abstraktion
Gabriele Münter, a prominent German painter, left an indelible mark on the art world with her expressionist style and vibrant use of color. Born in Berlin in 1877, Münter was not just an artist but a trailblazer in the early 20th-century avant-garde movement in Munich. Her relationship with Wassily Kandinsky, both personal and professional, greatly influenced her artistic development and vice versa. Together, they explored Europe and North Africa, absorbing influences that would shape their styles. This period was crucial for Münter's transition from impressionistic to more abstract and expressive works, incorporating intense colors and simplified forms that became hallmarks of her style.
Münter's artistic evolution was significantly shaped by her time in Murnau, a Bavarian town that became a refuge and inspiration for her work. Here, she experimented with the Blaue Reiter aesthetic, emphasizing the emotional and spiritual over the representational. Münter's landscapes from this period are notable for their bold use of color and simplified forms, reflecting an intimate interaction with nature. Works like "Jawlensky and Werefkin" and "Lower Main Street, Murnau" exemplify her mastery of color and form, showcasing her ability to capture the essence of her subjects through a unique visual language.
Throughout her career, Münter contributed significantly to the German Expressionist movement, particularly through her involvement with Der Blaue Reiter group. Despite the challenges of World War I and the subsequent estrangement from Kandinsky, she continued to innovate and express her vision through her art. In her later years, Münter's commitment to preserving the legacy of the Blaue Reiter group was demonstrated through her donation of a substantial collection of artworks to the Städtische Galerie im Lenbachhaus in Munich.
For collectors and experts in art and antiques, Gabriele Münter's work represents a pivotal moment in the history of expressionism, offering insights into the movement's evolution and the role of women artists in shaping modern art. Her contributions, both in her vibrant landscapes and in her pioneering spirit, continue to inspire and captivate audiences around the world.
To stay updated on new product sales and auction events related to Gabriele Münter, signing up for updates is an invaluable resource for enthusiasts keen on exploring the depths of expressionism and the enduring legacy of this remarkable artist.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Ida Kerkovius was a Baltic German painter and weaver from Latvia.
Adolf Richard Hölzel was a German painter. He began as a Realist, but later became an early promoter of various Modern styles, including Abstractionism.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Anton Räderscheidt was a German painter who was a leading figure of the New Objectivity. Räderscheidt was born in Cologne. His father was a schoolmaster who also wrote poetry. From 1910 to 1914, Räderscheidt studied at the Academy of Düsseldorf. He was severely wounded in the First World War, during which he fought at Verdun. After the war he returned to Cologne, where in 1919 he cofounded the artists' group Stupid with other members of the local constructivist and Dada scene. The group was short-lived, as Räderscheidt was by 1920 abandoning constructivism for a magic realist style. In 1925 he participated in the Neue Sachlichkeit ("New Objectivity") exhibition at the Mannheim Kunsthalle.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
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Albert Gleizes was a pioneering French artist, theoretician, and philosopher, renowned for his contributions to Cubism and his influence on the School of Paris. Born in Paris in 1881, Gleizes' artistic journey began in his late teens, inspired by Impressionism and later evolving through Post-Impressionist and Symbolist phases. His early work, such as "La Seine à Asnières" exhibited in 1902, showcases his initial foray into painting. Gleizes' commitment to developing art free from commercial constraints led him to co-found the Abbaye de Créteil, a self-supporting artist community, although it was short-lived due to financial difficulties.
Gleizes' exploration of Cubism began around 1910, in collaboration with artists like Jean Metzinger, with whom he wrote "Du Cubisme," the first major treatise on the movement. This period marked a significant shift in his style towards the geometric simplification of forms, a hallmark of Cubism. His works from this era, including "Portrait de Jacques Nayral" and "Landschaft bei Paris," exemplify his innovative approach to capturing the essence of subjects through cubist principles. Gleizes was also a member of the Section d'Or group, further establishing his role in the Cubist movement.
In addition to his painting, Gleizes was deeply involved in writing and promoting Cubism, influencing the acceptance and understanding of modern art globally, including his significant impact in New York. His later works, such as "Pour Contemplation," reflect a spiritual and theological depth, moving towards a synthesis of the physical and metaphysical. Gleizes' art is celebrated for its revolutionary approach to form and color, contributing significantly to the development of modern art. His works are held in prestigious collections worldwide, including the Tate Modern and the Musée des Beaux-Arts in Lyon.
For those intrigued by the revolutionary spirit and profound impact of Albert Gleizes on modern art, signing up for updates on new product sales and auction events related to his work offers a unique opportunity to connect with the legacy of this Cubist master. This subscription is an invaluable resource for collectors and experts in art and antiques, promising exclusive insights into the world of Albert Gleizes.
Albert Gleizes was a pioneering French artist, theoretician, and philosopher, renowned for his contributions to Cubism and his influence on the School of Paris. Born in Paris in 1881, Gleizes' artistic journey began in his late teens, inspired by Impressionism and later evolving through Post-Impressionist and Symbolist phases. His early work, such as "La Seine à Asnières" exhibited in 1902, showcases his initial foray into painting. Gleizes' commitment to developing art free from commercial constraints led him to co-found the Abbaye de Créteil, a self-supporting artist community, although it was short-lived due to financial difficulties.
Gleizes' exploration of Cubism began around 1910, in collaboration with artists like Jean Metzinger, with whom he wrote "Du Cubisme," the first major treatise on the movement. This period marked a significant shift in his style towards the geometric simplification of forms, a hallmark of Cubism. His works from this era, including "Portrait de Jacques Nayral" and "Landschaft bei Paris," exemplify his innovative approach to capturing the essence of subjects through cubist principles. Gleizes was also a member of the Section d'Or group, further establishing his role in the Cubist movement.
In addition to his painting, Gleizes was deeply involved in writing and promoting Cubism, influencing the acceptance and understanding of modern art globally, including his significant impact in New York. His later works, such as "Pour Contemplation," reflect a spiritual and theological depth, moving towards a synthesis of the physical and metaphysical. Gleizes' art is celebrated for its revolutionary approach to form and color, contributing significantly to the development of modern art. His works are held in prestigious collections worldwide, including the Tate Modern and the Musée des Beaux-Arts in Lyon.
For those intrigued by the revolutionary spirit and profound impact of Albert Gleizes on modern art, signing up for updates on new product sales and auction events related to his work offers a unique opportunity to connect with the legacy of this Cubist master. This subscription is an invaluable resource for collectors and experts in art and antiques, promising exclusive insights into the world of Albert Gleizes.
Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Aleksandra Andreevna Povorina (Russian: Александра Андреевна Поворина), married Ahlers-Hestermann, was a Russian and German modernist painter.
Aleksandra was born in the family of a St. Petersburg civil servant, in 1913 she went to Paris, where she studied at the Russian Academy of M. Vasilieva, joined the circle of artists of the Paris School, became interested in the art of Cézanne and Matisse. In Paris she met the artist from Hamburg Friedrich Ahlers-Hestermann (1883-1973), who became her husband. With the outbreak of World War I, the family moved to Hamburg.
Since 1915 the artist created semi-abstract paintings, participated in group exhibitions at the Commeter Gallery, was a member of the newly created Hamburg Secession with her husband. Under the influence of Paul Cézanne and Henri Matisse, she developed a spiritual-abstract art.
In 1934, the National Socialists who came to power in Germany banned Aleksandra and Friedrich any activity, and abstract paintings Povorina were recognized as degenerate. At that time the artist took up textile design, creating abstract patterns for fabrics, at the same time a series of black and white graphic ink drawings were created. During the war, many of the artist's works were destroyed.
After the end of World War II, Aleksandra took a teaching position at the Weissensee Higher Art School in Berlin, creating abstract collages. After her death, her daughter, textile, mosaic and glass artist Tatjana Ahlers-Hestermann, completed some of her works.
Hsiao Chin is a Chinese modernist painter who has worked in Europe.
Born into an intellectual family in Shanghai, Hsiao moved to Taiwan in 1949 and was educated in the art department of the Taipei Teachers' Training School in Taiwan Province of Taipei (now National Taipei Teachers' University). In 1955, he and seven other artists founded the Ton Fan Art Group, the first postwar contemporary art group in Taiwan that attempted to break free from realism and sought a modern expression of Eastern spirituality.
As an innovative artist and co-founder of significant modernist movements in Taiwan and Europe, Hsiao's work explored Asian philosophy while embracing forms of Western postwar avant-garde practices.
In the mid-1950s, Hsiao settled in Milan, where he lived for half a century. In 1961, along with Italian painter Antonio Calderara and Japanese sculptor Adzuma Kenjiro in Milan, he co-founded the Punto movement, which brought together numerous Eastern and Western abstractionist artists. Xiao Qin's work has been exhibited around the world, including New York's MoMA and Metropolitan Museum of Art, the National Art Museum of China, the Museum of Contemporary Art in Barcelona, and the National Taiwan Museum of Art.
Otmar Alt was a German painter, graphic artist, designer and sculptor.
