мебель и светильники
Gustav Stickley was an American furniture designer, architect, and leader of the American Arts and Crafts movement. He is renowned for his contribution to the design and production of high-quality, handcrafted furniture that emphasized simplicity, functionality, and craftsmanship.
In 1898, he established his own furniture company called the Gustav Stickley Company, later known as Craftsman Workshops. Stickley's furniture designs became synonymous with the Craftsman style, which advocated for well-crafted, and functional pieces.
One of Stickley's most iconic furniture designs was the Morris chair, which became synonymous with the Craftsman movement. The Morris chair featured a reclining back, adjustable angles, and typically incorporated cushioned upholstery.
Stickley's furniture designs were characterized by sturdy construction, visible joinery, and the use of native American woods. He emphasized the beauty of natural materials and the integrity of the craftsman's handwork. Stickley's designs were a reaction against the ornate and mass-produced furniture of the time, and he sought to bring back traditional craftsmanship and simplicity.
François-Raoul Larche was a French Art Nouveau sculptor whose work included several figures of Christ, but who may be better known for his numerous female figures, both nude and draped.
He was one of several artists inspired by the dancer Loie Fuller; one of his best-known statues depicts Fuller dancing with part of her drapery billowing above and behind her head like a flame.
Edgar William Brandt was a French ironworker and prolific weapons designer. In 1901 he set up a small workshop at 76 rue Michel-Ange in the 16th arrondissement in Paris, where he began designing, silversmithing, and forging small items such as jewelry, crosses, and brooches. His business began to take off with special commissions such as the door of the French Embassy in Brussels, the Escalier Mollien stairs in the Louvre, and the stair and balcony railing for the Grand Theatre Municipal de Nancy.
Gabriel Argy-Rousseau, born Joseph Gabriel Rousseau, was a French sculptor, ceramicist and master glassblower who contributed to the rediscovery of pâte de verre as the primary art of glass in the early twentieth century.
Emile Gallé was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France.
Edgar William Brandt was a French ironworker and prolific weapons designer. In 1901 he set up a small workshop at 76 rue Michel-Ange in the 16th arrondissement in Paris, where he began designing, silversmithing, and forging small items such as jewelry, crosses, and brooches. His business began to take off with special commissions such as the door of the French Embassy in Brussels, the Escalier Mollien stairs in the Louvre, and the stair and balcony railing for the Grand Theatre Municipal de Nancy.
Emile Gallé was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France.
François-Raoul Larche was a French Art Nouveau sculptor whose work included several figures of Christ, but who may be better known for his numerous female figures, both nude and draped.
He was one of several artists inspired by the dancer Loie Fuller; one of his best-known statues depicts Fuller dancing with part of her drapery billowing above and behind her head like a flame.
Charlotte Perriand was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states "The extension of the art of dwelling is the art of living — living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process.
