drawings & pastels
Everett Shinn is an American impressionist painter. From the age of 17 he worked as a staff artist for the Philadelphia Press. Moving to New York City in 1897, he soon became known as one of the talented urban realist painters, depicting modern urban life.
In 1899 Shinn began working as an illustrator for Ainslee's Magazine. For a time he worked in pastel. A trip to Europe in 1900 greatly influenced his work - the artist was fascinated by Impressionism, which was especially evident in his works on the theater. Shinn's best works realistically depict American urban life in the early years of the twentieth century.
Karl Kluth was a German painter. He was a member of the Hamburg Künstlerverein, the Hamburg Artists' Association and the Hamburg Secession.
Heinrich Mathias Ernst Campendonk was a painter and graphic designer born in Germany who became a naturalized Dutch citizen.
Paul César Helleu was a French oil painter, pastel artist, drypoint etcher, and designer, best known for his numerous portraits of beautiful society women of the Belle Époque. He also conceived the ceiling mural of night sky constellations for Grand Central Terminal in New York City. He was also the father of Jean Helleu and the grandfather of Jacques Helleu, both artistic directors for Parfums Chanel.
Ida Kerkovius was a Baltic German painter and weaver from Latvia.
Mary Stevenson Cassatt was an influential American painter and printmaker known for her pivotal role in the Impressionist movement. Born on May 22, 1844, in Allegheny City, Pennsylvania, Cassatt spent much of her adult life in France, where she formed a significant professional relationship with Edgar Degas and exhibited with other Impressionists. Despite her family's initial reluctance, Cassatt pursued art from a young age, attending the Pennsylvania Academy of the Fine Arts at fifteen and later moving to Paris to continue her education under private tutors, including the renowned Jean-Léon Gérôme.
Cassatt's art mainly focused on women and children, encapsulating intimate moments with a profound sense of dignity and depth. Her works, such as "The Boating Party" and "Mother and Child," showcase her skill in portraying the nuanced interactions of everyday life. Cassatt's technique evolved from the light brushstrokes of early Impressionism to a more structured form, emphasizing solid figures and clear contours.
A prominent figure not just in art but also in art advocacy, Cassatt was instrumental in advising American collectors, including the Havemeyers, which helped enrich public and private American art collections significantly. Despite challenges related to her gender and later, her failing eyesight, Cassatt's contributions to art remain influential, reflecting her unique perspective and unyielding dedication to Impressionism.
For updates on exhibitions and sales related to Mary Stevenson Cassatt's works, consider signing up for our newsletter. This subscription will keep you informed about the latest auction events and product sales directly linked to Cassatt's enduring legacy.
Mary Stevenson Cassatt was an influential American painter and printmaker known for her pivotal role in the Impressionist movement. Born on May 22, 1844, in Allegheny City, Pennsylvania, Cassatt spent much of her adult life in France, where she formed a significant professional relationship with Edgar Degas and exhibited with other Impressionists. Despite her family's initial reluctance, Cassatt pursued art from a young age, attending the Pennsylvania Academy of the Fine Arts at fifteen and later moving to Paris to continue her education under private tutors, including the renowned Jean-Léon Gérôme.
Cassatt's art mainly focused on women and children, encapsulating intimate moments with a profound sense of dignity and depth. Her works, such as "The Boating Party" and "Mother and Child," showcase her skill in portraying the nuanced interactions of everyday life. Cassatt's technique evolved from the light brushstrokes of early Impressionism to a more structured form, emphasizing solid figures and clear contours.
A prominent figure not just in art but also in art advocacy, Cassatt was instrumental in advising American collectors, including the Havemeyers, which helped enrich public and private American art collections significantly. Despite challenges related to her gender and later, her failing eyesight, Cassatt's contributions to art remain influential, reflecting her unique perspective and unyielding dedication to Impressionism.
For updates on exhibitions and sales related to Mary Stevenson Cassatt's works, consider signing up for our newsletter. This subscription will keep you informed about the latest auction events and product sales directly linked to Cassatt's enduring legacy.
Edgar Degas, a French artist, was a master of painting, sculpture, and drawing, celebrated for his profound influence on the Impressionist movement despite his preference for being called a realist. Degas was born into a well-off family in Paris, France, and demonstrated a keen interest in art from an early age, eventually shaping his path to become one of the most sophisticated draftsmen of his time. His rigorous academic training and close study of classical art initially aimed him towards a career in history painting, but Degas soon pivoted towards contemporary subject matter, thus cementing his role as a classical painter of modern life.
Degas is renowned for his dynamic portrayals of movement, particularly in his depictions of dancers, racehorses, and everyday Parisian life. His works are characterized by their psychological depth and the isolation of his figures, showcasing his unique ability to capture the essence of his subjects with both empathy and critical distance. More than half of his oeuvre focuses on dancers, reflecting not only his fascination with the ballet but also his innovative approach to composition and form. This focus on the human figure, explored in various media including oil, pastel, and sculpture, underscores Degas's commitment to studying the nuances of human movement and expression.
Degas's artistic career is marked by his experimentation with various techniques and materials, as seen in his bronze sculptures and pastel nudes. One of his most famous sculptures, the study of the young ballet student Marie van Goethem, showcases his pioneering use of real objects in sculpture, a practice that prefigured later artistic innovations. Despite the controversies that sometimes surrounded his work, particularly in his depictions of the female nude, Degas's legacy as an artist who bridged the gap between traditional academic art and the modern movements of the early 20th century remains undisputed.
For collectors and experts in art and antiques, Degas's work offers a fascinating study in the evolution of modern art, highlighting the artist's deep engagement with the cultural and social dynamics of his time. His pieces, whether in the form of paintings, sculptures, or prints, continue to captivate audiences with their complexity, beauty, and innovative spirit.
If you are keen to stay updated on sales and auction events related to Edgar Degas, signing up for updates is a prudent choice. This subscription service ensures that you remain informed about new opportunities to acquire works by this pivotal figure in the art world, without overwhelming you with unnecessary information.
Mary Stevenson Cassatt was an influential American painter and printmaker known for her pivotal role in the Impressionist movement. Born on May 22, 1844, in Allegheny City, Pennsylvania, Cassatt spent much of her adult life in France, where she formed a significant professional relationship with Edgar Degas and exhibited with other Impressionists. Despite her family's initial reluctance, Cassatt pursued art from a young age, attending the Pennsylvania Academy of the Fine Arts at fifteen and later moving to Paris to continue her education under private tutors, including the renowned Jean-Léon Gérôme.
Cassatt's art mainly focused on women and children, encapsulating intimate moments with a profound sense of dignity and depth. Her works, such as "The Boating Party" and "Mother and Child," showcase her skill in portraying the nuanced interactions of everyday life. Cassatt's technique evolved from the light brushstrokes of early Impressionism to a more structured form, emphasizing solid figures and clear contours.
A prominent figure not just in art but also in art advocacy, Cassatt was instrumental in advising American collectors, including the Havemeyers, which helped enrich public and private American art collections significantly. Despite challenges related to her gender and later, her failing eyesight, Cassatt's contributions to art remain influential, reflecting her unique perspective and unyielding dedication to Impressionism.
For updates on exhibitions and sales related to Mary Stevenson Cassatt's works, consider signing up for our newsletter. This subscription will keep you informed about the latest auction events and product sales directly linked to Cassatt's enduring legacy.
Georg Baselitz is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
Berthe Morisot was a French painter, renowned for her pivotal role in the Impressionist movement. Born into an affluent family in 1841, Morisot's upbringing was steeped in culture, and she received a comprehensive art education alongside her sisters. Despite societal constraints, she pursued a career in art, initially exhibiting at Paris' salons before transitioning to the more avant-garde Impressionist exhibitions.
Berthe Morisot's artistry is characterized by a unique blend of color, light, and texture, embodying a distinctly "feminine" style that garnered admiration from her peers and critics alike. Her works, such as "The Cradle" and "Hanging the Laundry out to Dry," showcase her ability to capture the ephemeral qualities of everyday life with a tender and nuanced touch. Morisot's palette, dominated by pastel tones and an interplay of light, lends her paintings an ethereal quality, while her brushwork reflects a freedom and delicacy that became her signature.
Throughout her career, Berthe Morisot's evolving style reflected broader artistic trends, integrating influences from photography and Japanese prints. Yet, she remained faithful to the Impressionist ethos, capturing the transient moments of life with grace and sensitivity. Today, her works are celebrated in museums like the Musée d'Orsay, testament to her enduring influence in the realm of art and culture.
As we remember Berthe Morisot, her legacy continues to inspire art collectors and enthusiasts, reminding us of the profound impact one individual can have on the course of art history. For those captivated by Berthe Morisot's contribution to art and culture, we invite you to sign up for updates on upcoming sales and auction events featuring her works. Join us in celebrating the timeless beauty and historical significance of Morisot's artistry.
Elisabeth Vigee Le Brun was a celebrated French painter, renowned for her skill in portrait painting during the late 18th and early 19th centuries. Born in Paris in 1755, Vigee Le Brun's artistic talent was evident from a young age, leading her to become one of the most successful female artists of her time. Her father, a portraitist himself, was a significant influence on her early artistic development.
Vigee Le Brun is perhaps best known for her association with Queen Marie Antoinette. She painted more than 30 portraits of the queen, capturing her in a light that combined personal intimacy with the regal dignity required of royal portraiture. Her ability to portray her subjects with both elegance and psychological depth won her acclaim and patronage from the highest ranks of society across Europe.
Her career spanned one of Europe's most turbulent periods, including the French Revolution, which forced her into exile. During her years abroad, she lived and worked in major cultural centers such as Rome, Vienna, and St. Petersburg, further cementing her reputation among European aristocracy.
Vigee Le Brun's works are displayed in prestigious museums worldwide, including the Metropolitan Museum of Art in New York and the Louvre in Paris. Her legacy is not only in her portraits but also in her memoirs, which provide a vivid account of the cultural atmosphere of her time and her encounters with various historical figures.
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Jean-Édouard Vuillard was a French artist, celebrated for his role in the avant-garde group Les Nabis. Known for his decorative art and printmaking, Vuillard's work was heavily influenced by Japanese prints, which is evident in his unique style of flattened color planes and simplified forms. His paintings, often of interior scenes, are distinguished by their intimate and domestic subjects, displaying a keen sensitivity to the subtle dynamics of everyday life.
In the late 1880s, Vuillard joined Les Nabis, a group of artists who sought to break away from traditional artistic concepts. This association played a pivotal role in shaping his artistic philosophy. Vuillard’s early works, like "The Seamstresses" (1890) and "Child in an Orange Shawl" (1894–95), demonstrate his evolving style, marked by the use of vibrant colors and a distinct lack of perspective, aimed at exploring spatial relationships.
Vuillard's artistic journey included ventures into theater decoration and interior design. He designed stage sets and theater programs, notably for Lugné-Poe's Theatre de l’Oeuvre, and also worked on large-scale panel paintings for French patrons. His close collaboration with the Natanson brothers, founders of the cultural review La Revue Blanche, was significant in his career. This association brought him various commissions, including decorative works for private homes and public buildings.
Vuillard's art evolved over time, transitioning from his Nabis-style works to more naturalistic portraits in the 1920s and 1930s. Despite this shift, his focus remained on portraying the intricacies of domestic life, often featuring the people closest to him. Notable among his subjects were Misia Natanson, a prominent figure in the Parisian cultural scene, and Lucy Hessel, with whom Vuillard had a long-term relationship.
For art collectors and experts, Vuillard's works are a window into the intimate spaces of Parisian life at the turn of the century. His ability to transform everyday scenes into art makes his work particularly appealing. Pieces like "The Green Interior" (1891) and "Breakfast at Villerville" (1910) are exemplary of his style and are celebrated for their quiet yet profound depiction of ordinary life.
Vuillard's legacy lives on in galleries and museums worldwide. His work remains a testament to the power of domestic scenes in art, capturing the essence of the period with a unique blend of realism and abstraction.
For those interested in the subtle beauty of Vuillard's work, subscribing to our updates will ensure you stay informed about new sales and auction events featuring his art. Our updates are tailored for connoisseurs like you, providing insights into the world of art and antiques, with a focus on Vuillard's enduring legacy.