gemälde wald
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Waldemar Schlichting is a twentieth-century German landscape painter known for his works on the sea.
Alfons Walde was an Austrian expressionist painter and architect.
He studied architecture at the Higher Technical School in Vienna, but became interested in painting, found his muse in his native Kitzbühel Alps and became famous for his paintings of their snow-covered slopes and mountain huts. He was particularly fascinated by the dashing skiers of the time. Walde's popularity grew along with the popularity of the ski resort. Walde was also an active graphic artist and designed many posters.
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Emil Nolde, a German-Danish artist, stands out as a pivotal figure in the Expressionist movement, celebrated for his vibrant use of color and dynamic brushwork. Born on August 7, 1867, Nolde was initially self-taught, developing a style that later became synonymous with expressive use of color and form. His early work included religious themes and landscapes, characterized by their emotional intensity and innovative color palette. Nolde's contributions to art were not limited to painting; he also excelled in printmaking, creating a significant body of work that includes etchings, woodcuts, and lithographs.
One of Nolde's most noteworthy periods was his time spent on the Baltic Sea island of Alsen from 1903 to 1916, where he produced seascapes that captured the natural world's dynamic essence. His painting "Meer Bei Alsen" (Sea Off Alsen) is a testament to this period, showcasing his ability to convey movement and emotion through color. Furthermore, Nolde's fascination with religious and mythological themes is evident in works like "Dance Around the Golden Calf," where he employs vivid colors and expressive figures to explore complex narratives.
Despite his artistic achievements, Nolde's life was not without controversy. During the Nazi regime, his work was labeled "degenerate," and he faced significant professional and personal challenges. Nonetheless, Nolde continued to create, producing a series of watercolors known as the "Unpainted Pictures" during this time. After World War II, Nolde's reputation was rehabilitated, and he was once again celebrated as a leading figure in modern art.
Nolde's legacy is preserved at the Nolde Foundation Seebüll, a museum dedicated to his life and work, established in the year of his death, 1956. His influence on the field of modern art, particularly within Expressionism, is undeniable, with his bold approach to color and form inspiring subsequent generations of artists.
For art collectors and experts, Nolde's work offers a compelling study in the evolution of modern art, reflecting the tumultuous times he lived through and his unyielding dedication to artistic expression. His ability to capture the essence of his subjects, from the natural beauty of the sea to the depths of human emotion, makes his work a valuable addition to any collection.
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Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Gustav Wunderwald was a German painter and stage designer, a representative of the New Objectivity movement.
Wunderwald studied painting at the Cologne studio of Wilhelm Kuhn and worked as a designer in Gotha. Since 1912 Wunderwald served as a set designer at the Deutsche Oper in Berlin. As a painter Wunderwald created about 200 paintings in various genres.
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Willem van de Velde the Younger was a Dutch marine painter from the van de Velde dynasty of artists.
Willem van de Velde the Younger is famous for his paintings depicting the calm sea with a magical reflection of the water surface and sea battles. His works are held in London's National Gallery and private English collections, Amsterdam's Rijksmuseum, The Hague, Berlin, Munich, Vienna and Paris. There are three paintings by Willem van de Velde the Younger in the Hermitage. In addition to paintings, he left many drawings, the number of which exceeds 8,000.
Alfons Walde was an Austrian expressionist painter and architect.
He studied architecture at the Higher Technical School in Vienna, but became interested in painting, found his muse in his native Kitzbühel Alps and became famous for his paintings of their snow-covered slopes and mountain huts. He was particularly fascinated by the dashing skiers of the time. Walde's popularity grew along with the popularity of the ski resort. Walde was also an active graphic artist and designed many posters.
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Lev Voldemarovich Nusberg, also Nussberg (Russian: Лев Вольдемарович Нусберг) is a Russian artist, architect and designer. He is considered one of the most important representatives of Russian Kinetic Art.
Nussberg studied architecture at the Moscow Institute of Civil Engineering and later at the Moscow University of Industrial Design. In the 1960s, he began to focus on kinetic artworks, which he described as "machines" that used movement and light to create a dynamic visual experience.
His works have been exhibited in many major museums and galleries around the world, including the Guggenheim Museum in New York, the Centre Georges Pompidou in Paris and the Tretyakov Gallery in Moscow.
Nusberg's work is known for its sophisticated technique and sense of humour. Many of his kinetic machines are interactive, encouraging viewers to interact with them and influence their movements and patterns.
In addition to his work as an artist, Nusberg also has a successful career as an architect and designer. He has been involved in the design of many important buildings in Moscow, including the Hotel Ukraina and the GUM shopping centre.
Overall, Nusberg has made a significant contribution to the Russian art and design scene and is now considered one of the country's most important artists.
Ferdinand Georg Waldmüller was an Austrian painter and writer. Waldmüller was one of the most important Austrian painters of the Biedermeier period.
Wilhelm Steuerwaldt is a German landscape painter.
Wilhelm Steuerwaldt studied painting at the Dusseldorf Academy of Art. He is known mainly for his romantic motifs of his hometown.
Alfons Walde was an Austrian expressionist painter and architect.
He studied architecture at the Higher Technical School in Vienna, but became interested in painting, found his muse in his native Kitzbühel Alps and became famous for his paintings of their snow-covered slopes and mountain huts. He was particularly fascinated by the dashing skiers of the time. Walde's popularity grew along with the popularity of the ski resort. Walde was also an active graphic artist and designed many posters.
Oswaldo Guayasamín is an Ecuadorian painter, muralist and sculptor.
Oswaldo's father was an Indian, and the family was very poor, but the future artist was educated at the School of Fine Arts of Quito. Soon, literally in two years, he created a cycle of 103 paintings dedicated to the life of oppressed Indians in Latin America. Oswaldo Guayasamin also painted portraits of famous contemporaries, including Fidel Castro, whom he admired. He also created murals, frescoes, landscapes, and symbolic images.
The artist's works were exhibited in Paris, Moscow and in Leningrad, among other cities around the world, with amazing success. In 1957, at the Fourth Biennial in São Paulo, he was named the best South American artist.
Guayasamin was also a passionate collector. In 1978, the then famous artist donated to the State of Ecuador some 500 colonial paintings and sculptures, pre-Columbian archaeological sites, Goya and Picasso paintings that he had collected.
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Béla Iványi-Grünwald was a Hungarian painter, a leading member of the Nagybánya artists' colony and founder of the Kecskemét artists' colony.
Ferdinand Georg Waldmüller was an Austrian painter and writer. Waldmüller was one of the most important Austrian painters of the Biedermeier period.
