romantic painting
Joseph Mallord William Turner, a seminal figure in British painting, was born in 1775 and left an indelible mark on the Romantic movement. Known for his expressive coloration, imaginative landscapes, and turbulent marine paintings, Turner's work transcends the traditional boundaries of art to capture the sublime force of nature. His career was distinguished by early talent, evidenced by his acceptance into the Royal Academy at the young age of 14, and a prolific output that included over 2,000 paintings and 19,000 drawings and sketches.
William Turner's unique approach to landscape painting, characterized by dramatic skies and atmospheric effects, set a new standard for capturing mood and emotion on canvas. His innovative use of light and color influenced countless artists, elevating landscape painting to rival the status of history painting. Turner's legacy is also marked by his eccentricity and reclusiveness, traits that only added to the mystique surrounding his artistic genius.
Among his most famous works are "The Fighting Temeraire," symbolizing the passing of the old world, and "Rain, Steam and Speed," capturing the Industrial Revolution's impact. These paintings not only showcase William Turner's technical skill but also his philosophical engagement with the changing world around him.
For collectors and experts in art and antiques, William Turner's works represent the pinnacle of Romantic art, offering insight into the 19th-century aesthetic and philosophical landscape. His influence on subsequent generations of artists underscores his position as a pivotal figure in the history of Western art.
To stay informed about Joseph Mallord William Turner's works and related events, signing up for updates from reputable art institutions can provide valuable insights into new discoveries and auction events related to this master of the British landscape.
Carl Morgenstern was a German landscape painter of the Romantic period. His father, Johann Friedrich Morgenstern, was an architectural and landscape painter, and Carl received painting and drawing lessons from him at a young age.
At the age of 21 Carl went to Munich and became a pupil of the landscape painter Carl Rottmann. After a three-year stay in Italy, he returned to Frankfurt am Main, where he established himself as an artist and was later appointed professor.
His paintings from the early period mainly show landscapes, which surprise with special light effects and earned him the nickname "Italianist". Despite his desire for artistic innovation, he later devoted himself mainly to repeating popular motifs in order to satisfy his patrons.
Some of his most important works are views of Frankfurt am Main and the city's surroundings, as well as landscapes from the Taunus and along the Rhine.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
 Шарль-Франсуа Добиньи. Фотография художника.jpg)
Charles-François Daubigny was a French painter, one of the members of the Barbizon school, and is considered an important precursor of impressionism.
He was also a prolific printmaker, mostly in etching but also as one of the main artists to use the cliché verre technique.
Vilhelm Hammershøi was a Danish painter of predominantly interiors, a representative of the Symbolist movement.
Vilhelm studied at the Royal Danish Academy of Fine Arts in Copenhagen, and a few years later at the 1889 World Exhibition in Paris, four of his paintings were exhibited in the Danish pavilion. Hammershøi was the last significant painter in nineteenth-century Danish art. He painted against a background of contemporary experience, but his painting never deviated from the basic rules of Danish Golden Age paintings.
At first his motifs alternated between figure and landscape painting, and later Hammershøi became truly an interior painter. Rooms became a constant source of subjects for him, and the walls and windows that form the boundary to the world almost literally became the backdrop for his paintings. People in his paintings, if present, then as silent statues, completely immersed in their thoughts. All his works, whether portraits, interiors or landscapes, are full of silence, peace and melancholy.
Pierre-Alfred Dedreux, who signed his works as Alfred de Dreux was a French portrait and animal painter, best known for his scenes with horses.
