john
John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was probably born in Boston, Massachusetts, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt.
Eastman Johnson was a nineteenth-century American artist. He was known as a master of domestic and portrait genres. Johnson was a proponent of realism in art, his style was greatly influenced by the works of the Dutch and Flemish painters of the 17th century. Contemporaries often called him the "American Rembrandt".
Eastman Johnson in his paintings depicted for posterity many prominent historical figures and everyday life of his contemporaries - ordinary citizens of the United States. Many of his works of the domestic genre were devoted to the lives of black slaves. It was these works that brought the artist widespread fame, and in 1860 he was elected a full member of the National Academy of Design.
Johnson is one of the founders of the Metropolitan Museum of Art in New York, which now houses some of his paintings.
John Angus Chamberlain was an American sculptor. At the time of his death he resided and worked on Shelter Island, New York.
Chamberlain is best known for creating sculptures from old automobiles (or parts of) that bring the Abstract Expressionist style of painting into three dimensions.
John Milton Cage Jr. is an American composer, philosopher, poet, musicologist, and artist. Cage is considered one of the leading figures of the post-war avant-garde.
Born in the United States, he studied architecture in Europe, but music and painting seemed more interesting to him and he has achieved impressive success there. John Cage is considered a pioneer of uncertainty in music and the unconventional use of instruments, and is highly regarded for his paintings and prints. In addition, he played a crucial role in the development of modern dance and performance art.
His father John Milton Cage (1886-1964) was an inventor.
John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.
John Baeder is an American painter closely associated with the photorealist movement. He is best known for his detailed paintings of American roadside diners and eateries. His interest in small towns across America began when he was young by photographing old cars and other relics. He started working as an art director in Atlanta for a branch of a New York advertising agency in 1960, and subsequently moved to New York City in 1964. He went on to have a successful career in advertising through the early 1970s, while continuing to paint, draw and photograph on his own time. Baeder left the advertising field in 1972 to pursue his artistic career full-time. The same year, OK Harris Gallery in New York began exhibiting his artworks. Since then, he has had more than thirty solo exhibitions at art galleries. His work includes oil paintings, watercolors and photographs. Baeder’s work aims to chronicle the disappearing aspects of American culture. Baeder is the recipient of the Tennessee Governor's Distinguished Artist Award in 2009.
Jasper Johns, an American artist, has been a pivotal figure in the art world, celebrated for his innovative contributions to painting, sculpture, and printmaking. Johns, born in 1930, has challenged and expanded the boundaries of contemporary art with his unique approach to visual expression, blending elements of Abstract Expressionism, Neo-Dada, and Pop Art. He is perhaps best known for his iconic depictions of everyday objects and symbols, such as flags, maps, numbers, and targets, which he transforms into complex, layered works that invite contemplation on themes of identity, perception, and memory.
Johns' art is distinguished by its masterful use of texture, symbolism, and an exploration of the materiality of the medium. His technique of incorporating textural elements and found objects into his canvases blurs the lines between painting and sculpture, challenging traditional distinctions in art. For instance, his piece "Flag" (1954-55) reimagines the American flag with a surface rich in encaustic paint and newspaper clippings, creating a work that is both a familiar symbol and a deeply personal expression. Similarly, "Painted Bronze" (Ale Cans) (1960) playfully interrogates the nature of representation and the art object by presenting a lifelike bronze sculpture of beer cans, furthering the dialogue on art's relationship with the everyday.
Johns' work is held in high esteem and can be found in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. His influence extends beyond his own oeuvre, impacting the development of several art movements, including Pop Art and Conceptual Art. Johns' exploration of language and semiotics, particularly in works like "According to What" (1964), prefigured the Conceptual Art movement's interest in the role of language and ideas in art.
For collectors and experts in art and antiques, Jasper Johns' work represents a critical junction in the evolution of post-war American art, offering rich insights into the interplay between cultural symbols and artistic innovation. His enduring relevance and the intellectual depth of his work continue to inspire and challenge audiences, making him a central figure in discussions of contemporary art.
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John Frederick Lewis was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper-class Egyptian interiors with little apparent Western influence.
Jasper Johns, an American artist, has been a pivotal figure in the art world, celebrated for his innovative contributions to painting, sculpture, and printmaking. Johns, born in 1930, has challenged and expanded the boundaries of contemporary art with his unique approach to visual expression, blending elements of Abstract Expressionism, Neo-Dada, and Pop Art. He is perhaps best known for his iconic depictions of everyday objects and symbols, such as flags, maps, numbers, and targets, which he transforms into complex, layered works that invite contemplation on themes of identity, perception, and memory.
Johns' art is distinguished by its masterful use of texture, symbolism, and an exploration of the materiality of the medium. His technique of incorporating textural elements and found objects into his canvases blurs the lines between painting and sculpture, challenging traditional distinctions in art. For instance, his piece "Flag" (1954-55) reimagines the American flag with a surface rich in encaustic paint and newspaper clippings, creating a work that is both a familiar symbol and a deeply personal expression. Similarly, "Painted Bronze" (Ale Cans) (1960) playfully interrogates the nature of representation and the art object by presenting a lifelike bronze sculpture of beer cans, furthering the dialogue on art's relationship with the everyday.
Johns' work is held in high esteem and can be found in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. His influence extends beyond his own oeuvre, impacting the development of several art movements, including Pop Art and Conceptual Art. Johns' exploration of language and semiotics, particularly in works like "According to What" (1964), prefigured the Conceptual Art movement's interest in the role of language and ideas in art.
For collectors and experts in art and antiques, Jasper Johns' work represents a critical junction in the evolution of post-war American art, offering rich insights into the interplay between cultural symbols and artistic innovation. His enduring relevance and the intellectual depth of his work continue to inspire and challenge audiences, making him a central figure in discussions of contemporary art.
To stay informed about new sales, auction events, and updates related to Jasper Johns, we invite you to sign up for our newsletter. This subscription is an excellent resource for enthusiasts and collectors eager to engage with the dynamic market for Jasper Johns' works and related artistic developments.
Jasper Johns, an American artist, has been a pivotal figure in the art world, celebrated for his innovative contributions to painting, sculpture, and printmaking. Johns, born in 1930, has challenged and expanded the boundaries of contemporary art with his unique approach to visual expression, blending elements of Abstract Expressionism, Neo-Dada, and Pop Art. He is perhaps best known for his iconic depictions of everyday objects and symbols, such as flags, maps, numbers, and targets, which he transforms into complex, layered works that invite contemplation on themes of identity, perception, and memory.
Johns' art is distinguished by its masterful use of texture, symbolism, and an exploration of the materiality of the medium. His technique of incorporating textural elements and found objects into his canvases blurs the lines between painting and sculpture, challenging traditional distinctions in art. For instance, his piece "Flag" (1954-55) reimagines the American flag with a surface rich in encaustic paint and newspaper clippings, creating a work that is both a familiar symbol and a deeply personal expression. Similarly, "Painted Bronze" (Ale Cans) (1960) playfully interrogates the nature of representation and the art object by presenting a lifelike bronze sculpture of beer cans, furthering the dialogue on art's relationship with the everyday.
Johns' work is held in high esteem and can be found in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. His influence extends beyond his own oeuvre, impacting the development of several art movements, including Pop Art and Conceptual Art. Johns' exploration of language and semiotics, particularly in works like "According to What" (1964), prefigured the Conceptual Art movement's interest in the role of language and ideas in art.
For collectors and experts in art and antiques, Jasper Johns' work represents a critical junction in the evolution of post-war American art, offering rich insights into the interplay between cultural symbols and artistic innovation. His enduring relevance and the intellectual depth of his work continue to inspire and challenge audiences, making him a central figure in discussions of contemporary art.
To stay informed about new sales, auction events, and updates related to Jasper Johns, we invite you to sign up for our newsletter. This subscription is an excellent resource for enthusiasts and collectors eager to engage with the dynamic market for Jasper Johns' works and related artistic developments.
John Frederick Herring the Elder was a British painter of Victorian England.
John had a passion for horses and painting from a young age. In his spare time from his day job as a sign painter and coachman, Herring painted horses for innkeepers and customers. Developing his talent, John specialized in drawing animals and loved to depict sporting events with horses. His impressive and vivid depictions of racehorses, cows and ducks as well as picturesque hunting scenes caught the eye of Queen Victoria. In 1845 Herring was appointed animal painter to Her Royal Highness the Duchess of Kent, followed by a commission from the reigning Queen Victoria, who remained a patron for the rest of his life.
A highly successful and prolific artist, Herring is considered one of the most important animal painters of mid-19th century Europe. He exhibited at the Royal Academy, the British Institution, and the Society of British Artists, where Herring became vice-president in 1842. Three of his sons also became artists.
Samuel Johnson was an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor and lexicographer. He was a devout Anglican, and a committed Tory. The Oxford Dictionary of National Biography calls him «arguably the most distinguished man of letters in English history». James Boswell's Life of Samuel Johnson was selected by Johnson biographer Walter Jackson Bate as «the most famous single work of biographical art in the whole of literature».
Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds (such as hummingbirds), as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
In 1929 she was created a Dame, and in 1936 became the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.
Harold Knight was an English portrait, genre and landscape painter.
John Henry Mohrmann (Dutch: John Henry Mohrmann) is an American-Belgian-Canadian artist specialising in portraits of ships.
John Henry Mohrmann was a fickle sailor who successfully combined his naval career with his artistic talent. He painted real ships on behalf of shipowners, captains, shipbuilders and maritime firms.
John Angus Chamberlain was an American sculptor. At the time of his death he resided and worked on Shelter Island, New York.
Chamberlain is best known for creating sculptures from old automobiles (or parts of) that bring the Abstract Expressionist style of painting into three dimensions.
John Angus Chamberlain was an American sculptor. At the time of his death he resided and worked on Shelter Island, New York.
Chamberlain is best known for creating sculptures from old automobiles (or parts of) that bring the Abstract Expressionist style of painting into three dimensions.
John White Alexander was an American portrait, figure, and decorative painter and illustrator.
John French Sloan was an American impressionist painter, considered one of the founders of the Ashcan school of American art. He is best known for his urban, everyday genre scenes and his ability to capture the essence of New York City neighborhood life, which he observed from his studio window in Chelsea.
John French Sloan was an American impressionist painter, considered one of the founders of the Ashcan school of American art. He is best known for his urban, everyday genre scenes and his ability to capture the essence of New York City neighborhood life, which he observed from his studio window in Chelsea.
John White Alexander was an American portrait, figure, and decorative painter and illustrator.
John White Alexander was an American portrait, figure, and decorative painter and illustrator.
John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was probably born in Boston, Massachusetts, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt.
John La Farge was an American artist whose career spanned illustration, murals, interior design, painting, and popular books on his Asian travels and other art-related topics.
La Farge is best known for his production of stained glass, mainly for churches on the American east coast, beginning with a large commission for Henry Hobson Richardson's Trinity Church in Boston in 1878, and continuing for thirty years. La Farge designed stained glass as an artist, as a specialist in color, and as a technical innovator, holding a patent granted in 1880 for superimposing panes of glass. That patent would be key in his dispute with contemporary and rival Louis Comfort Tiffany.
John Singer Sargent was an American artist celebrated for his captivating portraits, which mirrored the luxury of the Edwardian era. Born to American parents in Florence, Italy, Sargent was a well-traveled individual, fluent in multiple languages, and exposed to European art from a young age. His early artistic training came under the tutelage of Carolus-Duran in Paris, which significantly influenced his style and approach to art. Sargent's work, characterized by its striking realism and attention to detail, gained international acclaim, especially among the aristocracy in England and the United States.
Noteworthy is John Singer Sargent's "Carnation, Lily, Lily, Rose," a piece that, after its display at the Royal Academy in 1887, solidified his status in the London art scene. This painting, along with many others, showcases his ability to capture the essence of his subjects, earning him numerous commissions from prominent figures of his time. However, by the early 20th century, Sargent shifted his focus to watercolors and murals, seeking respite from the demands of portrait commissions. His mural works, like those for the Boston Public Library, highlight his versatility and commitment to art beyond portraiture.
For collectors and art experts, understanding John Singer Sargent's journey—from his early days in Florence and Paris to his ultimate success as a portraitist and muralist—offers valuable insights into his artistic evolution and the historical context of his work. His pieces, housed in prestigious institutions worldwide, continue to captivate audiences with their elegance and technical prowess.
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