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Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively.
Vera Lutter is a German artist based in New York City. She works with several forms of digital media, including photography, projections, and video-sound installations. Through a multitude of processes, Lutter's oeuvre focuses on light and its ability to articulate the passing time and movement within a tangible image.
Frank Shepard Fairey is an American contemporary artist, activist and founder of OBEY Clothing who emerged from the skateboarding scene. In 1989 he designed the "Andre the Giant Has a Posse" (...OBEY...) sticker campaign while attending the Rhode Island School of Design (RISD).
Fairey designed the Barack Obama "Hope" poster for the 2008 U.S. presidential election. The Institute of Contemporary Art, Boston has described him as one of the best known and most influential street artists. His work is included in the collections at The Smithsonian, the Los Angeles County Museum of Art, the Museum of Modern Art in New York City, the Museum of Contemporary Art San Diego, the National Portrait Gallery in Washington, D.C., the Virginia Museum of Fine Arts in Richmond, and the Victoria and Albert Museum in London.
His style has been described as a "bold iconic style that is based on styling and idealizing images."
Ossip Zadkine was a Belarusian-born French artist. He is best known as a sculptor, but also produced paintings and lithographs.
Sylvie Fleury is a Swiss contemporary pop artist known for her installations, sculpture, and mixed media. Her work generally depicts objects with sentimental and aesthetic attachments in consumer culture, as well as the paradigm of the new age, with much of her work specifically addressing issues of gendered consumption and the fetishistic relationships to consumer objects and art history.
Michael Kelley was an American artist. His work involved found objects, textile banners, drawings, assemblage, collage, performance and video. He often worked collaboratively and had produced projects with artists Paul McCarthy, Tony Oursler, and John Miller. Writing in The New York Times, in 2012, Holland Cotter described the artist as "one of the most influential American artists of the past quarter century and a pungent commentator on American class, popular culture and youthful rebellion."