hans von marées
Hans von Marees was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, a representative of symbolism.
Von Marees was a prominent not only practitioner but also art theorist. He created the "Roman Circle" of German artists, whose activities in Italy seriously influenced the development of fine art of the turn. Marees 's work was centered on the theme of harmonious coexistence between man and nature, he sought to achieve the ideal relationship between form and space, as in the art of the ancient Greeks and the Italian Renaissance. At the height of his career, he turned to mythological subjects and developed a sophisticated technique, creating deep and saturated colors with layers of oil paint.
Hans von Marees was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, a representative of symbolism.
Von Marees was a prominent not only practitioner but also art theorist. He created the "Roman Circle" of German artists, whose activities in Italy seriously influenced the development of fine art of the turn. Marees 's work was centered on the theme of harmonious coexistence between man and nature, he sought to achieve the ideal relationship between form and space, as in the art of the ancient Greeks and the Italian Renaissance. At the height of his career, he turned to mythological subjects and developed a sophisticated technique, creating deep and saturated colors with layers of oil paint.
Hans von Marees was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, a representative of symbolism.
Von Marees was a prominent not only practitioner but also art theorist. He created the "Roman Circle" of German artists, whose activities in Italy seriously influenced the development of fine art of the turn. Marees 's work was centered on the theme of harmonious coexistence between man and nature, he sought to achieve the ideal relationship between form and space, as in the art of the ancient Greeks and the Italian Renaissance. At the height of his career, he turned to mythological subjects and developed a sophisticated technique, creating deep and saturated colors with layers of oil paint.
Hans von Marees was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, a representative of symbolism.
Von Marees was a prominent not only practitioner but also art theorist. He created the "Roman Circle" of German artists, whose activities in Italy seriously influenced the development of fine art of the turn. Marees 's work was centered on the theme of harmonious coexistence between man and nature, he sought to achieve the ideal relationship between form and space, as in the art of the ancient Greeks and the Italian Renaissance. At the height of his career, he turned to mythological subjects and developed a sophisticated technique, creating deep and saturated colors with layers of oil paint.
Hans von Marees was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, a representative of symbolism.
Von Marees was a prominent not only practitioner but also art theorist. He created the "Roman Circle" of German artists, whose activities in Italy seriously influenced the development of fine art of the turn. Marees 's work was centered on the theme of harmonious coexistence between man and nature, he sought to achieve the ideal relationship between form and space, as in the art of the ancient Greeks and the Italian Renaissance. At the height of his career, he turned to mythological subjects and developed a sophisticated technique, creating deep and saturated colors with layers of oil paint.
Hans von Marees was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, a representative of symbolism.
Von Marees was a prominent not only practitioner but also art theorist. He created the "Roman Circle" of German artists, whose activities in Italy seriously influenced the development of fine art of the turn. Marees 's work was centered on the theme of harmonious coexistence between man and nature, he sought to achieve the ideal relationship between form and space, as in the art of the ancient Greeks and the Italian Renaissance. At the height of his career, he turned to mythological subjects and developed a sophisticated technique, creating deep and saturated colors with layers of oil paint.
Hans von Marees was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, a representative of symbolism.
Von Marees was a prominent not only practitioner but also art theorist. He created the "Roman Circle" of German artists, whose activities in Italy seriously influenced the development of fine art of the turn. Marees 's work was centered on the theme of harmonious coexistence between man and nature, he sought to achieve the ideal relationship between form and space, as in the art of the ancient Greeks and the Italian Renaissance. At the height of his career, he turned to mythological subjects and developed a sophisticated technique, creating deep and saturated colors with layers of oil paint.
Hans von Marees was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, a representative of symbolism.
Von Marees was a prominent not only practitioner but also art theorist. He created the "Roman Circle" of German artists, whose activities in Italy seriously influenced the development of fine art of the turn. Marees 's work was centered on the theme of harmonious coexistence between man and nature, he sought to achieve the ideal relationship between form and space, as in the art of the ancient Greeks and the Italian Renaissance. At the height of his career, he turned to mythological subjects and developed a sophisticated technique, creating deep and saturated colors with layers of oil paint.
Ludwig von Hofmann is a German painter, graphic artist and designer. The influence of Historicism, Art Nouveau, Symbolism and New Realism can be felt in the works of Ludwig von Hofmann at different periods of his art.
Ludwig von Hoffmann studied painting at the academies of fine arts in Dresden, Karlsruhe and Munich. Since 1898 he was a member of the cultural movement Berlin Secession.
After the National Socialists came to power in Germany, some of his works were classified as degenerate art, but most of them continued to be exhibited in museums in Germany.
Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
