landscape with houses
Ardengo Soffici was an Italian artist and art critic. One of the founders of futurism. Supported Fascism.
Ardengo Soffici entered the Florence Academy of Fine Arts in 1897, then went on to study painting in Paris, where he became an art critic and illustrator in 1904. During this period he meets Pablo Picasso, Georges Braque, Gino Severini and Guillaume Apollinaire. From 1908 he works for a new magazine "La Voce", in which he publishes a number of his essays on contemporary French painting and literature. Strongly influenced by Cubism since his Paris trip, Ardengo Soffici sharply criticises Futurist painting in his articles.
Peter Jakob Schober was a prominent German painter associated with Expressive Realism. Despite facing adversity during World War I and II, he remained committed to art and exhibited remarkable resilience. His artistic journey took him from Stuttgart to Paris, where he drew inspiration from Impressionism and Cézanne's techniques. Returning to Germany, he embarked on a successful career as an artist, receiving numerous commissions for art am Bau.
Schober's work expanded beyond Germany through his travels to Spain, France, Italy, and North Africa. His involvement in art organizations, including chairing the Stuttgarter Sezession, solidified his influence. The accolades and recognition he received, such as the Bundesverdienstkreuz and professorship, celebrated his artistic excellence. Peter Jakob Schober's impact on the art world remains enduring and profound.
Marten Rijckaert was a Flemish Baroque painter, famous for his landscapes in the Italian manner.
Marten Rijckaert was a pupil of Tobias Verhacht. He was registered as a master at the Antwerp Guild of St Luke's in 1607. Reikart was a close friend of Antonis van Dyck.
His work is characterised by rocky forest landscapes, often with waterfalls, ruins and architecture. These Italian landscapes are close to the works of Flemish painter Paul Brill, and the panoramic concept of his compositions owes a debt to the works of Jan Brueghel the Elder.
Lyonel Charles Adrian Feininger was an American-German artist renowned for his unique integration of Expressionism, Cubism, and Bauhaus principles. His body of work, which spans several critical decades in modernism's development, is celebrated for its distinctive blend of architectural and nautical motifs, articulated through planar shifts and jagged lines of Cubism, with a vibrant Orphist color palette.
Lyonel Feininger's journey as an artist began in earnest when he was 36, becoming a pivotal figure in various German expressionist groups and a founding member of the Bauhaus, where he led the printmaking workshop. His art, which also includes significant contributions to caricature and photography, explores the intricate relationship between humanity and industrialization, evident in his depictions of architectural and mechanized forms.
His work was subject to Nazi criticism, being labeled as "degenerate," which led to his return to the United States, where he continued to evolve his artistic style. Posthumously, Lyonel Feininger's art has been the focus of several retrospectives, and his pieces, like "Jesuits III," continue to fetch high figures at auctions, underscoring his lasting impact on the art world.
Notably, Lyonel Feininger's "Cathedral" woodcut, representing the Bauhaus's utopian vision, remains one of his most iconic works, symbolizing the integration of art and craftsmanship with its avant-garde yet traditional approach. His legacy is further carried by his sons, Andreas and T. Lux Feininger, who also made their marks in the arts.
For collectors and art and antiques experts, Feininger's work represents a fascinating intersection of various art movements and a testament to the enduring nature of expressive and innovative artistry. To stay updated on new product sales and auction events related to Lyonel Feininger, consider signing up for updates, ensuring you're informed about the latest opportunities to engage with his enduring legacy.
Pieter de Molijn, a distinguished Dutch Golden Age painter and engraver, was celebrated for his exceptional landscapes, genre pieces, and more. Born in London in 1595 to Flemish parents, he moved to the Netherlands, where he significantly contributed to Dutch art. Molijn was not just a painter; his talents extended to engraving, a testament to his versatility in the art world.
Pieter de Molijn's journey into art took him to Italy and then to Haarlem, where he joined the Guild of St. Luke in 1616, marking the start of a prolific career. His landscapes, known for their sweeping diagonals and tonal unity, helped pioneer a new style that influenced contemporaries and successors alike. Molijn's ability to capture the essence of the Dutch landscape made his works sought after, not just during his lifetime but also in today's art circles.
His works, like the captivating "Landscape with Figures," showcased at The Metropolitan Museum of Art, continue to fascinate art enthusiasts and collectors. Pieter de Molijn's artistry wasn't confined to landscapes alone; his genre pieces and marine scenes also garnered acclaim, reflecting his diverse skills and innovative approach.
For art collectors and experts keen on Dutch Golden Age paintings, Molijn's works represent a blend of technical mastery and artistic vision. Whether it's his detailed landscapes or compelling genre scenes, each piece invites viewers into the world he saw and experienced.
For those who appreciate the finesse of Dutch Golden Age art, staying updated on Pieter de Molijn's works is a must. Whether it's auctions, exhibitions, or private sales, sign up for updates and never miss out on the opportunity to explore or acquire Molijn's timeless masterpieces.
Johan Barthold Jongkind was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism.
Jongkind's most frequent subject was the marine landscape, which he painted both in the Netherlands and in France. Many of his works depict the Seine, particularly the area near Notre-Dame Cathedral. He painted watercolors out-of-doors, and used them as sketches for oil paintings made in his studio. His paintings are characterized by vigorous brushwork and strong contrasts. Like the 17th-century Dutch landscape painters of the Golden Age of Dutch painting, he typically composed his landscapes with a low horizon, allowing the sky to dominate.
