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Werner Peiner was a German painter. He was first influenced by realism, and later by New Objectivity, but he would become known has one of the most talented official painters of the Third Reich.
Gijsbrecht Leytens was a Flemish landscape painter of the Early Baroque period. He was famous for his depiction of winter landscapes, which were considered his speciality and were characterised by a highly individualised style. He is considered one of the least studied Flemish painters of the Antwerp School.
Geisbrecht Leitens became a member of the Guild of Saint Luke in Antwerp in 1611. From that time he was entitled to open his own workshop in the city and train apprentices.
The master carefully observed winter nature and birds and developed an individual manner which distinguished him from the philosophical generalisations of Pieter Bruegel the elder or the cosy details and findings of Lucas van Falkenborgh. Trees in his paintings are usually depicted covered in snow, often oddly shaped. The branches of the denuded trees are replete with representations of various birds. The artist's creative style may have been influenced by paintings from the Dutch Mannerism period.
Gijsbrecht Leytens was a Flemish landscape painter of the Early Baroque period. He was famous for his depiction of winter landscapes, which were considered his speciality and were characterised by a highly individualised style. He is considered one of the least studied Flemish painters of the Antwerp School.
Geisbrecht Leitens became a member of the Guild of Saint Luke in Antwerp in 1611. From that time he was entitled to open his own workshop in the city and train apprentices.
The master carefully observed winter nature and birds and developed an individual manner which distinguished him from the philosophical generalisations of Pieter Bruegel the elder or the cosy details and findings of Lucas van Falkenborgh. Trees in his paintings are usually depicted covered in snow, often oddly shaped. The branches of the denuded trees are replete with representations of various birds. The artist's creative style may have been influenced by paintings from the Dutch Mannerism period.
Aert de Gelder was a Dutch painter. He was the only Dutch artist to paint in the tradition of Rembrandt's late style into the 18th century.
As author of biblical scenes and portraits his style was inspired by Rembrandt's, using his artistic ideas, well into the 18th century, without being influenced by contemporary new fashions. From the artistic point of view his work can not be considered as passive imitation of the master; indeed, it stands for inventiveness in the narrative, taste for the theatrical and a strong emotional charge of the characters. All these traits made him one of the most important interpreters of Dutch painting of the late seventeenth century.
Claude Vignon was a French Baroque painter, illustrator, and etcher and a member of the Guild of Artists of Paris.
Vignon was a versatile artist and worked in many different genres: he painted portraits, domestic scenes, and religious works. During a trip to Italy he studied, among other things, the work of Caravaggio, but in his art he mixed a variety of techniques and styles, from Mannerism to Venetian, Dutch and German art. His works are brightly colored, the lighting is gorgeous, and the characters are expressive.
Claude Vignon was also one of the most distinguished engravers and illustrators in 17th-century France.
Charles-Antoine Coypel was a multifaceted French Rococo artist, known for his contributions as a painter, designer, playwright, and art critic. Born into a family with a significant artistic legacy, Coypel rose to prominence in the French court, eventually serving as the court painter and the director of the Académie Royale. His work, which often blended dramatic narrative with intricate detail, played a pivotal role in the development of Rococo art in France, reflecting the opulent and expressive tendencies of the period.
Coypel's artistic output includes a range of subjects, from religious themes, as seen in his etching "The Virgin and Child," to theatrical history paintings that convey operatic passions and high drama. His ability to infuse his compositions with emotional depth and narrative complexity, alongside his mastery of the Rococo style's playful and ornamental characteristics, distinguishes his work within the era. Notably, Coypel was also involved in the design of tapestries for the Gobelins Manufactory, illustrating scenes from Miguel de Cervantes's "Don Quixote," which remained influential through the end of the 18th century.
His artworks, such as "The Virgin and Child," showcase not only his technical skill but also his sensitivity to composition and form, contributing to his reputation as one of the leading painters in the French court during the 18th century. Coypel's legacy is preserved in his paintings, etchings, and tapestry designs, which continue to be celebrated for their artistic and historical significance.
For collectors and experts in art and antiques, Charles-Antoine Coypel's work represents an essential connection to the Rococo period's rich cultural and aesthetic traditions. His contributions to French art history, particularly through his role at the Académie Royale and his influence on the development of Rococo style, make his work a valuable study for those interested in the dynamics of French art and culture during the 18th century.
To stay informed about updates related to Charles-Antoine Coypel, including new discoveries, sales, and auction events of his works, consider signing up for updates. This service will provide tailored notifications to enthusiasts and collectors eager to explore and acquire pieces by Coypel, ensuring they remain at the forefront of developments in the field of Rococo art.
Charles-Antoine Coypel was a multifaceted French Rococo artist, known for his contributions as a painter, designer, playwright, and art critic. Born into a family with a significant artistic legacy, Coypel rose to prominence in the French court, eventually serving as the court painter and the director of the Académie Royale. His work, which often blended dramatic narrative with intricate detail, played a pivotal role in the development of Rococo art in France, reflecting the opulent and expressive tendencies of the period.
Coypel's artistic output includes a range of subjects, from religious themes, as seen in his etching "The Virgin and Child," to theatrical history paintings that convey operatic passions and high drama. His ability to infuse his compositions with emotional depth and narrative complexity, alongside his mastery of the Rococo style's playful and ornamental characteristics, distinguishes his work within the era. Notably, Coypel was also involved in the design of tapestries for the Gobelins Manufactory, illustrating scenes from Miguel de Cervantes's "Don Quixote," which remained influential through the end of the 18th century.
His artworks, such as "The Virgin and Child," showcase not only his technical skill but also his sensitivity to composition and form, contributing to his reputation as one of the leading painters in the French court during the 18th century. Coypel's legacy is preserved in his paintings, etchings, and tapestry designs, which continue to be celebrated for their artistic and historical significance.
For collectors and experts in art and antiques, Charles-Antoine Coypel's work represents an essential connection to the Rococo period's rich cultural and aesthetic traditions. His contributions to French art history, particularly through his role at the Académie Royale and his influence on the development of Rococo style, make his work a valuable study for those interested in the dynamics of French art and culture during the 18th century.
To stay informed about updates related to Charles-Antoine Coypel, including new discoveries, sales, and auction events of his works, consider signing up for updates. This service will provide tailored notifications to enthusiasts and collectors eager to explore and acquire pieces by Coypel, ensuring they remain at the forefront of developments in the field of Rococo art.
Bernhard Keil was a Danish Baroque painter.
He is considered a pupil of Rembrandt. Keil is known for his lively genre paintings depicting children, he also painted portraits and allegorical paintings.
