nostradamus
Nostradamus (French: Michel de Nostredame) was a French physician-pharmacist, writer, poet, astrologer and alchemist.
Nostradamus was born into a family of baptized Jews and studied various sciences in Avignon. At that time the plague was rampant in Europe, and Nostradamus decided to become a healer, in 1526 he even invented an anti-plague medicine, and later received a degree of Doctor of Medicine. He began his medical practice around the 1530s in Agen. During the plague outbreaks in Aix and Lyon in 1546-1547, he gained fame for his innovative treatments. Nostradamus described his methods of dealing with epidemics in several medical works. In addition to medicine, he also practiced astrology.
Nostradamus gained worldwide fame thanks to his gift as a seer. He began making prophecies around 1547 and first published them in 1555 in a book called Centuries. The book was written in rhymed quatrains - catrines - with predictions of future events in European history. Some of his prophecies were close to the truth, and the fame of the visionary Nostradamus reached the court of Catherine de Medici, who ordered him to compile horoscopes of her children. In 1564 he was appointed physician to Charles IX, to whom he also made several predictions that came true.
Nostradamus's book of prophecies was a huge success, and it still arouses interest, but he wrote allegorically and many of the katrines cannot be interpreted unambiguously.
![JAKOVSKY, Anatole (1909-1938) [sous le pseudonyme d’Anatole Delagrave] et Robert DELAUNAY (1885-1941)](/assets/image/picture_3807168/23ba7/c5e3d2b0fc5d81954ae9a4542b646a081710234000jpg__fix_374_244.jpeg)
![JAKOVSKY, Anatole (1909-1938) [sous le pseudonyme d’Anatole Delagrave] et Robert DELAUNAY (1885-1941)](https://veryimportantlot.com/assets/image/picture_3807168/23ba7/c5e3d2b0fc5d81954ae9a4542b646a081710234000jpg__fix_374_244.jpeg)
Robert Delaunay, a French artist, emerged as a pivotal figure in the development of early 20th-century art, blending the realms of painting and sculpture with his innovative approaches. His work is celebrated for its dynamic use of color and geometric shapes, making him a cornerstone in the Orphism movement, which he co-founded alongside his wife Sonia Delaunay and others. This movement is distinguished by its focus on vibrant colors and geometric forms, contributing significantly to the abstract art landscape.
Delaunay's artistic journey began earnestly at the age of 19 when he decided to fully dedicate himself to painting, contributing works to the Salon des Indépendants. His early career was marked by a deep engagement with Neo-Impressionism and Cubism, as evidenced by his collaborative work with Jean Metzinger and his exploration of color theory. Notable works from this period include "Paysage au disque" (1906–07) and "Champs de Mars: The Red Tower" (1911), showcasing his departure from representational art towards a more abstract, color-driven aesthetic.
Among Delaunay's celebrated series are the Eiffel Tower and Simultaneous Windows, reflecting his fascination with Parisian architecture and the dynamic interplay of light and color. These works, along with others like "L'Équipe de Cardiff" (1912-13) and "Endless Rhythm" (1934), are housed in prestigious museums such as the Musée d'Art Moderne de la Ville de Paris, The Solomon R. Guggenheim Museum, and the Tate collection. These pieces illustrate his evolving style, from the depiction of movement and technology in pre-war Paris to the rhythmic abstraction of later years.
Delaunay's influence extended beyond France, with significant contributions to exhibitions in Germany, Switzerland, and Russia, particularly through his involvement with Der Blaue Reiter group. His work not only captured the essence of the technological and cultural shifts of his time but also laid the groundwork for future artistic explorations into color and form.
For collectors and experts in art and antiques, Delaunay's oeuvre offers a rich study in the evolution of modern art, from its roots in Cubism and Neo-Impressionism to the heights of abstract expression. His works serve as a testament to the power of color and shape in conveying emotion and motion, making them invaluable to the understanding of 20th-century art history.
To stay informed on new sales, auctions, and exhibitions related to Robert Delaunay, sign up for updates. This subscription ensures you remain updated on opportunities to engage with Delaunay's influential body of work, reflecting the ongoing interest in his contributions to modern art.
![DELAUNAY, Robert (1885-1941) et Anatole JAKOVSKY (1909-1938) [sous le pseudonyme d’Anatole Delagrave]](/assets/image/picture_2160007/f333f/0a9982de42702699f74597fdba7229c11651492800jpg__fix_374_244.jpeg)
![DELAUNAY, Robert (1885-1941) et Anatole JAKOVSKY (1909-1938) [sous le pseudonyme d’Anatole Delagrave]](https://veryimportantlot.com/assets/image/picture_2160007/f333f/0a9982de42702699f74597fdba7229c11651492800jpg__fix_374_244.jpeg)
Robert Delaunay, a French artist, emerged as a pivotal figure in the development of early 20th-century art, blending the realms of painting and sculpture with his innovative approaches. His work is celebrated for its dynamic use of color and geometric shapes, making him a cornerstone in the Orphism movement, which he co-founded alongside his wife Sonia Delaunay and others. This movement is distinguished by its focus on vibrant colors and geometric forms, contributing significantly to the abstract art landscape.
Delaunay's artistic journey began earnestly at the age of 19 when he decided to fully dedicate himself to painting, contributing works to the Salon des Indépendants. His early career was marked by a deep engagement with Neo-Impressionism and Cubism, as evidenced by his collaborative work with Jean Metzinger and his exploration of color theory. Notable works from this period include "Paysage au disque" (1906–07) and "Champs de Mars: The Red Tower" (1911), showcasing his departure from representational art towards a more abstract, color-driven aesthetic.
Among Delaunay's celebrated series are the Eiffel Tower and Simultaneous Windows, reflecting his fascination with Parisian architecture and the dynamic interplay of light and color. These works, along with others like "L'Équipe de Cardiff" (1912-13) and "Endless Rhythm" (1934), are housed in prestigious museums such as the Musée d'Art Moderne de la Ville de Paris, The Solomon R. Guggenheim Museum, and the Tate collection. These pieces illustrate his evolving style, from the depiction of movement and technology in pre-war Paris to the rhythmic abstraction of later years.
Delaunay's influence extended beyond France, with significant contributions to exhibitions in Germany, Switzerland, and Russia, particularly through his involvement with Der Blaue Reiter group. His work not only captured the essence of the technological and cultural shifts of his time but also laid the groundwork for future artistic explorations into color and form.
For collectors and experts in art and antiques, Delaunay's oeuvre offers a rich study in the evolution of modern art, from its roots in Cubism and Neo-Impressionism to the heights of abstract expression. His works serve as a testament to the power of color and shape in conveying emotion and motion, making them invaluable to the understanding of 20th-century art history.
To stay informed on new sales, auctions, and exhibitions related to Robert Delaunay, sign up for updates. This subscription ensures you remain updated on opportunities to engage with Delaunay's influential body of work, reflecting the ongoing interest in his contributions to modern art.
