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Adolph Friedrich Erdmann von Menzel was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of the 19th century, and was the most successful artist of his era in Germany. First known as Adolph Menzel, he was knighted in 1898 and changed his name to Adolph von Menzel.
His popularity in his native country, owing especially to his history paintings, was such that few of his major paintings left Germany, as many were quickly acquired by museums in Berlin. Menzel's graphic work (and especially his drawings) were more widely disseminated; these, along with informal paintings not initially intended for display, have largely accounted for his posthumous reputation.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
Rudolf Greve is a German modernist painter. He is best known for his landscape works.
Stepan Fedorovitch Kolesnikoff (Russian: Степан Федорович Колесников) was a Ukrainian realist painter renowned for his exceptional ability to capture the essence of Ukrainian nature and rural life. Born in 1879 in the Russian Empire and passing in 1955 in Belgrade, Yugoslavia, Kolesnikoff's journey began in a humble peasant family. His artistic talent was evident early on, leading him to the Odessa Art School and subsequently, without exams, to the prestigious Imperial Academy of Arts. Here, he was not only a student but also thrived, winning numerous awards for his work.
Kolesnikoff's art is characterized by its focus on the natural awakening of landscapes, melting snows, floods, and the vibrant days of spring. He also had a keen interest in painting domestic scenes filled with people and animals, often using a palette of blues and bright oranges. Despite the rich detail in his paintings, Kolesnikoff rarely highlighted the faces of his subjects, preferring instead to capture the essence of the moment. His work received high praise from Ilya Repin, a leading Russian artist of the time, underscoring Kolesnikoff's significant impact on realism.
After emigrating to the Balkans in 1919 due to the political upheaval in Russia, Kolesnikoff settled in Belgrade where he continued his artistic career. He was warmly welcomed and even participated in state assignments, such as leading restoration works on paintings and frescoes. Kolesnikoff's legacy extends beyond his paintings; he was a respected member of the artistic community, contributing to societies like the "Community of Artists" and "Leonardo da Vinci".
For collectors and experts in art and antiques, Kolesnikoff's work represents a fascinating blend of cultural and historical narratives, imbued with the beauty of Eastern European landscapes and life. His contributions to realism and his unique approach to depicting rural life make his works highly sought after.
To stay updated on exhibitions and auction events featuring Stepan Fedorovitch Kolesnikoff's works, signing up for updates can provide exclusive insights and opportunities to acquire pieces by this remarkable artist.
Otto Eduard Pippel was a German painter.
Rudolf Höckner was a German Impressionist landscape and cityscape painter.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
Pieter de Ring was a Dutch painter who specialised in still lifes. He became famous for his rich banquet depictions of fruit, shrimp, oysters, musical instruments, books and precious objects such as nautilus shells or Chinese porcelain.
In his youth, he worked as a bricklayer during the day and drew in the evening; the other family members all worked in the fabric industry. After painting a number of pictures, he apprenticed himself to Jan Davidsz. de Heem with his grandfather's permission. In 1647 he became a founding member of the Guild of Saint Lucas.
Ignaz Stern was an Austrian Baroque painter who specialised in religious paintings and frescoes. He was greatly influenced by Italian masters such as Correggio and Guido Reni.
Ignaz Stern apprenticed to Carlo Cignani in Forlì before settling in Rome in 1701. In 1713 he returned to Forl, where he painted altarpieces and easel paintings for private individuals and monastic patrons in the Emilia-Romagna region. His earliest known work is the cycle of altarpiece icons in the church of St. Onofrio in Lugo, near Ravenna. In Forle, Stern also painted Our Lady with Child and Saints for the Dominicans.
Stern's style is characterised by a dramatic use of light and shadow and emotional intensity. His religious paintings often depict scenes from the Bible or the lives of saints, and he was known for his ability to convey a sense of religious devotion and piety in his works.
Franz Werner von Tamm, known as Dapper, was a German Baroque painter. One of the most famous masters of German still life in the late 17th and early 18th centuries.
Franz Werner von Tamm studied painting in Italy in the studio of Carlo Maratta. In 1701 he was invited to Vienna as court painter to Emperor Leopold I, where he remained until his death.
He painted with a soft brush live and dead poultry as well as flowers and animals, rather decoratively with an immediate mood.
Giorgio Duranti was an Italian painter and cleric of the Baroque period, mainly active in Brescia. An entry in Dandolo's study of the late Venetian Republic states a 1755 as year of death, and that many of his works were in the Royal Gallery of Turin, which was the nucleus of the Sabauda Gallery.
Willem Kalf was one of the most prominent Dutch still-life painters of the 17th century, the Dutch Golden Age.
Gaspard Duguet, also known as Gaspard Poussin, was a French painter specialising in landscape painting. He was born into a family of French painters who settled in Rome.
Gaspard Duguet received his artistic training from his uncle, Nicolas Poussin, who was one of the leading Baroque painters. Duguet's early works were strongly influenced by Poussin's style, which emphasized clarity and orderliness of composition.
In the 1650s, Duguet began to develop a style of his own, characterized by his bold brushwork and vibrant use of colour. He became known for his ability to create dramatic and atmospheric landscapes, often depicting scenes from the Roman countryside.
Gaspar Duguet's paintings have a sense of grandeur and monumentality. His landscapes often feature classical ruins and ancient monuments, giving his works a sense of historical depth and resonance.