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Georg Kolbe was a German sculptor of the first half of the twentieth century. He is known as a master of Classicism and Symbolism. Throughout most of his professional career he was an artist in demand by various German authorities.
Georg Kolbe, despite the strong influence of the Expressionists, managed to develop his own unique style. He left a notable mark not only in sculpture, his artistic legacy includes a large number of drawings and hundreds of engravings.
His biography is closely connected with Berlin, where he lived for more than 40 years. Kolbe is named for the prize awarded by the Artists' Union of Berlin. The artist's former studio now houses a museum with permanent solo exhibitions of works by renowned sculptors of modern art.


Ernst Wilhelm Nay was a German painter and graphic designer of classical modernism. He is considered one of the most important painters of German post-war art.


Gerhard Hoehme was a German expressionist painter.


Katharina Grosse is a German artist. As an artist, Grosse's work employs a use of architecture, sculpture and painting. She is known for her large-scale, site-related installations to create immersive visual experiences. She has been using an industrial paint-sprayer to apply prismatic swaths of color to a variety of surfaces since the late 1990s, and often uses bright, unmixed sprayed-on acrylic paints to create both large-scale sculptural elements and smaller wall works.


Christopher Wool is an American artist. Since the 1980s, Wool's art has incorporated issues surrounding post-conceptual ideas. He lives and works in New York City and Marfa, Texas, together with his wife and fellow painter Charline von Heyl.
Wool is best known for his paintings of large, black, stenciled letters on white canvases. Wool began to create word paintings in the late 1980s, reportedly after having seen graffiti on a brand new white truck. Using a system of alliteration, with the words often broken up by a grid system, or with the vowels removed (as in 'TRBL' or 'DRNK'), Wool's word paintings often demand reading aloud to make sense.


Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.


William Nelson Copley was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art.

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Max Ernst was a pivotal figure in the 20th-century art world, whose work transcended the boundaries of nationality and genre to leave an indelible mark on culture, art, sculpture, and painting. Born in Germany on April 2, 1891, and later becoming a naturalized American and French citizen, Ernst's career was a testament to his relentless innovation and creativity. Known primarily as an artist and painter, Ernst was a founding member of the Dada movement in Cologne before becoming a major proponent of Surrealism in Paris. His early encounters with the works of Pablo Picasso, Vincent van Gogh, and Paul Gauguin at the Sonderbund exhibition in 1912 deeply influenced his artistic direction, infusing it with elements of Cubism and Expressionism. Despite his lack of formal artistic training, Ernst's experimentation with techniques such as collage and frottage showcased his unique ability to blend the absurd with the sublime, making him a central figure in the artistic avant-garde of his time.
Ernst's work is notable for its exploration of the unconscious, using dreamlike imagery and symbolic figures to critique societal norms and delve into the chaos of the human psyche. His experiences in World War I profoundly impacted his worldview, leading to a deep skepticism of Western culture and an enduring search for meaning through art. This is evident in works such as "Europe After the Rain II," which reflects the devastation of war and "The Fireside Angel," inspired by the political turmoil of the Spanish Civil War, showcasing his ability to address contemporary issues through a surreal lens.
Ernst's contributions to art are preserved in major museums and galleries worldwide, including the Tate in the United Kingdom and the Museum of Modern Art in New York. His sculptures, paintings, and collages continue to be celebrated for their innovative techniques and imaginative scope, marking him as a revolutionary figure in modern art. Among his most significant works are "Ubu Imperator," "The Elephant Celebes," and "The Virgin Spanking the Christ Child before Three Witnesses," each reflecting his mastery over a diversity of mediums and themes.
For collectors and experts in art and antiques, Max Ernst remains a symbol of artistic freedom and exploration. His ability to navigate through various artistic movements while maintaining a distinct, innovative voice is a testament to his enduring legacy in the art world. To stay updated on new product sales and auction events related to Max Ernst, signing up for updates is a valuable opportunity for those deeply invested in the nuances of modern and surreal art.


Ewald Wilhelm Hubert Mataré was a German painter and sculptor, who dealt with, among other things, the figures of men and animals in a stylized form.


Tschang-Yeul Kim is a South Korean abstraction artist, one of the most famous figures in the history of modern Korean art.
He lived most of his life in Paris, France, where he developed his own unique style of painting. Tschang-Yeul Kim painted paintings with a variety of water droplets that appear to protrude from the canvases as if the canvas were "crying," but are in fact optical illusions.
