peintures des maîtres anciens
Jean-Baptiste Le Prince was an important French etcher and painter.
Barent Avercamp was a Dutch painter. He was taught by his uncle Hendrick Avercamp, who was also a painter. Barent primarily painted scenes depicting Netherlands in winter. He was a member of the Guild of Saint Luke, and traveled around the Netherlands including Zwolle and Zutphen for his settings and inspiration.
Pieter de Molijn, a distinguished Dutch Golden Age painter and engraver, was celebrated for his exceptional landscapes, genre pieces, and more. Born in London in 1595 to Flemish parents, he moved to the Netherlands, where he significantly contributed to Dutch art. Molijn was not just a painter; his talents extended to engraving, a testament to his versatility in the art world.
Pieter de Molijn's journey into art took him to Italy and then to Haarlem, where he joined the Guild of St. Luke in 1616, marking the start of a prolific career. His landscapes, known for their sweeping diagonals and tonal unity, helped pioneer a new style that influenced contemporaries and successors alike. Molijn's ability to capture the essence of the Dutch landscape made his works sought after, not just during his lifetime but also in today's art circles.
His works, like the captivating "Landscape with Figures," showcased at The Metropolitan Museum of Art, continue to fascinate art enthusiasts and collectors. Pieter de Molijn's artistry wasn't confined to landscapes alone; his genre pieces and marine scenes also garnered acclaim, reflecting his diverse skills and innovative approach.
For art collectors and experts keen on Dutch Golden Age paintings, Molijn's works represent a blend of technical mastery and artistic vision. Whether it's his detailed landscapes or compelling genre scenes, each piece invites viewers into the world he saw and experienced.
For those who appreciate the finesse of Dutch Golden Age art, staying updated on Pieter de Molijn's works is a must. Whether it's auctions, exhibitions, or private sales, sign up for updates and never miss out on the opportunity to explore or acquire Molijn's timeless masterpieces.
Francisco de Zurbarán was a Spanish painter, celebrated for his profound religious paintings and his skill in using chiaroscuro, which emphasized dramatic contrasts between light and dark. Born in Fuente de Cantos, Extremadura, in 1598, Zurbarán's work is marked by a stark, realistic style that earned him the nickname "Spanish Caravaggio".
His early years in Seville were foundational, leading to significant commissions that established his reputation. Among these was a contract with the Dominican monastery San Pablo el Real in Seville, for which he produced 21 paintings within eight months, depicting the life of Saint Dominic and other religious figures. His work was characterized by a direct and spiritual nature, as seen in his portrayals of monks, nuns, and martyrs, as well as his still-life compositions.
Despite facing a decline in reputation towards the latter part of his career, overshadowed by the sentimental religiosity of Murillo, Zurbarán's influence persisted. His later years saw him moving to Madrid, where he died in 1664. Zurbarán's ability to convey monastic sentiments and a realistic presentation of nature, along with his innovative use of light, have cemented his legacy as a major figure in Spanish Baroque painting.
For collectors and experts in art and antiques, Zurbarán's works offer a glimpse into the spiritual and aesthetic sensibilities of the Spanish Baroque era. His paintings, such as those housed in the National Gallery, London, and the Museo Nacional del Prado in Madrid, continue to inspire and captivate audiences with their intensity and devotion.
To stay updated on new discoveries and auction events related to Francisco de Zurbarán's work, sign up for updates. This subscription will keep you informed about sales and events specifically related to this key figure in Baroque art, ensuring you don't miss an opportunity to engage with Zurbarán's enduring legacy.
Anthonie Palamedesz was a Dutch portrait and genre painter. He is in particular known for his merry company paintings depicting elegant figures engaged in play, music and conversation as well as guardroom scenes showing soldiers in guardrooms. Like many Dutch painters of his time, he painted portraits and still lifes, including vanitas still lifes. He further painted the staffage in a few views of the interior of churches. He played a major role in the development of genre painting in Delft in the mid 17th century.
Gerard de Lairesse was a Dutch painter, printmaker, and art theorist. Known for his classical approach, de Lairesse's work marked a departure from the Baroque style prevalent in the Dutch Golden Age, leaning instead towards the neoclassicism that would dominate European art in the 18th century. His art and theories were deeply influenced by the ideals of beauty, grace, and moral edification, advocating for the selection of the most perfect manifestations of natural phenomena rather than their random imitation.
De Lairesse was not only a prolific painter but also an influential art theorist. His treatises, "Grondlegginge ter teekenkonst" (1701) and "Het groot schilderboeck" (1707), were seminal works that laid down principles of art and aesthetics that influenced not just his contemporaries but also generations of artists to come. He emphasized the importance of adhering to theoretical knowledge and the study of nature, albeit through a lens that filtered out its imperfections, to achieve ideal beauty in art.
Despite facing personal challenges, including a congenital condition that led to the loss of his sight in his later years, de Lairesse remained a central figure in the artistic and intellectual circles of Amsterdam. His lectures, delivered from his home, attracted a wide array of students and enthusiasts, eager to learn from his extensive knowledge and experience.
Today, works by Gerard de Lairesse can be found in prestigious institutions worldwide, including the Rijksmuseum and the Amsterdam Museum in the Netherlands, the Louvre in Paris, the Metropolitan Museum of Art in New York, and the National Gallery in London, among others. His legacy as the 'Dutch Poussin' speaks to his enduring influence on the evolution of European art, bridging the gap between the Baroque and the Neoclassical.
For collectors and experts in art and antiques, Gerard de Lairesse represents an intriguing study in the transition of art styles from the Baroque to Neoclassicism. His dedication to the theory and practice of art makes his work a valuable addition to any collection.
To stay informed about exhibitions, sales, and auction events related to Gerard de Lairesse's work, consider signing up for updates. This will ensure you are always up to date with the latest opportunities to engage with the remarkable legacy of this influential Dutch artist.
Paul Troger was an Austrian painter, draughtsman, and printmaker of the late Baroque period. Troger's illusionistic ceiling paintings in fresco are notable for their dramatic vitality of movement and their palette of light colors.
Paul Troger’s style, particularly in his frescoes, dominated Austrian painting until the end of the 18th century and profoundly influenced significant artists of the next generation, notably Franz Anton Maulbertsch, Josef Ignaz Mildorfer, Johann Wenzel Bergl and Johann Lucas Kracker.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Johann Heinrich Wilhelm Tischbein was a German painter, master of portraiture; a member of the famous Tischbein artistic dynasty, one of the closest friends of the poet Johann Wolfgang Goethe.
He studied painting with his uncle Johann Jacob Tischbein in Hamburg. In 1772-1773 he made a study trip to Holland, and from 1777 was engaged in portrait painting in Berlin. In 1779 he went to Rome on a scholarship to the Academy of Arts in Cassel. After studying the antique art monuments he gradually changed his painting style from rococo to classical. In Italy he painted mostly landscapes, still life and history.
From 1789 to 1799 Johann Heinrich Wilhelm painted in the period from 1789 to 1799. Johann Heinrich Wilhelm Tischbein was director of the Academy of Arts in Naples.
