feminist art
Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the Abstract Expressionists and her work has much in common with Surrealism and Feminist art, she was not formally affiliated with a particular artistic movement.
Wangechi Mutu is a Kenyan-born American visual artist, known primarily for her painting, sculpture, film, and performance work.
Born in Kenya, she has lived and established her career in New York City for more than twenty years. Mutu's work has directed the female body as subject through collage painting, immersive installation, and live and video performance all the while exploring questions of self-image, gender constructs, cultural trauma, and environmental destruction, as well as notions of beauty and power.
.jfif)
Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Susanna Rowson, née Haswell, was an American writer and poet, playwright, actress, and educator.
Susanna Haswell was the daughter of an officer in the Royal Navy. She published her first novel, Victoria, in 1786 and soon married businessman William Rowson. Susanna's greatest success was her first American bestseller, the novel Charlotte, A Tale of Truth (1791, in later editions under the title Charlotte Temple). This novel, a conventional sentimental story of seduction and remorse, was immensely popular and went through more than 200 editions.
In 1792 she became an actress and performed with her bankrupt husband in Scotland, as well as in Philadelphia, Baltimore, and Boston. In 1797, after retiring from the stage, Susanna opened the first "female academy" in Boston. Susanna Rowson also wrote many plays and musicals, and in doing so, helped to develop the performing arts in the United States. Later, she also edited the Boston Weekly Magazine, wrote geography and spelling textbooks, and moralizing manuals.
![[POULLAIN DE LA BARRE, François (1647-1723)]](/assets/image/picture_3807235/adcf7/cc29dd598f58a7ee11d3eeba051f63d81710234000jpg__fix_374_244.jpeg)
![[POULLAIN DE LA BARRE, François (1647-1723)]](https://veryimportantlot.com/assets/image/picture_3807235/adcf7/cc29dd598f58a7ee11d3eeba051f63d81710234000jpg__fix_374_244.jpeg)
