industrial landscape
Robert Rafailovich Falk (Russian: Роберт Рафаилович Фальк) was a prominent Russian and Soviet avant-garde painter, born in Moscow in 1886. He is celebrated for his innovative contributions to the Jack of Diamonds group, emphasizing expressive volume and angular, saturated color spots in his works. Falk's artistic journey began at the Moscow School of Painting, Sculpture and Architecture, where he studied under notable artists like Konstantin Korovin and Valentin Serov, and further honed his skills in the studios of Konstantin Yuon and Ilya Mashkov.
Falk's style evolved significantly over his career, initially influenced by Paul Cézanne's approach to painting, which emphasized the sculptural form through the layering of paint. His early works are characterized by bright, contrasting colors and expressive contours, capturing physical and tangible elements in landscapes and still lifes. Falk's unique approach also involved a significant degree of form deformation to enhance emotional expressiveness, a technique that set his work apart from his contemporaries.
After spending a decade in Paris from 1928 to 1938, Falk's work underwent a transformation, favoring more subtle and holistic representations. This period was marked by a focus on the rich, musical qualities of color and light, which he applied to both landscapes and portraits. Upon his return to Moscow, Falk found himself increasingly isolated within the Soviet art scene, yet he continued to produce work that resonated with emotional depth and complexity until his death in 1958.
Falk's legacy includes numerous paintings housed in the New Tretyakov Art Museum in Moscow, demonstrating his lasting influence on both Russian and French modern art traditions. Collectors and art enthusiasts are invited to explore the nuanced and evocative works of Robert Rafailovich Falk, a bridge between early 20th-century modernism and the avant-garde movements that followed. Sign up for updates on new product sales and auction events related to Falk to deepen your appreciation and understanding of this pioneering artist's contributions.
Prunella Clough was a prominent British artist. She is known mostly for her paintings, though she also made prints and created assemblages of collected objects. She was awarded the Jerwood Prize for painting, and received a retrospective exhibition at Tate Britain.
Prunella Clough was a prominent British artist. She is known mostly for her paintings, though she also made prints and created assemblages of collected objects. She was awarded the Jerwood Prize for painting, and received a retrospective exhibition at Tate Britain.
Emil Bartoschek was a German painter and Bauhaus-artist.
Bartoschek's later work turned back to the modern painting and produced a large quantity of impressionistic, abstract, expressionist and surrealist oil paintings, drawings, watercolors, tempera paintings, charcoal, chalk and graphite drawings.
Oliver Jordan is a German painter who lives and works in Cologne, Essen and Brittany.
Jordan studied at the Art Academy of Düsseldorf and at the Free International University (FIU). From a young age he developed a particularly keen interest in the realist and expressive tradition of painting, which he reinterpreted in a completely unique way. The impasto technique in which Jordán works gives his paintings a sensual character both in terms of surface structure and color. Jordan gives his paintings a powerful and masterful treatment, creating multi-layered objects, at the same time an amazing visual impression of illusion.
He has created many portraits of famous contemporaries, but in addition to portraiture and landscape, Jordán also depicts cities, creating entire cycles. Jordan has been studying Albert Camus and his texts through painting for over 30 years, he follows Camus' footsteps in the Algerian city of Tipasa, creating mesmerizing landscapes.
Martin Johnson Heade was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds (such as hummingbirds), as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Camille Pissarro, a Danish-French artist, was a linchpin of the Impressionist and Neo-Impressionist movements. Born in 1830 on the island of St. Thomas, Pissarro's Jewish-Portuguese heritage and upbringing in the Danish West Indies infused his work with a unique perspective. He is celebrated for his depictions of rural and urban French life, particularly his landscapes that eschew artifice, highlighting the simple beauty of the natural world and the dignity of common people.
Pissarro's influence on the art world was profound. Not only was he a central figure in the Impressionist movement, helping to organize the collective's exhibitions, but he also mentored future Post-Impressionist masters like Cézanne, Gauguin, and van Gogh. His colleagues revered him for his wisdom, balance, and warmhearted nature. Pissarro's dedication to the Impressionist ethos was unparalleled; he was the only artist to exhibit in all eight Paris Impressionist exhibitions from 1874 to 1886.
Among his notable works, Pissarro's 'Hay Harvest at Eragny' (1887) exemplifies his shift towards Neo-Impressionism. This piece, housed at the Van Gogh Museum in Amsterdam, showcases his exploration of tonal values and pointillism. Another poignant work, 'Jeanne Holding a Fan', captures the fragile beauty of his young daughter during her illness, and is a testament to his ability to convey deep personal emotion through art. This work is displayed at The Ashmolean Museum in Oxford.
For art collectors and enthusiasts, Pissarro's works remain a testament to the transformative power of Impressionism and its impact on modern art. His paintings, characterized by their revolutionary depictions of everyday life and nature, continue to be celebrated in major museums around the world.
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Walter Dexel was a German painter, commercial graphic designer, and transportation planner. He also functioned as an art historian and directed a museum in Braunschweig during the Second World War.