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Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Josef Hoffmann, an Austrian architect and designer, is renowned for his influential contributions to early 20th-century design and architecture. As a founding member of the Vienna Secession and the Wiener Werkstätte, Josef Hoffmann's work is celebrated for its pioneering simplicity and functional elegance.
Josef Hoffmann's designs, which span furniture, decorative arts, and architecture, are distinguished by their minimalistic yet expressive style. His ability to blend aesthetics with functionality marked a significant departure from the ornate styles of the time, influencing modern design principles. Notable works include the Stoclet Palace in Brussels, a masterpiece that showcases his innovative approach to art and architecture.
His creations are preserved in prestigious museums worldwide, including the Museum of Modern Art (MoMA) and the Metropolitan Museum of Art, providing insight into his visionary approach to design. These institutions house collections of Hoffmann's furniture and decorative objects, reflecting his enduring impact on design and architecture.
For collectors and experts in art and antiques, Josef Hoffmann's work offers a study in the evolution of modern design. By subscribing to updates, enthusiasts can stay informed about exhibitions, sales, and academic research related to Josef Hoffmann, deepening their understanding of his contributions to the art and design world.
Josef Hoffmann, an Austrian architect and designer, is renowned for his influential contributions to early 20th-century design and architecture. As a founding member of the Vienna Secession and the Wiener Werkstätte, Josef Hoffmann's work is celebrated for its pioneering simplicity and functional elegance.
Josef Hoffmann's designs, which span furniture, decorative arts, and architecture, are distinguished by their minimalistic yet expressive style. His ability to blend aesthetics with functionality marked a significant departure from the ornate styles of the time, influencing modern design principles. Notable works include the Stoclet Palace in Brussels, a masterpiece that showcases his innovative approach to art and architecture.
His creations are preserved in prestigious museums worldwide, including the Museum of Modern Art (MoMA) and the Metropolitan Museum of Art, providing insight into his visionary approach to design. These institutions house collections of Hoffmann's furniture and decorative objects, reflecting his enduring impact on design and architecture.
For collectors and experts in art and antiques, Josef Hoffmann's work offers a study in the evolution of modern design. By subscribing to updates, enthusiasts can stay informed about exhibitions, sales, and academic research related to Josef Hoffmann, deepening their understanding of his contributions to the art and design world.
Hermann Groeber was a German painter who was known throughout Germany as a portraitist and landscape artist.
Hermann Groeber gained early success as a self-employed painter. He joined the German Association of Artists, and after Ludwig Schmid-Reutte was appointed to Karlsruhe, Groeber took over his class of nude acts, which soon enjoyed great popularity.
Tom Wesselmann was an American artist associated with the Pop Art movement who worked in painting, collage and sculpture.
Hermann von Kaulbach was a German painter and illustrator, son of Wilhelm von Kaulbach.
Hermann von Kaulbach studied painting under Karl Piloti. His paintings are mostly brilliant technically and are particularly interesting for their excellent detailing, which, however, sometimes hurt the interest of the content.
In 1886 he was appointed professor of the history of painting at the Munich Academy of Fine Arts.
Leopold Rottmann was a German painter of the mid-nineteenth century. He is known as a landscape painter who worked in oil painting and watercolor.
Leopold Rottmann was a proponent of naturalistic and heroic-historical painting. He was the drawing teacher of the future King Ludwig II of Bavaria. Later commissioned by Ludwig, who was inspired by Richard Wagner, Rottmann created the artwork for the production of the composer's opera Lohengrin in 1861.
Hans Marsilius Purrmann was a German artist.
He completed an apprenticeship as a scene painter and interior decorator, and subsequently studied in Karlsruhe and Munich before going to Paris in 1906. It was here he became a student and later a friend of Henri Matisse whom he set up a painting school with.
