mann
Heinrich Siepmann was a painter and belonged to the second generation of Constructivism.
Ernst Hermanns was a German painter and sculptor.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Hermannus Collenius was a Dutch Baroque painter.
The portraits of Hermannus Collenius were characterised by classical elegance and an emphasis on the facial features and clothing of the portrayed subject. The painter often portrayed his sitters according to the latest fashions, which contributed to the popularity of his portraits among the fashionable elite.
Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.
Heinrich Siepmann was a painter and belonged to the second generation of Constructivism.
Heinrich Siepmann was a painter and belonged to the second generation of Constructivism.
David Tollmann is a modern German painter, son of the famous expressionist painter Markus Tollmann and grandson of art professor Günther Tollmann. He creates mainly bright and feminine portraits with Cubist elements.
Karl Heinz Bohrmann was a German painter, graphic artist and engraver.
Karl Heinz Bohrmann was a German painter, graphic artist and engraver.
Karl Heinz Bohrmann was a German painter, graphic artist and engraver.
Adolf Stademann was a 19th century German painter. He specialised mainly in rural and urban winter landscapes.
Gregor von Bochmann was a Baltic-German landscape and genre painter.
Gregor von Bochmann was a Baltic-German landscape and genre painter.
Gregor von Bochmann was a Baltic-German landscape and genre painter.
Gregor von Bochmann was a Baltic-German landscape and genre painter.
Johann Emil Rudolf Herrmann, known as Hans, was a German landscape and genre painter. He specialized in scenes of the Netherlands.
Heinrich Hermanns was a German lithographer and landscape painter. He was also known for architectural paintings and vedute and was associated with the Düsseldorfer Malerschule.
Heinrich Hermanns was a German lithographer and landscape painter. He was also known for architectural paintings and vedute and was associated with the Düsseldorfer Malerschule.
Max Beckmann, a German painter, printmaker, sculptor, and writer, stood out in the early 20th century for his profound contributions to modern art. Beckmann's career spanned a tumultuous period in history, deeply influencing his thematic and stylistic choices. Unlike many of his contemporaries who embraced non-representational painting, Max Beckmann persisted with and evolved the tradition of figurative painting, drawing inspiration from a wide array of artists spanning from Cézanne and Van Gogh to medieval masters like Bosch and Bruegel.
Max Beckmann's experiences, particularly those related to the World Wars, significantly shaped his work. Following Adolf Hitler's rise to power and the subsequent condemnation of modern art as "degenerate," Beckmann fled Germany, spending a decade in self-imposed exile in Amsterdam before eventually relocating to the United States. His art from this period, especially his large triptychs, is considered some of his most potent, offering a stark reflection on humanity and the chaos of the times.
One of Max Beckmann's most personally allegorical works, "Beginning" (1949), encapsulates his knack for blending real and imagined elements from his life to comment on the broader human condition. This piece, alongside others, underscores Beckmann's enduring fascination with the existential struggles modern society faces, teetering between desire and societal roles.
Max Beckmann's legacy is cemented not just by his unique approach to modernism but also by his influence on subsequent generations of artists, particularly in the United States, where he spent his final years teaching and working. Despite a path that often diverged from the mainstream narratives of art history, Beckmann's work continues to resonate, housed in prestigious institutions like The Museum of Modern Art and The Metropolitan Museum of Art in New York.
For collectors and experts in art and antiques, Max Beckmann's oeuvre offers a compelling exploration of 20th-century art and history. To stay informed about new discoveries, sales, and auction events related to Max Beckmann, consider signing up for updates. This subscription ensures access to the latest opportunities to engage with the work of one of modernism's most individual voices.
Henry Dieckmann was a German self-taught painter known for his genre naive paintings.
After World War II, Dieckmann worked at the German Federal Railroad factory in Verden and observed life around him. His paintings are imbued with nostalgia for the recent past; they illustrate the everyday life of ordinary people in their spare time with typical European cityscapes.
Henry Dieckmann was a German self-taught painter known for his genre naive paintings.
After World War II, Dieckmann worked at the German Federal Railroad factory in Verden and observed life around him. His paintings are imbued with nostalgia for the recent past; they illustrate the everyday life of ordinary people in their spare time with typical European cityscapes.
Henry Dieckmann was a German self-taught painter known for his genre naive paintings.
After World War II, Dieckmann worked at the German Federal Railroad factory in Verden and observed life around him. His paintings are imbued with nostalgia for the recent past; they illustrate the everyday life of ordinary people in their spare time with typical European cityscapes.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Antonius Höckelmann is a German painter and sculptor educated at the Academy of Fine Arts in Berlin.
Sculpture and painting are intertwined in Höckelmann's work. Wooden, plastic, bronze and even straw figures were painted by the artist, giving them a new sound.