art naïf

Victor Brauner was a Romanian Surrealist painter and sculptor. He was born in Piatra Neamț, Romania, and studied at the School of Fine Arts in Bucharest before moving to Paris in 1930.
Brauner's art was heavily influenced by his interest in the occult, and his work often featured mystical and dreamlike imagery. He was particularly interested in alchemy and mythology, and his paintings often included references to ancient symbols and esoteric traditions.
During World War II, Brauner was forced to flee Paris and spent time in Marseille and Casablanca before returning to the city in 1945. After the war, he became involved in the French Surrealist movement, and his work was featured in several exhibitions, including the Exposition Internationale du Surréalisme in 1947.
In addition to painting, Brauner also worked as a sculptor, and his sculptures often incorporated found objects and unconventional materials.
Today, Brauner is considered one of the most important figures of the Surrealist movement, and his work continues to be exhibited and studied around the world. His legacy has had a significant impact on the development of modern and contemporary art.


Horst Janssen was a German graphic artist, printmaker, poster and illustrator. He created many drawings, etchings, woodcuts, lithographs, and woodcuts.
There is a museum dedicated to his legacy in Horst Janssen's hometown of Oldenburg. His works are represented internationally in major museums.


Nicole Eisenman is French-born American artist known for her oil paintings and sculptures. She has been awarded the Guggenheim Fellowship (1996), the Carnegie Prize (2013), and has thrice been included in the Whitney Biennial (1995, 2012, 2019). On September 29, 2015, she won a MacArthur Fellowship award for "restoring the representation of the human form a cultural significance that had waned during the ascendancy of abstraction in the 20th century."



Horst Janssen was a German graphic artist, printmaker, poster and illustrator. He created many drawings, etchings, woodcuts, lithographs, and woodcuts.
There is a museum dedicated to his legacy in Horst Janssen's hometown of Oldenburg. His works are represented internationally in major museums.




James Rizzi was a renowned American artist, celebrated for his vibrant and playful Pop Art style. Born in Brooklyn, New York, Rizzi's unique approach to art combined childlike whimsy with bold, animated creations. His 3D artworks, characterized by their intricate detail and lively city scenes, set him apart in the art world.
James Rizzi's artistic journey was marked by a series of notable achievements and contributions. He gained recognition in the late 1970s and early 1980s, showcasing his works at prestigious venues like the Brooklyn Museum and creating album covers and animations for the Tom Tom Club. His style evolved into creating 3D constructions, where he meticulously sketched scenes, added vibrant colors, and transformed them into three-dimensional art pieces. This method resulted in captivating prints that exuded a sense of movement and playfulness, drawing viewers into the energetic and diverse atmosphere of New York City.
Throughout his career, James Rizzi undertook various notable projects, including designing for the Montreux Jazz Festival, the FIFA World Cup, and the Olympics. His works were not only limited to canvases but also extended to designing cars for Volkswagen and contributing to charity projects. The "Happy Rizzi House" in Braunschweig, Germany, stands as a testament to his architectural creativity.
Art enthusiasts and collectors will find James Rizzi's work particularly intriguing due to his unique process and the joyous portrayal of urban life. His art is celebrated globally, and his influence remains significant in the Pop Art movement.
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Fausto Melotti was an Italian sculptor, ceramicist, poet, and theorist.


Alberto Burri was an Italian visual artist, painter, sculptor, and physician based in Città di Castello. He is associated with the matterism of the European informal art movement and described his style as a polymaterialist. He had connections with Lucio Fontana's spatialism and, with Antoni Tàpies, an influence on the revival of the art of post-war assembly in America (Robert Rauschenberg) as in Europe.
