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Heinrich Lossow was a German genre painter and illustrator. He was a prolific pornographer in his spare time.
Hendrick Avercamp was a seminal Dutch painter during the Dutch Golden Age. He is celebrated as one of the earliest landscape painters of the 17th-century Dutch school, specializing in vibrant winter scenes of the Netherlands. His paintings are filled with colorful and lively depictions of people engaging in various activities against the backdrop of the Dutch winter landscape.
Educated by the Danish-born portrait painter Pieter Isaacsz, Hendrick Avercamp's work reflects a strong influence from the Flemish painting tradition, especially evident in the landscapes reminiscent of Pieter Bruegel the Elder. His technique of aerial perspective, where objects in the foreground are painted with richer colors than those in the distance, creates a remarkable impression of depth in his paintings.
Hendrick Avercamp's most ambitious and acclaimed work, 'Winter Landscape with Ice Skaters', painted around 1608, is a detailed panorama of human and animal activities during a harsh winter. This painting, along with others like 'Winter Landscape with a Frozen River and Figures' and 'Winter Landscape with Skates and People Playing Golf', showcase his knack for narrative, capturing various facets of 17th-century Dutch society enjoying the winter season.
Despite being mute and probably deaf, Hendrick Avercamp's keen observation skills are evident in his works, where he intricately portrays diverse classes engaging in various winter activities. He produced about a hundred paintings, many of which can be seen in the Rijksmuseum in Amsterdam and the Mauritshuis in The Hague. His work was also celebrated for its historical quality, providing a glimpse into the life of different societal levels in the Netherlands at that time.
For collectors and enthusiasts of art and antiques, Hendrick Avercamp's paintings offer a fascinating window into the Dutch Golden Age, with their vivid portrayal of life and activities in a winter setting. His works, characterized by meticulous detail and a cheerful narrative, remain an integral part of the conversation in the history of Dutch art.
To stay updated on the latest insights and collections related to Hendrick Avercamp's works, consider subscribing to our updates. Stay informed about new sales, exhibitions, and auction events featuring this master of Dutch winter landscapes.
Heinrich Mathias Ernst Campendonk was a painter and graphic designer born in Germany who became a naturalized Dutch citizen.
Heinrich Mathias Ernst Campendonk was a painter and graphic designer born in Germany who became a naturalized Dutch citizen.
Dennis Oppenheim was an American conceptual artist, performance artist, earth artist, sculptor and photographer. Dennis Oppenheim's early artistic practice is an epistemological questioning about the nature of art, the making of art and the definition of art: a meta-art that arose when strategies of the Minimalists were expanded to focus on site and context. As well as an aesthetic agenda, the work progressed from perceptions of the physical properties of the gallery to the social and political context, largely taking the form of permanent public sculpture in the last two decades of a highly prolific career, whose diversity could exasperate his critics.
Heinrich Mathias Ernst Campendonk was a painter and graphic designer born in Germany who became a naturalized Dutch citizen.
Michael Heiser is a contemporary American land-art artist who specialises in large-scale sculptures.
Michael Heiser is a contemporary American land-art artist who specialises in large-scale sculptures.
Heinrich Kamps or Heinz Kamps was a German painter and director of the Düsseldorf Academy of Fine Arts.
In 1922, Kamps first presented his work to the public by participating in an exhibition of the artists' association "Das Junge Rheinland". Soon, in 1925, he was already appointed professor at the Düsseldorf Academy of Fine Arts, and four years later he took over the management of the State Art School in Berlin-Schöneberg.
During the Nazi "Degenerate Art" campaign in 1937, Kamps' works were confiscated and lost. In 1941 he was forced to leave for Austria and then Poland; in 1943 his Berlin studio was bombed by the Allies and almost all of his early works destroyed.
After the end of World War II, in 1946 Kamps was elected professor and director of the newly opened Düsseldorf Academy of Art, which he directed until his death.
Heinrich Mathias Ernst Campendonk was a painter and graphic designer born in Germany who became a naturalized Dutch citizen.
Carl Buchheister was a German constructivist artist noted for his multiple series of "model paintings"at Galerie Lambert Weyl, Paris. which he began in 1925. He was born in Hanover, Germany. Although he was not officially part of the Bauhaus movement, Buchheister was a close friend of Wassily Kandinsky and paralleled many of the social and artistic goals of the Bauhaus school. With regard to constructivism, Buchheister was typically more playful and improvisational than his contemporaries, becoming interested in the Dada movement after a collaboration with Kurt Schwitters in the late 1920s which led him to incorporate more varied materials such as acrylic glass, aluminum, wood, and twine into his compositions. This direction was given much freer rein after World War II and the end of Nazism. He died in Hanover in 1964.
Heinrich Mathias Ernst Campendonk was a painter and graphic designer born in Germany who became a naturalized Dutch citizen.
Eugen Kampf was a German painter; associated with the Düsseldorf school of painting. He specialized in rural and village scenes.
Eugen Kampf was a German painter; associated with the Düsseldorf school of painting. He specialized in rural and village scenes.
Theo Champion was a German painter. His work was part of the painting event in the art competition at the 1928 Summer Olympics.
Theo Champion was a German painter. His work was part of the painting event in the art competition at the 1928 Summer Olympics.
Hannes Schultze-Froitzheim, birth name Hans Werner Schultze, was a German painter and graphic artist.
Hannes Schultze-Froitzheim learned to draw from Max Bernuth, Heinrich Phieler and Hans Seiß in evening and Sunday classes at the Elberfeld Craftsmen's and Arts and Crafts School from 1920 onwards, in parallel with a commercial apprenticeship. In 1926 he transferred to the Düsseldorf Art Academy.
Schultze-Froitzheim sought the interplay of form and colour in his works. He examined the reciprocal relationship of forms to each other and often reduced them to the purely geometric body. He was also preoccupied with the interaction between light and dark forms as well as round and pointed shapes.
His stays by the sea in Scandinavia and Italy further inspired him to study and experiment with different forms. His late work is dominated by his so-called "compositions". In his mixed media he turns away completely from the figurative and uses different materials to depict the interplay between form and colour on the surface.
Hannes Schultze-Froitzheim, birth name Hans Werner Schultze, was a German painter and graphic artist.
Hannes Schultze-Froitzheim learned to draw from Max Bernuth, Heinrich Phieler and Hans Seiß in evening and Sunday classes at the Elberfeld Craftsmen's and Arts and Crafts School from 1920 onwards, in parallel with a commercial apprenticeship. In 1926 he transferred to the Düsseldorf Art Academy.
Schultze-Froitzheim sought the interplay of form and colour in his works. He examined the reciprocal relationship of forms to each other and often reduced them to the purely geometric body. He was also preoccupied with the interaction between light and dark forms as well as round and pointed shapes.
His stays by the sea in Scandinavia and Italy further inspired him to study and experiment with different forms. His late work is dominated by his so-called "compositions". In his mixed media he turns away completely from the figurative and uses different materials to depict the interplay between form and colour on the surface.
Hannes Schultze-Froitzheim, birth name Hans Werner Schultze, was a German painter and graphic artist.
Hannes Schultze-Froitzheim learned to draw from Max Bernuth, Heinrich Phieler and Hans Seiß in evening and Sunday classes at the Elberfeld Craftsmen's and Arts and Crafts School from 1920 onwards, in parallel with a commercial apprenticeship. In 1926 he transferred to the Düsseldorf Art Academy.
Schultze-Froitzheim sought the interplay of form and colour in his works. He examined the reciprocal relationship of forms to each other and often reduced them to the purely geometric body. He was also preoccupied with the interaction between light and dark forms as well as round and pointed shapes.
His stays by the sea in Scandinavia and Italy further inspired him to study and experiment with different forms. His late work is dominated by his so-called "compositions". In his mixed media he turns away completely from the figurative and uses different materials to depict the interplay between form and colour on the surface.
Hannes Schultze-Froitzheim, birth name Hans Werner Schultze, was a German painter and graphic artist.
Hannes Schultze-Froitzheim learned to draw from Max Bernuth, Heinrich Phieler and Hans Seiß in evening and Sunday classes at the Elberfeld Craftsmen's and Arts and Crafts School from 1920 onwards, in parallel with a commercial apprenticeship. In 1926 he transferred to the Düsseldorf Art Academy.
Schultze-Froitzheim sought the interplay of form and colour in his works. He examined the reciprocal relationship of forms to each other and often reduced them to the purely geometric body. He was also preoccupied with the interaction between light and dark forms as well as round and pointed shapes.
His stays by the sea in Scandinavia and Italy further inspired him to study and experiment with different forms. His late work is dominated by his so-called "compositions". In his mixed media he turns away completely from the figurative and uses different materials to depict the interplay between form and colour on the surface.
Hannes Schultze-Froitzheim, birth name Hans Werner Schultze, was a German painter and graphic artist.
Hannes Schultze-Froitzheim learned to draw from Max Bernuth, Heinrich Phieler and Hans Seiß in evening and Sunday classes at the Elberfeld Craftsmen's and Arts and Crafts School from 1920 onwards, in parallel with a commercial apprenticeship. In 1926 he transferred to the Düsseldorf Art Academy.
Schultze-Froitzheim sought the interplay of form and colour in his works. He examined the reciprocal relationship of forms to each other and often reduced them to the purely geometric body. He was also preoccupied with the interaction between light and dark forms as well as round and pointed shapes.
His stays by the sea in Scandinavia and Italy further inspired him to study and experiment with different forms. His late work is dominated by his so-called "compositions". In his mixed media he turns away completely from the figurative and uses different materials to depict the interplay between form and colour on the surface.
Hannes Schultze-Froitzheim, birth name Hans Werner Schultze, was a German painter and graphic artist.
Hannes Schultze-Froitzheim learned to draw from Max Bernuth, Heinrich Phieler and Hans Seiß in evening and Sunday classes at the Elberfeld Craftsmen's and Arts and Crafts School from 1920 onwards, in parallel with a commercial apprenticeship. In 1926 he transferred to the Düsseldorf Art Academy.
Schultze-Froitzheim sought the interplay of form and colour in his works. He examined the reciprocal relationship of forms to each other and often reduced them to the purely geometric body. He was also preoccupied with the interaction between light and dark forms as well as round and pointed shapes.
His stays by the sea in Scandinavia and Italy further inspired him to study and experiment with different forms. His late work is dominated by his so-called "compositions". In his mixed media he turns away completely from the figurative and uses different materials to depict the interplay between form and colour on the surface.
Eugen Kampf was a German painter; associated with the Düsseldorf school of painting. He specialized in rural and village scenes.
Theo Champion was a German painter. His work was part of the painting event in the art competition at the 1928 Summer Olympics.
Eugen Kampf was a German painter; associated with the Düsseldorf school of painting. He specialized in rural and village scenes.
Sigmund Walter Hampel, born in Vienna in 1867 and passed away in 1949 at Nußdorf am Attersee, was an esteemed Austrian painter and draughtsman. The son of a glass painter, Hampel honed his artistic skills and knowledge of design, material, and technique in his father's workshop. His formal education at the Vienna Academy of Art under notable figures like August Eisenmenger and Heinrich von Angeli further refined his abilities, especially in delicate coloring and technical proficiency.
A significant period of Hampel's career was his membership in the Hagenbund, a Vienna-based artists' association, from 1900 to 1911. This association was known for its avant-garde approach and played a critical role in shaping modern art in Austria. Hampel's works are recognized for their diverse range of subjects and styles, including figurative works, still life, and portraiture.
Some of Hampel's notable works include "Interieur" (1903), "Zimmer In Einem Alten Forsthaus" (1905), "Spanische Tänzerin (Porträt der Mlle E.)" (1904), "Blumenstillleben" (1910), and "Der Zwerg und das Weib" (1902-1903). These artworks exemplify his versatile approach to art, capturing a range of emotions and narratives through his distinct artistic style.
Hampel's contributions to the art world, particularly in Austria, are significant. His works continue to be appreciated by art enthusiasts, collectors, and experts in art and antiques for their aesthetic value and historical significance.
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Michael Heiser is a contemporary American land-art artist who specialises in large-scale sculptures.
