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Franz Hoffmann-Fallersleben was a German impressionist painter and master of landscape painting.
Franz Hoffmann-Fallersleben was a German impressionist painter and master of landscape painting.
Franz Hoffmann-Fallersleben was a German impressionist painter and master of landscape painting.
Franz Hoffmann-Fallersleben was a German impressionist painter and master of landscape painting.
Oskar Moll was a German post-impressionist painter.
He studied painting in Munich and Berlin, met Henri Matisse in Paris in 1907 and took part in the founding of the Matisse Academy. He later taught at the Art Academy in Düsseldorf, from where he was eventually fired and branded as a propagator of degenerate art, one of his exhibitions was also banned by the Nazis and his works confiscated.
In his paintings, Moll combined linear structures with spaces of color, creating abstract and lyrical landscapes, still lifes and portraits. Contrasting color accents and ornamental motifs enliven the paintings.
Walter Ophey was a German artist. He was known for his modernist paintings, which often depicted landscapes and still-life scenes.
Ophey studied at the Academy of Fine Arts in Düsseldorf. His early work was influenced by Impressionism, but he later became associated with the Expressionist movement.
In 1909 Ophey, together with some other Düsseldorf artists, formed the artistic group the Special Union (Sonderbund). The first chairman of the Special Union was the well-known German philanthropist and collector Carl Ernst Osthaus. In the following years this group became one of the most powerful avant-garde art movements in Germany.
Ophey's paintings are characterized by their bright colors and bold, simplified forms. He often depicted rural landscapes and still-life scenes, infusing them with a sense of emotional intensity. He was also known for his use of color, which he used to convey mood and atmosphere.
Ophey's work was exhibited extensively during his lifetime, including at the Berlin Secession and the Salon d'Automne in Paris. Despite his relatively short career, he was recognized as an important figure in the development of modernist painting in Germany.
Heinrich Maria Davringhausen was a German painter associated with the New Objectivity. Davringhausen was born in Aachen. Mostly self-taught as a painter, he began as a sculptor, studying briefly at the Düsseldorf Academy of Arts before participating in a group exhibition at Alfred Flechtheim's gallery in 1914. He also traveled to Ascona with his friend the painter Carlo Mense that year. At this early stage his paintings were influenced by the expressionists, especially August Macke.
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth's subject matter also included nudes and biblical scenes.
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in approach. Corinth was initially antagonistic towards the expressionist movement, but after a stroke in 1911 his style loosened and took on many expressionistic qualities. His use of color became more vibrant, and he created portraits and landscapes of extraordinary vitality and power. Corinth's subject matter also included nudes and biblical scenes.
Gabriele Münter, a prominent German painter, left an indelible mark on the art world with her expressionist style and vibrant use of color. Born in Berlin in 1877, Münter was not just an artist but a trailblazer in the early 20th-century avant-garde movement in Munich. Her relationship with Wassily Kandinsky, both personal and professional, greatly influenced her artistic development and vice versa. Together, they explored Europe and North Africa, absorbing influences that would shape their styles. This period was crucial for Münter's transition from impressionistic to more abstract and expressive works, incorporating intense colors and simplified forms that became hallmarks of her style.
Münter's artistic evolution was significantly shaped by her time in Murnau, a Bavarian town that became a refuge and inspiration for her work. Here, she experimented with the Blaue Reiter aesthetic, emphasizing the emotional and spiritual over the representational. Münter's landscapes from this period are notable for their bold use of color and simplified forms, reflecting an intimate interaction with nature. Works like "Jawlensky and Werefkin" and "Lower Main Street, Murnau" exemplify her mastery of color and form, showcasing her ability to capture the essence of her subjects through a unique visual language.
Throughout her career, Münter contributed significantly to the German Expressionist movement, particularly through her involvement with Der Blaue Reiter group. Despite the challenges of World War I and the subsequent estrangement from Kandinsky, she continued to innovate and express her vision through her art. In her later years, Münter's commitment to preserving the legacy of the Blaue Reiter group was demonstrated through her donation of a substantial collection of artworks to the Städtische Galerie im Lenbachhaus in Munich.
For collectors and experts in art and antiques, Gabriele Münter's work represents a pivotal moment in the history of expressionism, offering insights into the movement's evolution and the role of women artists in shaping modern art. Her contributions, both in her vibrant landscapes and in her pioneering spirit, continue to inspire and captivate audiences around the world.
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Markus Lüpertz is a German painter, sculptor, graphic artist, and writer. He also publishes a magazine, and plays jazz piano. He is one of the best-known German contemporary artists. His subjects are characterized by suggestive power and archaic monumentality. Lüpertz insists on capturing the object of representation with an archetypal statement of his existence. His art work is associated to neo-expressionism. Known for his eccentricity, German press has stylized him as a «painter prince».
Anton Henning is a German self-taught artist, designer, sculptor and installer.
He lives and works in Berlin, London and New York and has established himself as a talented and extraordinary furniture and interior designer. Henning is inspired by views of world capitals while developing his own avant-garde styles. He also wittily analyzes art history through his installations, sculptures and paintings.
Eugène Henri Cauchois, a prominent French painter. He is celebrated for his enchanting floral still lifes, though he also dabbled in landscapes and seascapes. Eugène Henri Cauchois' journey in art began under the tutelage of master painters Ferdinand Duboc and Alexandre Cabanel. His style was significantly influenced by the Impressionist movement, characterized by soft, colorful, and lustrous compositions.
Eugène Henri Cauchois' technique involved layering paint with loose and fluid brush strokes, a method akin to that of the Impressionists. This approach allowed him to create vibrant canvases that stood out for their naturalism and intense color combinations. His talent was recognized early in his career, leading him to exhibit frequently at the Paris Salon from 1874. He received several accolades, including a Bronze medal in 1898 and 1900, and a Silver medal in 1904.
In the late 19th century, Eugène Henri Cauchois also ventured into large-scale decorative panel painting. His decorative works, just like his still lifes, were noted for their exquisite naturalism and bold color schemes. These works included commissions like the four panels representing the flowers of the four seasons for the École de filles de la 7ème arrondissement in Paris.
Eugène Henri Cauchois' work continues to be admired for its contribution to the tradition of still life and flower painting. His paintings are held in various public collections, such as in the museums of Chatellerault, Rouen, and Louviers. His legacy lives on, not just in the beauty of his art but also in the continued popularity and appreciation of still life as a significant art form.
For collectors and experts in art and antiques, the works of Eugène Henri Cauchois offer a glimpse into the world of French Impressionism and still life painting. His captivating floral compositions and skillful use of color and light make his pieces a prized addition to any collection.
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Karl Schmidt-Rottluff, a prominent figure in the German Expressionist movement, was not just an artist but a pioneer who significantly influenced the early 20th-century art scene. Born in Rottluff, Germany, in 1884, he later added his hometown's name to his surname, showcasing a deep connection to his roots. Schmidt-Rottluff was a founding member of the artist group Die Brücke, which played a critical role in the development of Expressionism in Germany. His works, characterized by bold colors and stark contrasts, were a departure from traditional artistic expressions and embraced a more emotional and subjective interpretation of reality.
Schmidt-Rottluff's contributions to art were not limited to painting; he was also a master printmaker, with a significant body of work comprising woodcuts, lithographs, and etchings. His artistic endeavors were marked by a fascination with the natural world, social issues, and an exploration of human emotion, themes that remained consistent throughout his career. Despite facing persecution during the Nazi regime, with many of his works labeled as "degenerate," Schmidt-Rottluff's resolve did not waver. In 1937, 608 of his paintings were seized, and by 1941, he was forbidden to paint. Yet, his legacy continued to grow post-World War II, and he was later honored with professorship at the University of Arts in Berlin-Charlottenburg in 1947, where he influenced a new generation of artists.
The value and impact of Schmidt-Rottluff's work are reflected in the presence of his pieces in prestigious collections worldwide, including the Museum of Modern Art, Neue Galerie, Los Angeles County Museum of Art, and many others. His works are celebrated for their emotional depth, innovative use of color, and ability to convey complex themes through simplified forms. Notably, some of his significant pieces have been subjects of restitution efforts, highlighting the historical importance and continued relevance of his work in the context of art history and cultural heritage.
For collectors and experts in art and antiques, Schmidt-Rottluff's oeuvre offers a profound insight into the evolution of Expressionism and the broader cultural and political narratives of the early 20th century. His works not only serve as a testament to his individual genius but also as a reflection of the tumultuous era that shaped them.
To stay informed about new discoveries, sales, and auction events related to Karl Schmidt-Rottluff's work, signing up for updates is highly recommended. This ensures that enthusiasts and collectors alike are always in the loop regarding opportunities to engage with and acquire pieces by this influential artist, ensuring his legacy continues to inspire and resonate with future generations.
Hubertus Giebe is a German painter and graphic artist.
Matthias Withoos, also known as Calzetta Bianca and Calzetti, was a Dutch painter of still lifes and city scenes, best known for the details of insects, reptiles and undergrowth in the foreground of his pictures.
