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Rembrandt Harmenszoon van Rijn, a Dutch Baroque painter and printmaker, was born on July 15, 1606, in Leiden, Netherlands, and died on October 4, 1669, in Amsterdam. He is celebrated as one of the greatest storytellers in art history, acclaimed for his adept portrayal of human emotions and dramatic narratives. Rembrandt's extensive oeuvre includes portraits, self-portraits, landscapes, genre scenes, allegorical, historical, and biblical themes, as well as animal studies. His artistry shined during the Dutch Golden Age, a period marked by cultural and scientific achievements in the Netherlands.
Rembrandt's education in art began around the age of 10 when he left the Latin School in Leiden to train as an artist. He apprenticed with artists like Jacob van Swanenburg and Pieter Lastman, mastering various aspects of painting. He opened his own studio in Leiden around 1624 or 1625, sharing it with his colleague Jan Lievens. By 1631, he had moved to Amsterdam, where he achieved significant success and trained many important Dutch painters.
Among Rembrandt's notable works are "The Anatomy Lesson of Dr. Nicolaes Tulp" (1632), "The Night Watch" (1642), and "The Syndics of the Amsterdam Drapers’ Guild" (1662). He was also renowned for his self-portraits, creating around 80 over his lifetime, more than any other artist until the 20th century. These self-portraits were not just artistic endeavors but also experiments with facial expressions and lighting effects. Additionally, Rembrandt was a master etcher, transforming etching from a reproductive technique into an art form.
Rembrandt's painting style is characterized by its dramatic use of light and shadow, known as chiaroscuro. His ability to depict materials realistically was unparalleled; his portrayal of metals and fabrics was so lifelike that they appeared to glow and be tangible. He was also known for his impasto technique, applying paint thickly to the canvas, adding a three-dimensional quality to his works.
Despite his artistic prowess, Rembrandt faced financial difficulties and personal tragedies throughout his life. He declared bankruptcy in 1656, a downfall attributed partly to his extensive collection of art objects and curiosities. His masterpieces, however, continued to garner appreciation and influence generations of artists that followed.
For collectors and experts in art and antiques, Rembrandt's works represent a pinnacle of artistic achievement in the Dutch Golden Age. His mastery in portraying the human condition and his innovative techniques in painting and etching make his works highly prized and influential in the art world.
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Horst Janssen was a German graphic artist, printmaker, poster and illustrator. He created many drawings, etchings, woodcuts, lithographs, and woodcuts.
There is a museum dedicated to his legacy in Horst Janssen's hometown of Oldenburg. His works are represented internationally in major museums.
Andreas Vesalius (Dutch: Andries van Wesel) was a Flemish physician, one of the first anatomists of the Renaissance.
Vesalius came from a family of physicians and apothecaries, studied at the Catholic University of Leuven and at the medical school of the University of Paris, where he learned to dissect animals. He also had the opportunity to dissect human cadavers and devoted much time to the study of human bones. He later went to the University of Padua and, after earning his MD degree, was appointed professor of surgery, whose duties included anatomical demonstrations.
Vesalius revolutionized the study of biology and medical practice through his careful description of the anatomy of the human body. Based on observations made by himself, he wrote and illustrated the first complete textbook of anatomy. In 1543 his major work De humani corporis fabrica libri septem ("Seven Books on the Structure of the Human Body"), commonly known as Fabrica, was printed. In this epochal work, Vesalius gave far more extensive and accurate descriptions of the human body than anything that had been done by his predecessors.
In the same year, 1543, the Holy Roman Emperor Charles V appointed him staff physician of his house, and in 1559 Vesalius became physician to the Madrid court of Charles V's son, Philip II.
Vesalius' work made anatomy a scientific discipline with far-reaching implications not only for physiology but for all of biology.
Andreas Vesalius (Dutch: Andries van Wesel) was a Flemish physician, one of the first anatomists of the Renaissance.
Vesalius came from a family of physicians and apothecaries, studied at the Catholic University of Leuven and at the medical school of the University of Paris, where he learned to dissect animals. He also had the opportunity to dissect human cadavers and devoted much time to the study of human bones. He later went to the University of Padua and, after earning his MD degree, was appointed professor of surgery, whose duties included anatomical demonstrations.
Vesalius revolutionized the study of biology and medical practice through his careful description of the anatomy of the human body. Based on observations made by himself, he wrote and illustrated the first complete textbook of anatomy. In 1543 his major work De humani corporis fabrica libri septem ("Seven Books on the Structure of the Human Body"), commonly known as Fabrica, was printed. In this epochal work, Vesalius gave far more extensive and accurate descriptions of the human body than anything that had been done by his predecessors.
In the same year, 1543, the Holy Roman Emperor Charles V appointed him staff physician of his house, and in 1559 Vesalius became physician to the Madrid court of Charles V's son, Philip II.
Vesalius' work made anatomy a scientific discipline with far-reaching implications not only for physiology but for all of biology.
Michael Schoenholtz was a German sculptor.
Schoenholtz worked mainly as a stone sculptor, executing his works in a simple, reduced formal language after large-format charcoal preliminary drawings. His best-known works include sculptures in the crypt of the Frauenkirche in Dresden (1999-2005), which he designed. Sculptures by Michael Schoenholtz can be seen in public spaces in Heilbronn, Nordhorn, Soest and above all in Berlin. In 1966 he took part in the first sculpture symposium in Hořice in the Czech Republic.
