mann
Günter A. Steinmann was a German graphic artist and sculptor.
Heinrich Siepmann was a painter and belonged to the second generation of Constructivism.
Blalla Wolfgang / Wolfgang Ewald Hallmann was a German painter and graphic artist. He deals with fundamental existential questions (religion, sexuality, ...) in a drastic, both blasphemous and obscene manner. Formally, it moves between surrealism, outsider art (Art Brut), folk art and numerous references to art history. In the 1980s, the cycle of "horror pictures" was created. In addition to other techniques, the reverse glass painting known from folk art is characteristic of him. In 1995/1996 Hallmann produced a series of 149 sheets of woodcuts in which he recapitulated his own career under the title “The Way, the Truth and Life”. He was a member of the artist trio around Herbert Haberl and Bernd Wangerin. In 1965 he was a founding member of a traveling theater that later became “Hoffmanns Comic Teater”. Members of this group later formed the rock band Ton Steine Scherben.
Blalla Wolfgang / Wolfgang Ewald Hallmann was a German painter and graphic artist. He deals with fundamental existential questions (religion, sexuality, ...) in a drastic, both blasphemous and obscene manner. Formally, it moves between surrealism, outsider art (Art Brut), folk art and numerous references to art history. In the 1980s, the cycle of "horror pictures" was created. In addition to other techniques, the reverse glass painting known from folk art is characteristic of him. In 1995/1996 Hallmann produced a series of 149 sheets of woodcuts in which he recapitulated his own career under the title “The Way, the Truth and Life”. He was a member of the artist trio around Herbert Haberl and Bernd Wangerin. In 1965 he was a founding member of a traveling theater that later became “Hoffmanns Comic Teater”. Members of this group later formed the rock band Ton Steine Scherben.
Antonius Höckelmann is a German painter and sculptor educated at the Academy of Fine Arts in Berlin.
Sculpture and painting are intertwined in Höckelmann's work. Wooden, plastic, bronze and even straw figures were painted by the artist, giving them a new sound.
Antonius Höckelmann is a German painter and sculptor educated at the Academy of Fine Arts in Berlin.
Sculpture and painting are intertwined in Höckelmann's work. Wooden, plastic, bronze and even straw figures were painted by the artist, giving them a new sound.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Max Beckmann, a German painter, printmaker, sculptor, and writer, stood out in the early 20th century for his profound contributions to modern art. Beckmann's career spanned a tumultuous period in history, deeply influencing his thematic and stylistic choices. Unlike many of his contemporaries who embraced non-representational painting, Max Beckmann persisted with and evolved the tradition of figurative painting, drawing inspiration from a wide array of artists spanning from Cézanne and Van Gogh to medieval masters like Bosch and Bruegel.
Max Beckmann's experiences, particularly those related to the World Wars, significantly shaped his work. Following Adolf Hitler's rise to power and the subsequent condemnation of modern art as "degenerate," Beckmann fled Germany, spending a decade in self-imposed exile in Amsterdam before eventually relocating to the United States. His art from this period, especially his large triptychs, is considered some of his most potent, offering a stark reflection on humanity and the chaos of the times.
One of Max Beckmann's most personally allegorical works, "Beginning" (1949), encapsulates his knack for blending real and imagined elements from his life to comment on the broader human condition. This piece, alongside others, underscores Beckmann's enduring fascination with the existential struggles modern society faces, teetering between desire and societal roles.
Max Beckmann's legacy is cemented not just by his unique approach to modernism but also by his influence on subsequent generations of artists, particularly in the United States, where he spent his final years teaching and working. Despite a path that often diverged from the mainstream narratives of art history, Beckmann's work continues to resonate, housed in prestigious institutions like The Museum of Modern Art and The Metropolitan Museum of Art in New York.
For collectors and experts in art and antiques, Max Beckmann's oeuvre offers a compelling exploration of 20th-century art and history. To stay informed about new discoveries, sales, and auction events related to Max Beckmann, consider signing up for updates. This subscription ensures access to the latest opportunities to engage with the work of one of modernism's most individual voices.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Georg Meistermann was a German painter and draftsman who was also famous for his stained glass windows in the whole of Europe.
Josef Hoffmann, an Austrian architect and designer, is renowned for his influential contributions to early 20th-century design and architecture. As a founding member of the Vienna Secession and the Wiener Werkstätte, Josef Hoffmann's work is celebrated for its pioneering simplicity and functional elegance.
Josef Hoffmann's designs, which span furniture, decorative arts, and architecture, are distinguished by their minimalistic yet expressive style. His ability to blend aesthetics with functionality marked a significant departure from the ornate styles of the time, influencing modern design principles. Notable works include the Stoclet Palace in Brussels, a masterpiece that showcases his innovative approach to art and architecture.
His creations are preserved in prestigious museums worldwide, including the Museum of Modern Art (MoMA) and the Metropolitan Museum of Art, providing insight into his visionary approach to design. These institutions house collections of Hoffmann's furniture and decorative objects, reflecting his enduring impact on design and architecture.
For collectors and experts in art and antiques, Josef Hoffmann's work offers a study in the evolution of modern design. By subscribing to updates, enthusiasts can stay informed about exhibitions, sales, and academic research related to Josef Hoffmann, deepening their understanding of his contributions to the art and design world.
Georg Meistermann was a German painter and draftsman who was also famous for his stained glass windows in the whole of Europe.
Max Beckmann, a German painter, printmaker, sculptor, and writer, stood out in the early 20th century for his profound contributions to modern art. Beckmann's career spanned a tumultuous period in history, deeply influencing his thematic and stylistic choices. Unlike many of his contemporaries who embraced non-representational painting, Max Beckmann persisted with and evolved the tradition of figurative painting, drawing inspiration from a wide array of artists spanning from Cézanne and Van Gogh to medieval masters like Bosch and Bruegel.
Max Beckmann's experiences, particularly those related to the World Wars, significantly shaped his work. Following Adolf Hitler's rise to power and the subsequent condemnation of modern art as "degenerate," Beckmann fled Germany, spending a decade in self-imposed exile in Amsterdam before eventually relocating to the United States. His art from this period, especially his large triptychs, is considered some of his most potent, offering a stark reflection on humanity and the chaos of the times.
One of Max Beckmann's most personally allegorical works, "Beginning" (1949), encapsulates his knack for blending real and imagined elements from his life to comment on the broader human condition. This piece, alongside others, underscores Beckmann's enduring fascination with the existential struggles modern society faces, teetering between desire and societal roles.
Max Beckmann's legacy is cemented not just by his unique approach to modernism but also by his influence on subsequent generations of artists, particularly in the United States, where he spent his final years teaching and working. Despite a path that often diverged from the mainstream narratives of art history, Beckmann's work continues to resonate, housed in prestigious institutions like The Museum of Modern Art and The Metropolitan Museum of Art in New York.
For collectors and experts in art and antiques, Max Beckmann's oeuvre offers a compelling exploration of 20th-century art and history. To stay informed about new discoveries, sales, and auction events related to Max Beckmann, consider signing up for updates. This subscription ensures access to the latest opportunities to engage with the work of one of modernism's most individual voices.
Albert Hinrich Hussmann was a distinguished German artist and sculptor renowned for his specialization in horse and rider statues. Educated at the Academy of Fine Arts in Berlin, Hussmann's artistic contributions were prominently featured in the Great Berlin Art Exhibition, showcasing his profound skill and dedication to his craft.
Throughout his career, Hussmann was celebrated for his dynamic portrayal of equestrian subjects, capturing the grace and power of horses with remarkable precision and emotion. His work with the Bavarian porcelain company Rosenthal from 1909 to 1943, further solidifies his legacy, highlighting his versatility and influence in both sculpture and fine arts. His artistic journey concluded with his passing on November 15, 1946, in Lüdingworth, Germany, leaving behind a legacy celebrated in various collections and exhibitions.
For collectors and experts in art and antiques, Hussmann's sculptures embody the pinnacle of equestrian art, offering a glimpse into the artist's profound admiration and understanding of his subjects. His pieces remain a testament to his skill, capturing the essence of movement and the nobility of the horse with each sculpture.
To stay informed about exhibitions, sales, and auction events related to Albert Hinrich Hussmann's work, signing up for dedicated updates is advisable. This ensures access to the latest information and opportunities to appreciate the enduring artistry of one of Germany's celebrated sculptors.
Hanno Edelmann was a German painter, graphic artist and sculptor.
Hanno Edelmann was a German painter, graphic artist and sculptor.
Georg Meistermann was a German painter and draftsman who was also famous for his stained glass windows in the whole of Europe.
