1761 - 1771
Georg Wolfgang Knorr was a German engraver, naturalist, and one of the first paleontologists of the 18th century.
Knorr was first apprenticed to his father as a lathe operator, and at the age of eighteen became a copper engraver for Leongard Blank, working with Martin Tiroff on the illustrations for Jacob Scheuchzer's Physica Sacra (1731). This work and his acquaintance with J.A. Beurer, a mineralogist and correspondent of the Royal Society, awakened Knorr's interest in natural history.
In the 1750s Knorr began publishing his own sumptuous folios. One of the most beautiful books of the eighteenth century is devoted to sea shells.
Georg Wolfgang Knorr was a German engraver, naturalist, and one of the first paleontologists of the 18th century.
Knorr was first apprenticed to his father as a lathe operator, and at the age of eighteen became a copper engraver for Leongard Blank, working with Martin Tiroff on the illustrations for Jacob Scheuchzer's Physica Sacra (1731). This work and his acquaintance with J.A. Beurer, a mineralogist and correspondent of the Royal Society, awakened Knorr's interest in natural history.
In the 1750s Knorr began publishing his own sumptuous folios. One of the most beautiful books of the eighteenth century is devoted to sea shells.
Dmitry Grigoryevich Levitzky (Russian: Дмитрий Григорьевич Левицкий) was an acclaimed Ukrainian-Russian portrait painter and academician born in May 1735, renowned for his exceptional contributions to the art of the 18th century. Originating from a family deeply rooted in the Ukrainian noble-priestly class, Levitzky's early exposure to art came from his father, Grigory Kirillovich Levitsky, a priest and an enthusiast in painting and engraving. This familial influence laid the foundation for Levitzky's artistic journey, which began in earnest when he assisted the prominent painter Alexey Antropov in Kiev, leading to his eventual move to Saint Petersburg.
Levitzky's rise to fame was marked by his unique ability to capture the essence of his subjects, combining exceptional technique with a fresh approach to portrait painting. His most notable works include portraits of significant figures from the Russian elite, such as Catherine II as the Legislatress in the Temple of the Goddess of Justice and portraits of the Smolny Institute's young ladies. Despite the grandeur and recognition that these works brought him, Levitzky faced financial struggles, spending his final years in poverty, a testament to the often-precarious nature of artistic acclaim.
His legacy, which had waned by the 19th century, was revitalized in the 20th century by art historian Alexander Benois, who positioned Levitzky among the pantheon of European Enlightenment artists. Levitzky's work is celebrated for its technical mastery and unique contribution to Russian and European portraiture, leaving an indelible mark on the artistic landscape of his time.
For collectors and experts in art and antiques, Levitzky's paintings are not just artistic achievements but also historical narratives captured in oil, reflecting the complex socio-cultural dynamics of 18th-century Russia. His portraits, housed in prestigious museums and galleries worldwide, continue to be studied and admired for their elegance, detail, and historical significance.
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Giovanni Battista Piranesi was an 18th-century Italian painter, engraver, architect, and archaeologist who represented Neoclassicism and Romanticism. He was famous for creating a lot of original etchings with images of antique architecture monuments.
Giovanni Piranesi created hundreds of drawings and drafts in which he depicted the reconstructed ruins of ancient Roman buildings. His works are still used as teaching aids in the education of architectural students in many prestigious European universities. Piranesi periodically printed voluminous books with dozens of his own engravings depicting modified ancient architectural masterpieces - "graphic fantasies". His works were in demand among professional architects, who borrowed Piranesi's original ideas for their designs.
The peak of Piranesi's career came in the 1760s when, in recognition of his merits, he became an honorary member of the Guild of St. Luke and received from the Pope the title of Knight of the Golden Spur.
More than 700 of the master's original etchings have survived, printed in scholarly works.
Anna Dorothea Therbusch, born Anna Dorothea Lisiewski, was a German artist who painted in the Rococo and Neoclassical style. More than two hundred of her works have survived, mostly portraits.
Anna Dorothea Turbusch was the first woman accepted into the Vienna Academy of Fine Arts. The artist was highly regarded for her ability to convey the likeness and character of her subjects. Her paintings were characterized by their refined style, meticulous attention to detail and the use of soft, gentle colours. She painted Prussian nobles, intellectuals and prominent figures of her time. At the commission of Russian Empress Catherine the Great, Terbusch painted life-size portraits of all members of the Prussian royal family. They are now in the State Hermitage Museum in St. Petersburg.
In addition to their technical mastery, the portraits by Terbusch were psychologically insightful, revealing the inner life and personality of the characters. Her work reflected the transition from the ornate and playful Rococo style to a more restrained and intellectual neo-classical aesthetic.
