claude Monet, and he went on to develop his own distinctive style that combined the use of bright, vivid colors and loose brushwork to capture the fleeting effects of light and atmosphere.
Goodwin's paintings were highly acclaimed during his lifetime, and he exhibited widely at major institutions including the Pennsylvania Academy of the Fine Arts and the National Academy of Design. He was a founding member of the Guild of Boston Artists and served as its president from 1914 to 1924.
Today, Goodwin's paintings are held in many important public and private collections, and his legacy continues to influence and inspire contemporary painters.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Bartolomeo Passerotti was an Italian painter of the mannerist period, who worked mainly in his native Bologna.
He influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passerotti) was influenced by Passerotti's genre scenes in a select set of paintings (such as The Beaneater and The Butcher's Shop, the latter being originally attributed to Passerotti). Lucio Massari and Francesco Brizzi were among his pupils. Three of Passerotti's sons, including Ventura (1566–1618), Aurelio (1560–1609) and Tiburzio, were painters.
Bartolomeo Schedoni (sometimes Schedone) was an Italian early Baroque painter from Modena.
Schedoni's paintings often depict brilliantly lit figures set against a dark background. Great emphasis is given to the angular patterns of brightly colored drapery, which, according to the art historian Lawrence Gowing, "almost obscure the narrative content of the scene and instead disseminate a pervading sense of emotional emergency."
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Bart van der Leck was a Dutch painter and designer. He was a member of the De Stijl movement, a group of artists and designers who sought to create a new visual language that reflected the modern era.
Van der Leck began his career as a decorative painter, working on a variety of projects including murals and stained glass windows. He later turned to painting, creating abstract compositions characterized by bold, flat areas of color and simple geometric shapes. His work was influenced by his interest in the visual language of non-Western art, as well as by the work of Dutch painters such as Piet Mondrian and Theo van Doesburg.
In addition to his work as a painter, van der Leck was also a designer, creating textiles, furniture, and ceramics. He believed that art should be integrated into everyday life and worked to create designs that were both functional and aesthetically pleasing.
Van der Leck's work played an important role in the development of the De Stijl movement, and he worked closely with other members of the group, including Mondrian and van Doesburg. His paintings and designs continue to be celebrated for their bold simplicity and their contribution to the development of modern art and design.
Ricardo Martínez de Hoyos was a Mexican painter noted for his figurative work on unreal atmospheres. He was one of several children from a very large family to make a mark in his field, along with Oliverio in sculpture and Jorge in acting. His work was exhibited in various parts of the world, featured in collective tours of Mexican art. Individually, he exhibited mostly in Mexico including important venues such as the Museo de Arte Moderno and the Palacio de Bellas Artes, which held a tribute to the artist in 1994. Since his death, a cultural center named after him has been established in the historic center of Mexico City.
Jennifer Bartlett was an American artist. She was known for paintings and prints that combine the system-based aesthetic of conceptual art with the painterly approach of Neo-Expressionism. Many of her pieces were executed on small, square, enamel-coated steel plates that are combined in grid formations to create very large works.
Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Jennifer Bartlett was an American artist. She was known for paintings and prints that combine the system-based aesthetic of conceptual art with the painterly approach of Neo-Expressionism. Many of her pieces were executed on small, square, enamel-coated steel plates that are combined in grid formations to create very large works.
