abstrakter impressionismus
Adolph Friedrich Erdmann von Menzel was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of the 19th century, and was the most successful artist of his era in Germany. First known as Adolph Menzel, he was knighted in 1898 and changed his name to Adolph von Menzel.
His popularity in his native country, owing especially to his history paintings, was such that few of his major paintings left Germany, as many were quickly acquired by museums in Berlin. Menzel's graphic work (and especially his drawings) were more widely disseminated; these, along with informal paintings not initially intended for display, have largely accounted for his posthumous reputation.
Oskar Mulley was a modern Austrian painter who is primarily known for his paintings of mountain landscapes.
Oskar Mulley was a modern Austrian painter who is primarily known for his paintings of mountain landscapes.
Oskar Moll was a German post-impressionist painter.
He studied painting in Munich and Berlin, met Henri Matisse in Paris in 1907 and took part in the founding of the Matisse Academy. He later taught at the Art Academy in Düsseldorf, from where he was eventually fired and branded as a propagator of degenerate art, one of his exhibitions was also banned by the Nazis and his works confiscated.
In his paintings, Moll combined linear structures with spaces of color, creating abstract and lyrical landscapes, still lifes and portraits. Contrasting color accents and ornamental motifs enliven the paintings.
Adolph Friedrich Erdmann von Menzel was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of the 19th century, and was the most successful artist of his era in Germany. First known as Adolph Menzel, he was knighted in 1898 and changed his name to Adolph von Menzel.
His popularity in his native country, owing especially to his history paintings, was such that few of his major paintings left Germany, as many were quickly acquired by museums in Berlin. Menzel's graphic work (and especially his drawings) were more widely disseminated; these, along with informal paintings not initially intended for display, have largely accounted for his posthumous reputation.