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Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively.
Marianne von Werefkin (Russian: Марианна Владимировна Верёвкина), born in Russia in 1860, was a distinguished artist whose innovative work bridged the realms of realism and expressionism. Known as the "Russian Rembrandt" in her early career, Werefkin's artistic journey began with realism, earning her acclaim within the Tsarist Empire. However, her move to Munich in 1896 marked a significant shift in her style and artistic affiliations, leading her to explore and eventually embrace expressionism.
Werefkin's life was marked by a pivotal relationship with fellow artist Alexej von Jawlensky, which greatly influenced her personal and professional trajectory. Despite pausing her painting to focus on Jawlensky's development, Werefkin's contribution to art went beyond her own creations. She founded the influential artist groups, including the New Association of Artists in Munich (NKVM) and later The Blue Rider, alongside luminaries like Wassily Kandinsky and Franz Marc.
Her return to painting saw a dramatic transformation in her style, characterized by bold, expressive strokes and a deep exploration of the emotional and spiritual aspects of her subjects. This period of her work is marked by significant pieces such as the "Self-Portrait" (1910), which is celebrated for its emotional depth and innovative use of color, encapsulating the essence of Munich-school Expressionism.
Werefkin's later years in Ascona, Switzerland, were devoted to capturing the natural landscape and its emotional resonances through a vibrant expressionist lens. Her works from this period reflect a continued engagement with human fragility and resilience, as seen in pieces like "Eternal Path" (1929).
Her oeuvre is a testament to her pioneering spirit and her role in shaping the course of modern art. Werefkin's works are held in esteemed collections, including the Museum of Modern Art in Ascona and the Städtische Galerie im Lenbachhaus in Munich, ensuring her legacy endures within the art world.
For collectors and experts in art and antiques, Marianne von Werefkin's life and work offer a rich field of study. Her contributions to the development of expressionism and her unique artistic voice make her a figure of enduring interest. To stay informed about new product sales and auction events related to Marianne von Werefkin, signing up for updates can provide exclusive insights and opportunities to engage with her remarkable legacy.
John William Godward was an English painter from the end of the Neo-Classicist era. He was a protégé of Sir Lawrence Alma-Tadema, but his style of painting fell out of favour with the rise of modern art.
George Stubbs was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds or Gainsborough. Stubbs' output includes history paintings, but his greatest skill was in painting animals, perhaps influenced by his love and study of anatomy. His series of paintings on the theme of a lion attacking a horse are early and significant examples of the Romantic movement that emerged in the late 18th century. His painting, Whistlejacket hangs in the National Gallery, London.
