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Javier Calleja is a contemporary Spanish artist who specializes in creating sculptures and drawings of a bug-eyed cheerful boy.
Alexander Calder was an American artist celebrated for his revolutionary contributions to modern sculpture, including his invention of the mobile. Born into a family of artists on July 22, 1898, in Lawnton, Pennsylvania, and passing away on November 11, 1976, in New York, Calder harnessed his background in mechanical engineering to create kinetic sculptures that moved with air currents, alongside his monumental stationary sculptures known as "stabiles".
Calder's early life was marked by his creation of toys and various objects, showcasing his inherent talent and creativity from a young age. Despite initially pursuing a career in mechanical engineering, Calder's true calling in the arts was undeniable. He moved to New York City, where he enrolled at the Art Students League, laying the groundwork for his iconic artistic style. In 1926, Calder relocated to Paris, which became a pivotal moment in his career, leading to the creation of "Calder's Circus," a whimsical assembly of wire figures that gained him entry into the avant-garde art circles of Europe.
Throughout the 1930s and beyond, Calder's work evolved from figurative painting to abstract sculptures that brought motion into the realm of art, a transition influenced by his visit to Piet Mondrian's studio. His innovative mobiles and stabiles were celebrated for their ingenuity and aesthetic appeal, earning Calder international recognition and numerous accolades. Among his well-known public commissions are the .125 mobile for John F. Kennedy Airport and the monumental red-painted steel stabile, "Flamingo," for the Federal Center Plaza in Chicago.
Calder's legacy extends far beyond his sculptures; his work encompassed painting, printmaking, jewelry design, and even set and costume design for theatre productions. His influence on modern art is profound, inspiring future generations of artists to explore the kinetic possibilities of sculpture.
For art enthusiasts and collectors interested in Alexander Calder's groundbreaking work, staying informed about upcoming sales and auctions is essential. Sign up for updates to never miss an opportunity to own a piece by this influential American sculptor, highlighting his unique contributions to the art world.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an important person in the development of the old master print. He made more than 1,400 etchings that chronicled the life of his period, featuring soldiers, clowns, drunkards, Gypsies, beggars, as well as court life. He also etched many religious and military images, and many prints featured extensive landscapes in their background.
Javier Calleja is a contemporary Spanish artist who specializes in creating sculptures and drawings of a bug-eyed cheerful boy.
Alexander Calder was an American artist celebrated for his revolutionary contributions to modern sculpture, including his invention of the mobile. Born into a family of artists on July 22, 1898, in Lawnton, Pennsylvania, and passing away on November 11, 1976, in New York, Calder harnessed his background in mechanical engineering to create kinetic sculptures that moved with air currents, alongside his monumental stationary sculptures known as "stabiles".
Calder's early life was marked by his creation of toys and various objects, showcasing his inherent talent and creativity from a young age. Despite initially pursuing a career in mechanical engineering, Calder's true calling in the arts was undeniable. He moved to New York City, where he enrolled at the Art Students League, laying the groundwork for his iconic artistic style. In 1926, Calder relocated to Paris, which became a pivotal moment in his career, leading to the creation of "Calder's Circus," a whimsical assembly of wire figures that gained him entry into the avant-garde art circles of Europe.
Throughout the 1930s and beyond, Calder's work evolved from figurative painting to abstract sculptures that brought motion into the realm of art, a transition influenced by his visit to Piet Mondrian's studio. His innovative mobiles and stabiles were celebrated for their ingenuity and aesthetic appeal, earning Calder international recognition and numerous accolades. Among his well-known public commissions are the .125 mobile for John F. Kennedy Airport and the monumental red-painted steel stabile, "Flamingo," for the Federal Center Plaza in Chicago.
Calder's legacy extends far beyond his sculptures; his work encompassed painting, printmaking, jewelry design, and even set and costume design for theatre productions. His influence on modern art is profound, inspiring future generations of artists to explore the kinetic possibilities of sculpture.
For art enthusiasts and collectors interested in Alexander Calder's groundbreaking work, staying informed about upcoming sales and auctions is essential. Sign up for updates to never miss an opportunity to own a piece by this influential American sculptor, highlighting his unique contributions to the art world.
Alexander Calder was an American artist celebrated for his revolutionary contributions to modern sculpture, including his invention of the mobile. Born into a family of artists on July 22, 1898, in Lawnton, Pennsylvania, and passing away on November 11, 1976, in New York, Calder harnessed his background in mechanical engineering to create kinetic sculptures that moved with air currents, alongside his monumental stationary sculptures known as "stabiles".
Calder's early life was marked by his creation of toys and various objects, showcasing his inherent talent and creativity from a young age. Despite initially pursuing a career in mechanical engineering, Calder's true calling in the arts was undeniable. He moved to New York City, where he enrolled at the Art Students League, laying the groundwork for his iconic artistic style. In 1926, Calder relocated to Paris, which became a pivotal moment in his career, leading to the creation of "Calder's Circus," a whimsical assembly of wire figures that gained him entry into the avant-garde art circles of Europe.
Throughout the 1930s and beyond, Calder's work evolved from figurative painting to abstract sculptures that brought motion into the realm of art, a transition influenced by his visit to Piet Mondrian's studio. His innovative mobiles and stabiles were celebrated for their ingenuity and aesthetic appeal, earning Calder international recognition and numerous accolades. Among his well-known public commissions are the .125 mobile for John F. Kennedy Airport and the monumental red-painted steel stabile, "Flamingo," for the Federal Center Plaza in Chicago.
Calder's legacy extends far beyond his sculptures; his work encompassed painting, printmaking, jewelry design, and even set and costume design for theatre productions. His influence on modern art is profound, inspiring future generations of artists to explore the kinetic possibilities of sculpture.
For art enthusiasts and collectors interested in Alexander Calder's groundbreaking work, staying informed about upcoming sales and auctions is essential. Sign up for updates to never miss an opportunity to own a piece by this influential American sculptor, highlighting his unique contributions to the art world.
Alexander Calder was an American artist celebrated for his revolutionary contributions to modern sculpture, including his invention of the mobile. Born into a family of artists on July 22, 1898, in Lawnton, Pennsylvania, and passing away on November 11, 1976, in New York, Calder harnessed his background in mechanical engineering to create kinetic sculptures that moved with air currents, alongside his monumental stationary sculptures known as "stabiles".
Calder's early life was marked by his creation of toys and various objects, showcasing his inherent talent and creativity from a young age. Despite initially pursuing a career in mechanical engineering, Calder's true calling in the arts was undeniable. He moved to New York City, where he enrolled at the Art Students League, laying the groundwork for his iconic artistic style. In 1926, Calder relocated to Paris, which became a pivotal moment in his career, leading to the creation of "Calder's Circus," a whimsical assembly of wire figures that gained him entry into the avant-garde art circles of Europe.
Throughout the 1930s and beyond, Calder's work evolved from figurative painting to abstract sculptures that brought motion into the realm of art, a transition influenced by his visit to Piet Mondrian's studio. His innovative mobiles and stabiles were celebrated for their ingenuity and aesthetic appeal, earning Calder international recognition and numerous accolades. Among his well-known public commissions are the .125 mobile for John F. Kennedy Airport and the monumental red-painted steel stabile, "Flamingo," for the Federal Center Plaza in Chicago.
Calder's legacy extends far beyond his sculptures; his work encompassed painting, printmaking, jewelry design, and even set and costume design for theatre productions. His influence on modern art is profound, inspiring future generations of artists to explore the kinetic possibilities of sculpture.
For art enthusiasts and collectors interested in Alexander Calder's groundbreaking work, staying informed about upcoming sales and auctions is essential. Sign up for updates to never miss an opportunity to own a piece by this influential American sculptor, highlighting his unique contributions to the art world.
Miguel Ortiz Berrocal was a Spanish figurative and abstract sculptor. He is best known for his puzzle sculptures, which can be disassembled into many abstract pieces. These works are also known for the miniature artworks and jewelry incorporated into or concealed within them, and the fact that some of the sculptures can be reassembled or reconfigured into different arrangements. Berrocal's sculptures span a wide range of physical sizes from monumental outdoor public works, to intricate puzzle sculptures small enough to be worn as pendants, bracelets, or other body ornamentation.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an important person in the development of the old master print. He made more than 1,400 etchings that chronicled the life of his period, featuring soldiers, clowns, drunkards, Gypsies, beggars, as well as court life. He also etched many religious and military images, and many prints featured extensive landscapes in their background.
Pino Pascali is an Italian sculptor, conceptual artist, graphic designer and stage designer, one of the forerunners of the art povera style.
He studied scenography at the Academy of Art in Rome, then worked in television as a designer and cameraman, and at the same time experimented with different materials.
Pascali began to create colorful works influenced by pop art in different styles and media. He used old cans, plastic brushes, fake fur, colored water, hay, mud... One of Pascali's most impressive works is Bridge (1968), an eight-meter bridge made of steel sponges.
Giovanni Battista Salvi, known as Sassoferrato, was an Italian Baroque painter born in 1609 in Sassoferrato, from which he derived his name. He is celebrated for his deeply devotional images, particularly of the Virgin Mary, rendered with an elegance that echoes the works of Renaissance masters like Raphael and Perugino. Salvi's commitment to these older styles, amidst the 17th-century Roman art scene, marked his work as consciously anachronistic, emphasizing traditional religious themes and the serene beauty of his subjects.
Sassoferrato's training under his father and possibly under Domenichino in Rome, as well as influences from Guido Reni and Francesco Albani, equipped him with a unique blend of styles. He concentrated on creating multiple copies of devotional images, catering to the private market's demand during the Counter-Reformation. Despite a few public commissions, his legacy includes works in major collections such as the National Gallery in London and the British Royal Collection. Sassoferrato's art, particularly noted for its immaculate execution and spiritual aura, was highly regarded until the mid-19th century and has seen a revival in interest since the late 20th century.
One of his most revered works, "The Virgin in Prayer," showcases Sassoferrato's mastery in portraying the Virgin Mary with a life-like presence, using minimal but vibrant colors to highlight her contemplative grace. This piece, along with others, reflects the Catholic Church's 16th-century reforms advocating for personal devotion, a theme Sassoferrato adeptly captures through his intimate and contemplative religious scenes.
Despite the breadth of his work, Sassoferrato remains a somewhat enigmatic figure, with his art often overshadowing the details of his life and career. Yet, his paintings continue to be a source of admiration for their serene beauty and spiritual depth, appealing to collectors and art enthusiasts alike.
For those interested in exploring the work and legacy of Giovanni Battista Salvi, consider signing up for updates on new discoveries, sales, and auction events related to his art. This subscription ensures that collectors and experts remain informed about opportunities to engage with the timeless beauty of Sassoferrato's masterpieces.
Christoph Weigel the Elder, full name Johann Christoph Weigel, was a German painter, engraver and publisher.
Weigel worked very successfully in the mezzotint technique. He was the first engraver to use a kind of machine for making backgrounds. He established his own printing house in Nuremberg in 1698, and worked closely with the imperial geographer and cartographer Johann Baptist Homann (1664-1724) to produce his maps. His younger brother Johann Christoph Weigel kept an art trade store in Nuremberg around the same time, and also quite successfully.
One of Weigel's most important works is the Ständebuch (Book of Classes) of 1698, which describes and illustrates with engravings more than two hundred trades and services, including mining.
![[PASCAL, Blaise (1623-1662)]](/assets/image/picture_2500960/130be/3cdb73731e903f3be16eddb0cd4f51011667984400jpg__fix_374_244.jpeg)
![[PASCAL, Blaise (1623-1662)]](https://veryimportantlot.com/assets/image/picture_2500960/130be/3cdb73731e903f3be16eddb0cd4f51011667984400jpg__fix_374_244.jpeg)
