1970s
Domenico Gnoli was an Italian painter and stage designer.
Norbert Bisky is a German artist based in Berlin. He is one of the most important representatives of a new figurative painting in the 21st century.
Peter Brüning was an internationally renowned German modernist painter and sculptor. His works of the 1950s can be classified as Informel.
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Domenico Gnoli was an Italian painter and stage designer.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Norbert Bisky is a German artist based in Berlin. He is one of the most important representatives of a new figurative painting in the 21st century.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Patrick von Kalckreuth, born Patrick Dunbar, was a leading German maritime painter.
Patrick von Kalckreuth, born Patrick Dunbar, was a leading German maritime painter.
Peter Brüning was an internationally renowned German modernist painter and sculptor. His works of the 1950s can be classified as Informel.
Peter Brüning was an internationally renowned German modernist painter and sculptor. His works of the 1950s can be classified as Informel.
Peter Brüning was an internationally renowned German modernist painter and sculptor. His works of the 1950s can be classified as Informel.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Karl Stachelscheid is a German painter and graphic artist, a member of the Düsseldorf Artists' Group.
Stachelscheid studied at the art school of painting and drawing in Düsseldorf and then at the Düsseldorf Academy. In his artistic career, he progressed from an impressionistic style to an expressive formal language. In addition to figurative images, the artist has landscape and urban views predominantly in the late Impressionist style. Karl Stachelscheid was inspired by his native Düsseldorf and its surroundings.
Mark Rothko, born Markus Yakovlevich Rothkowitz (Russian: Ма́ркус Я́ковлевич Ротко́вич) in what is now Daugavpils, Latvia, was a towering figure in the world of modern art, celebrated for his profound contributions to abstract expressionism. This American artist of Russian Jewish descent was known for his pioneering color field paintings, which are distinguished by their vibrant colors and emotional depth. Rothko's art transcends mere visual appeal, aiming to evoke deep emotional responses from viewers. His works are characterized by their simplicity, featuring soft, rectangular forms floating against a monochrome background. This unique style was not just about aesthetics; Rothko intended his paintings to be immersive experiences, reflecting his interest in human emotions and the existential conditions of life.
Rothko's journey from his birth in 1903 in the Russian Empire to becoming an iconic figure in American art is a testament to his enduring legacy. Despite facing challenges, including the early loss of his father and the struggle of immigrating to the United States, Rothko's passion for art and social issues saw him through. His early work was influenced by mythology and classical subjects, yet he evolved towards abstraction, insisting that his art was about expressing basic human emotions such as tragedy, ecstasy, and doom.
Significant works by Rothko include the Seagram Murals, initially commissioned for the Four Seasons Restaurant in New York but later donated to institutions like the Tate Modern, reflecting Rothko's disdain for the commercialization of art. The Rothko Chapel in Houston stands as a testament to his vision of art serving as a space for reflection and meditation.
Despite his tragic suicide in 1970, Rothko's influence remains undiminished. His paintings continue to command high prices at auctions, underscoring his lasting impact on the art world. For collectors and art and antiques experts, Rothko's work represents not only a high point in 20th-century art but also an investment in the transcendent power of color and form to evoke the deepest aspects of human experience.
For those interested in the transformative power of art, signing up for updates on new sales and auction events related to Mark Rothko can provide an opportunity to engage more deeply with his legacy. This is not just about acquiring art; it is about embracing the profound emotional and existential explorations that Rothko embarked upon through his work.
Mark Rothko, born Markus Yakovlevich Rothkowitz (Russian: Ма́ркус Я́ковлевич Ротко́вич) in what is now Daugavpils, Latvia, was a towering figure in the world of modern art, celebrated for his profound contributions to abstract expressionism. This American artist of Russian Jewish descent was known for his pioneering color field paintings, which are distinguished by their vibrant colors and emotional depth. Rothko's art transcends mere visual appeal, aiming to evoke deep emotional responses from viewers. His works are characterized by their simplicity, featuring soft, rectangular forms floating against a monochrome background. This unique style was not just about aesthetics; Rothko intended his paintings to be immersive experiences, reflecting his interest in human emotions and the existential conditions of life.
Rothko's journey from his birth in 1903 in the Russian Empire to becoming an iconic figure in American art is a testament to his enduring legacy. Despite facing challenges, including the early loss of his father and the struggle of immigrating to the United States, Rothko's passion for art and social issues saw him through. His early work was influenced by mythology and classical subjects, yet he evolved towards abstraction, insisting that his art was about expressing basic human emotions such as tragedy, ecstasy, and doom.
Significant works by Rothko include the Seagram Murals, initially commissioned for the Four Seasons Restaurant in New York but later donated to institutions like the Tate Modern, reflecting Rothko's disdain for the commercialization of art. The Rothko Chapel in Houston stands as a testament to his vision of art serving as a space for reflection and meditation.
Despite his tragic suicide in 1970, Rothko's influence remains undiminished. His paintings continue to command high prices at auctions, underscoring his lasting impact on the art world. For collectors and art and antiques experts, Rothko's work represents not only a high point in 20th-century art but also an investment in the transcendent power of color and form to evoke the deepest aspects of human experience.
For those interested in the transformative power of art, signing up for updates on new sales and auction events related to Mark Rothko can provide an opportunity to engage more deeply with his legacy. This is not just about acquiring art; it is about embracing the profound emotional and existential explorations that Rothko embarked upon through his work.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
In 1929 she was created a Dame, and in 1936 became the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.
Edward Morgan Forster, English novelist, essayist, and critic, was a prominent literary figure of the early twentieth century. Born on 1 January 1879 in London and died on 7 June 1970 in Coventry, Forster's work was celebrated for its profound critique of social conventions, class distinctions and hypocrisy in British society. A member of the influential Bloomsbury group, Forster did not confine himself to novels, but also wrote essays, gave speeches and hosted programmes.
E. M. Forster was characterised by wit and a fine sense of irony. His novels, particularly A Room with a View, Howards End and A Passage to India, were recognised for their well-crafted plots and insightful social commentary. Not only have these works earned them a place in literature, but they have also been nominated for the Nobel Prize for Literature. The films A Room with a View and Howards End won Academy Awards and have been recognised and celebrated in film archives and retrospectives by film institutions.
Edward Morgan Forster's novels serve as critical social commentary of their time and remain relevant to this day. Those interested in the intersection of literary art and its influence on film can look to first editions of his works or objects associated with acclaimed film adaptations to add to their collections.
Edward Morgan Forster, English novelist, essayist, and critic, was a prominent literary figure of the early twentieth century. Born on 1 January 1879 in London and died on 7 June 1970 in Coventry, Forster's work was celebrated for its profound critique of social conventions, class distinctions and hypocrisy in British society. A member of the influential Bloomsbury group, Forster did not confine himself to novels, but also wrote essays, gave speeches and hosted programmes.
E. M. Forster was characterised by wit and a fine sense of irony. His novels, particularly A Room with a View, Howards End and A Passage to India, were recognised for their well-crafted plots and insightful social commentary. Not only have these works earned them a place in literature, but they have also been nominated for the Nobel Prize for Literature. The films A Room with a View and Howards End won Academy Awards and have been recognised and celebrated in film archives and retrospectives by film institutions.
Edward Morgan Forster's novels serve as critical social commentary of their time and remain relevant to this day. Those interested in the intersection of literary art and its influence on film can look to first editions of his works or objects associated with acclaimed film adaptations to add to their collections.
Edward Morgan Forster, English novelist, essayist, and critic, was a prominent literary figure of the early twentieth century. Born on 1 January 1879 in London and died on 7 June 1970 in Coventry, Forster's work was celebrated for its profound critique of social conventions, class distinctions and hypocrisy in British society. A member of the influential Bloomsbury group, Forster did not confine himself to novels, but also wrote essays, gave speeches and hosted programmes.
E. M. Forster was characterised by wit and a fine sense of irony. His novels, particularly A Room with a View, Howards End and A Passage to India, were recognised for their well-crafted plots and insightful social commentary. Not only have these works earned them a place in literature, but they have also been nominated for the Nobel Prize for Literature. The films A Room with a View and Howards End won Academy Awards and have been recognised and celebrated in film archives and retrospectives by film institutions.
Edward Morgan Forster's novels serve as critical social commentary of their time and remain relevant to this day. Those interested in the intersection of literary art and its influence on film can look to first editions of his works or objects associated with acclaimed film adaptations to add to their collections.
Henri Hayden is a Polish artist who spent most of his career in France. He is known for his contribution to the Cubist movement and his use of bold, geometric forms in his paintings.
Hayden was born in Warsaw, Poland, and studied art in Paris at the Académie Julian and the École des Beaux-Arts. In the 1910s he became associated with the Cubist movement and exhibited his work at the Salon of Independent Artists and the Autumn Salon.
After World War I, Hayden continued to develop his style, incorporating elements of Fauvism and Surrealism.
In the 1930s Hayden became a French citizen and his work was included in major exhibitions, including the Carnegie International Exhibition in Pittsburgh and the Venice Biennale. His paintings often featured landscapes, still lifes and portraits in a bold, graphic style.
Hayden continued to work throughout his life, leaving behind a legacy of innovative and influential art. His work can be found in major museums and collections all over the world.
Camille Bombois was a French painter known for his colorful depictions of rural life and everyday scenes.
Bombois began painting as a hobby, but his talent was quickly recognized, and he soon became a professional artist. He was largely self-taught and developed his own unique style, characterized by bold, bright colors and a loose, expressive brushwork.
Bombois was influenced by the Fauvist movement, which was known for its use of vibrant colors and bold, simplified forms. He also drew inspiration from the rustic landscapes and working-class people he encountered in his daily life.
Bombois's paintings often depicted scenes of rural life. He also painted portraits and still lifes.
Bombois exhibited his work at the Salon d'Automne and the Salon des Indépendants in Paris, and his work was well-received by critics and collectors. He was awarded the Legion of Honor in 1953.
Bombois continued to paint throughout his life, and his work is held in many major collections, including the Musée d'Orsay in Paris and the Hermitage Museum in St. Petersburg, Russia.