art from east and west
Andrea Soldi was an Italian portraitist active in Britain.
Jan (Joan) Willemsz. Blaeu was a Dutch cartographer, publisher and judge.
Jan was born into the family of the cartographer and publisher Willem Janszoon Blaeu (1571-1638). He studied in Leiden, where he earned a doctorate in law, and in Padua. He then began to assist his father, who was engaged in the manufacture of globes and maps. After his father's death, Jan, together with his brother Cornelius, continued his work, and succeeded him as cartographer for the Dutch East India Company.
In 1651 Blaeu was elected to the Amsterdam city council and later appointed as a judge. At the same time, he was engaged in his publishing business: he continued to publish volumes of Atlas novus, which contained maps of English counties and, for the first time, an atlas of Scotland, as well as one volume of maps of the Far East.
Blaeu did not have time to complete his most ambitious project, but it made him famous as the author of the famous 11-volume Dutch atlas. Based on his previous maps, Blaeu created the Great Atlas (Atlas Maior) - it contained nearly 600 maps and a total of 3,000 pages of Latin text - and was published in 1662. Blaeu's maps were groundbreaking for their time because they were created in accordance with the heliocentric theories of Nicolaus Copernicus.
In 1672, a great fire in Amsterdam destroyed Blaeu's workshop, and the cartographer died a year later, apparently never recovering from this stroke of fate.
Willem Janszoon Blaeu was a Dutch cartographer and map publisher.
Willem studied astronomy and cartography under the Danish astronomer Tycho Brahe and even discovered the variable star P Swan in 1600. A little later Blaeu settled in Amsterdam, where he began making globes and also began producing land and sea maps, including a 1605 world map. In 1629 he managed to acquire the printing plates of the cartographer Jodok Hondius, with which he published his own atlas.
In 1633, Willem Blaeu was appointed cartographer of the Dutch Republic, as well as the official cartographer of the Dutch East India Company. Blau built up a large collection of maps and conducted an extensive publishing business. After Willem's death, his sons Jan Blaeu (1596-1673) and Cornelius Blaeu successfully continued his work. But in 1672, during a fire in Amsterdam, Blaeu's workshop was destroyed, and the company founded by Willem Blaeu ceased to exist in 1698.
Jean Dunand was a Swiss and French painter, sculptor, metal craftsman and interior designer during the Art Deco period. He was particularly known for his lacquered screens and other art objects.
Wolfgang Amadeus Mozart, full name Johann Chrysostomus Wolfgang Amadeus Mozart, was an Austrian composer and virtuoso musician. Mozart is one of the greatest composers in music history on par with Beethoven and Haydn.
Wolfgang was born into the family of violinist and composer Leopold Mozart (1719-1787), at the age of five he had already begun composing and gave his first public performance. His older sister Maria Anna (1751-1829) was also a prodigy, and from 1763 Leopold and his children began traveling around Europe with performances.
Mozart had a phenomenal musical ear, memory and was a superb improviser. Unlike any other composer in music history, he was versatile and wrote in all musical genres of his time. During his short life, Mozart composed more than 800 works, many of which are recognized as the pinnacle of the symphonic, concert, chamber, opera and choral repertoire. The general public is familiar with the composer's three operas: The Marriage of Figaro, Don Giovanni and The Magic Flute.
Society did not immediately appreciate the scale of Mozart's genius. It was only many years later that the vivid image of a prodigy, a refined salon composer who could miraculously think through an entire work in his head, gave way to the image of a serious, meticulous and brilliant creator of music.
Louis Renard was a Dutch painter, printmaker and book publisher born in France.
Renard published map atlases and illustrated works of natural history popular in 18th-century Europe. In Amsterdam he acquired many cartographic plates by Frederick de Wit, which he combined with minor updates and corrections into an Atlas of Navigation and Commerce and published in 1715. He later sold the plates to R. & J. Ottens, who republished it in 1745.
In 1718 -1719 Renard published the first edition of his most famous multi-volume work, Poissons, écrevisses et crabes... que l'on trouve autour des Isles Moluques, et sur les cotes des Terres Australes ("Fish, crayfish and crabs, of varied colors and unusual forms, which are found around the Moluccas Islands and on the coasts of the southern lands."). This book was the world's first encyclopedia of fish illustrated in color. While working on it, Renard copied drawings by other artists, notably the talented Dutch artist Samuel Fallors. The result was 460 hand-colored copperplate prints.
The creatures in Renard's book are so fanciful that they may seem fictional, but only about 10 percent are, including the depiction of a mermaid. Most likely, these fantasies were included for the sake of attracting buyers. The work is now believed to be an important part of eighteenth-century scientific literature.
Reinier & Joshua Ottens was a Dutch printing publishing partnership of two brothers.
The publishing house was founded in 1726 in Amsterdam by brothers Reinier Ottens (1698-1750) and Joshua Ottens (1704-1765). After the death of Reinier I, his son Reinier II continued the business until 1765. Much of the activity of this business consisted of reissuing old plates.
Graham Vivian Sutherland was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry and glass design.
Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Aleksandr Evgenevich Iakovlev (Russian: Александр Евгеньевич Яковлев), a Russian painter, graphic artist, and designer, left an indelible mark on the world of art with his unique blend of classical and orientalist styles. Born in Saint Petersburg, Russia, in 1887, Iakovlev was part of the vibrant Russian artistic community that contributed significantly to the neo-classical and orientalist movements. His extensive travels across Mongolia, China, Japan, Africa, Syria, Iran, and Afghanistan enriched his art, leading to a prolific output of portraits, landscapes, still lifes, and figure compositions that combined elements of Italian Renaissance with Russian Primitivism.
Iakovlev's early involvement with the Mir Iskusstva exhibition in 1915 showcased his talent but also highlighted the mixed reactions from critics and the Academy of Arts, signaling his departure from traditional academic confines. His scholarship to study in the Far East and subsequent travels profoundly influenced his work, as seen in his orientalist paintings and ethnographic drawings. This period of exploration culminated in his significant contributions as an official artist on the Citroën expeditions across Central Africa and Asia, where he captured the essence of the diverse cultures he encountered.
His works, such as "Three Women in a Box at the Theatre" and his participation in designing the Prival Komediantov artistic cabaret, exemplify his mastery of merging traditional subjects with a modernist touch. Serving as the Director of the Painting Department at the School of the Museum of Fine Arts, Boston, between 1934 and 1937, Iakovlev influenced the art scene beyond the Russian borders before his death in Paris in 1938.
Iakovlev's legacy is preserved in museums and galleries worldwide, celebrating his contributions to bridging cultures through art. His ability to document his travels and experiences in such a vivid and artistic manner has left a lasting impact on the appreciation of cultural diversity in the art world.
For collectors and experts in art and antiques, Aleksandr Evgenevich Iakovlev's works represent a convergence of classical artistry and exploratory zeal, making them highly sought after. His pieces not only capture the beauty of the subjects he portrayed but also serve as a window into the cultures and landscapes that inspired him.
For updates on exhibitions and auction events featuring Aleksandr Evgenevich Iakovlev's works, sign up to stay informed about new discoveries and opportunities to add to your collection.
Wassily Wassilyevich Kandinsky (Russian: Василий Васильевич Кандинский) was a trailblazer in the art world, known for his pioneering role in the development of abstract art. Born in Moscow, Russia, in 1866, Kandinsky embarked on a journey that would take him from the study of law and economics to becoming one of the most influential artists of his time. His journey into the arts began at 30, a significant shift from a promising career in law to attending the Academy of Fine Arts in Munich. This decision marked the start of a profound exploration of color, form, and the spiritual in art.
Kandinsky's work is celebrated for its innovative use of color and abstract forms, with notable pieces such as "Composition VII" and "On White II" showcasing his ability to evoke emotional resonance through non-representational means. His art was not just about visual aesthetics but also aimed to touch the spiritual and emotional realms of the viewer. He often compared his method of painting to composing music, emphasizing the emotional power of abstract forms and colors. This philosophy was reflected in his theoretical writings, notably in "Concerning the Spiritual in Art," where he laid out his beliefs about the role of art and the artist in society.
Throughout his career, Kandinsky was involved with several avant-garde groups, including Der Blaue Reiter and Die Blaue Vier, collaborating with other influential artists of the time like Paul Klee and Alexej Jawlensky. After the Bauhaus school, where he taught, was closed by the Nazis, Kandinsky moved to France, where he spent the remainder of his life, continuing to evolve his style and contribute to the art world until his death in Neuilly-sur-Seine in 1944.
Kandinsky's legacy is not only in his artworks, which are held in esteemed collections worldwide, such as the Solomon R. Guggenheim Museum in New York, but also in his impact on the course of modern art. He opened up new possibilities for artists by demonstrating that art could venture beyond the representational and delve into the purely abstract, exploring the inner emotional and spiritual life through form and color.
For those captivated by Kandinsky's revolutionary approach to art and interested in the evolution of abstract expression, signing up for updates on new product sales and auction events related to Kandinsky's work is an excellent way to stay informed. This subscription service is tailored for collectors and art experts, ensuring you are the first to know about opportunities to acquire pieces by or related to this groundbreaking artist.
Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.