oil portrait
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Gottfried Helnwein is an Austrian-Irish visual artist. He has worked as a painter, draftsman, photographer, muralist, sculptor, installation and performance artist, using a wide variety of techniques and media.
His work is concerned primarily with psychological and sociological anxiety, historical issues and political topics. His subject matter is the human condition. The metaphor for his art is dominated by the image of the child, particularly the wounded child, scarred physically and emotionally from within. His works often reference taboo and controversial issues from recent history, especially the Nazi rule and the horror of the Holocaust. As a result, his work is often considered provocative and controversial.
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."
Jonathan Meese is a German painter, sculptor, performance artist and installation artist based in Berlin and Hamburg. Meese's (often multi-media) works include paintings, collages, drawings and writing. He also designs theater sets and wrote and starred in a play, De Frau: Dr. Poundaddylein — Dr. Ezodysseusszeusuzur in 2007 at the Volksbühne Theater. He is mainly concerned with personalities of world history, primordial myths and heroes. Jonathan Meese lives and works in Ahrensburg and Berlin.
Rainer Fetting is a German painter and sculptor.
Rainer Fetting was one of the co-founders and main protagonists of the Galerie am Moritzplatz in Berlin, founded in the late 1970s by a group of young artists (mainly painters) from the class of Karl Horst Hödicke at the former Berliner Hochschule für Bildende Künste (Berlin Art Academy, today known as Universität der Künste). Fetting is now one of the internationally best known contemporary German artists, having created a large oeuvre of expressive figurative paintings covering many different kinds of subject-matter, as well as many bronze sculptures.
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Martha Parsey is a contemporary British artist who has made a significant impact in the realms of painting and filmmaking. Educated at prestigious institutions such as Central St. Martins College of Art and the German Film and Television Academy Berlin, Parsey has developed a multifaceted approach to her art.
Martha Parsey's work is renowned for its expressive and dynamic nature. Her paintings often delve into various themes and narratives, showcasing her versatility as an artist. Additionally, she has made notable contributions to the world of filmmaking, particularly with her films on the acclaimed artist Francis Bacon. These films have been screened at esteemed venues like the ICA and Hayward Gallery in London, Centre Pompidou in Paris, and Haus der Kunst in Munich.
Her artistic achievements have been recognized through several exhibitions and awards. Parsey's work has been exhibited widely in the UK, Europe, and the US, and is featured in prestigious collections such as the Ovitz Family Collection, the Zabludowicz Collection, and the Musée National d’art Moderne in Paris. In 2018, she founded the MPHQ Project Space in London and Cologne, further cementing her role as a prominent figure in contemporary art.
Martha Parsey's paintings are known for their vibrant energy and depth, making them a compelling choice for collectors and art enthusiasts alike. Her unique blend of painting and filmmaking offers a refreshing perspective in the world of contemporary art.
For those interested in the latest developments in Martha Parsey's career, including new artworks and exhibition events, signing up for updates is recommended. We provide essential information to collectors and experts in art and antiques, focusing on new sales and auction events related to Martha Parsey.
