fillìa (1904 - 1936)
Fillìa is the name adopted by Luigi Colombo, an Italian artist associated with the second generation of Futurism. In addition to painting, his work included interior design, architecture, furniture and decorative objects.
Fillia became a representative of L' Aeropittura (Aeropainting), the dominant futurist style of the 1930s, in which the experience of flight was applied to depicting the landscape from the air; the world was no longer seen from a human perspective on the ground, but as if from an aircraft.
Fillìa is the name adopted by Luigi Colombo, an Italian artist associated with the second generation of Futurism. In addition to painting, his work included interior design, architecture, furniture and decorative objects.
Fillia became a representative of L' Aeropittura (Aeropainting), the dominant futurist style of the 1930s, in which the experience of flight was applied to depicting the landscape from the air; the world was no longer seen from a human perspective on the ground, but as if from an aircraft.
Fillìa is the name adopted by Luigi Colombo, an Italian artist associated with the second generation of Futurism. In addition to painting, his work included interior design, architecture, furniture and decorative objects.
Fillia became a representative of L' Aeropittura (Aeropainting), the dominant futurist style of the 1930s, in which the experience of flight was applied to depicting the landscape from the air; the world was no longer seen from a human perspective on the ground, but as if from an aircraft.
Fillìa is the name adopted by Luigi Colombo, an Italian artist associated with the second generation of Futurism. In addition to painting, his work included interior design, architecture, furniture and decorative objects.
Fillia became a representative of L' Aeropittura (Aeropainting), the dominant futurist style of the 1930s, in which the experience of flight was applied to depicting the landscape from the air; the world was no longer seen from a human perspective on the ground, but as if from an aircraft.
Fillìa is the name adopted by Luigi Colombo, an Italian artist associated with the second generation of Futurism. In addition to painting, his work included interior design, architecture, furniture and decorative objects.
Fillia became a representative of L' Aeropittura (Aeropainting), the dominant futurist style of the 1930s, in which the experience of flight was applied to depicting the landscape from the air; the world was no longer seen from a human perspective on the ground, but as if from an aircraft.
Raymond Georges Yves Tanguy, a French painter, is celebrated for his pivotal role in the Surrealist movement. Born in Paris in 1900, Tanguy's distinctive style is characterized by his meticulous and fantastical landscapes. These dream-like sceneries, populated with abstract shapes and organic forms, evoke a sense of otherworldly mystery and have captivated the imagination of art enthusiasts and collectors alike.
Tanguy's journey into the world of art was somewhat unconventional. Initially drawn to the merchant navy and later to the army, it wasn't until a pivotal encounter with the works of Giorgio de Chirico that Tanguy decided to pursue painting. Despite his lack of formal training, he quickly became a prominent figure in the Surrealist movement, contributing significantly to its ethos and aesthetic. His paintings are renowned for their unique blend of precision and spontaneity, combining elements of the natural world with abstract forms to create enigmatic landscapes that defy conventional interpretation.
Among Tanguy's most notable works are those housed in prestigious institutions such as the Museum of Modern Art in New York and the Tate Modern in London. These pieces serve as a testament to his enduring influence on the world of art and culture. Tanguy's ability to transcend the boundaries of reality and imagination has made his work particularly appealing to collectors and experts in art and antiques, who seek to understand the depths of Surrealism through his visionary eye.
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