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Heinrich Siepmann was a painter and belonged to the second generation of Constructivism.
Heinrich Siepmann was a painter and belonged to the second generation of Constructivism.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Josef Hoffmann, an Austrian architect and designer, is renowned for his influential contributions to early 20th-century design and architecture. As a founding member of the Vienna Secession and the Wiener Werkstätte, Josef Hoffmann's work is celebrated for its pioneering simplicity and functional elegance.
Josef Hoffmann's designs, which span furniture, decorative arts, and architecture, are distinguished by their minimalistic yet expressive style. His ability to blend aesthetics with functionality marked a significant departure from the ornate styles of the time, influencing modern design principles. Notable works include the Stoclet Palace in Brussels, a masterpiece that showcases his innovative approach to art and architecture.
His creations are preserved in prestigious museums worldwide, including the Museum of Modern Art (MoMA) and the Metropolitan Museum of Art, providing insight into his visionary approach to design. These institutions house collections of Hoffmann's furniture and decorative objects, reflecting his enduring impact on design and architecture.
For collectors and experts in art and antiques, Josef Hoffmann's work offers a study in the evolution of modern design. By subscribing to updates, enthusiasts can stay informed about exhibitions, sales, and academic research related to Josef Hoffmann, deepening their understanding of his contributions to the art and design world.
Max Liebermann was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works.
Ivo Hauptmann was a German painter. He was one of the founders of the artist groups Freie Secession (Berlin 1914) and Hamburgische Sezession (1919).
Erich Hartmann was a German modernist and expressionist painter.
John Henry Mohrmann (Dutch: John Henry Mohrmann) is an American-Belgian-Canadian artist specialising in portraits of ships.
John Henry Mohrmann was a fickle sailor who successfully combined his naval career with his artistic talent. He painted real ships on behalf of shipowners, captains, shipbuilders and maritime firms.
Pierre Schumann, actually Hans-Adolf Peter Schumann, was a German sculptor who created abstract sculptures.
Hanno Edelmann was a German painter, graphic artist and sculptor.
Josef Hoffmann, an Austrian architect and designer, is renowned for his influential contributions to early 20th-century design and architecture. As a founding member of the Vienna Secession and the Wiener Werkstätte, Josef Hoffmann's work is celebrated for its pioneering simplicity and functional elegance.
Josef Hoffmann's designs, which span furniture, decorative arts, and architecture, are distinguished by their minimalistic yet expressive style. His ability to blend aesthetics with functionality marked a significant departure from the ornate styles of the time, influencing modern design principles. Notable works include the Stoclet Palace in Brussels, a masterpiece that showcases his innovative approach to art and architecture.
His creations are preserved in prestigious museums worldwide, including the Museum of Modern Art (MoMA) and the Metropolitan Museum of Art, providing insight into his visionary approach to design. These institutions house collections of Hoffmann's furniture and decorative objects, reflecting his enduring impact on design and architecture.
For collectors and experts in art and antiques, Josef Hoffmann's work offers a study in the evolution of modern design. By subscribing to updates, enthusiasts can stay informed about exhibitions, sales, and academic research related to Josef Hoffmann, deepening their understanding of his contributions to the art and design world.
Hermann Groeber was a German painter who was known throughout Germany as a portraitist and landscape artist.
Hermann Groeber gained early success as a self-employed painter. He joined the German Association of Artists, and after Ludwig Schmid-Reutte was appointed to Karlsruhe, Groeber took over his class of nude acts, which soon enjoyed great popularity.
Max Beckmann, a German painter, printmaker, sculptor, and writer, stood out in the early 20th century for his profound contributions to modern art. Beckmann's career spanned a tumultuous period in history, deeply influencing his thematic and stylistic choices. Unlike many of his contemporaries who embraced non-representational painting, Max Beckmann persisted with and evolved the tradition of figurative painting, drawing inspiration from a wide array of artists spanning from Cézanne and Van Gogh to medieval masters like Bosch and Bruegel.
Max Beckmann's experiences, particularly those related to the World Wars, significantly shaped his work. Following Adolf Hitler's rise to power and the subsequent condemnation of modern art as "degenerate," Beckmann fled Germany, spending a decade in self-imposed exile in Amsterdam before eventually relocating to the United States. His art from this period, especially his large triptychs, is considered some of his most potent, offering a stark reflection on humanity and the chaos of the times.
One of Max Beckmann's most personally allegorical works, "Beginning" (1949), encapsulates his knack for blending real and imagined elements from his life to comment on the broader human condition. This piece, alongside others, underscores Beckmann's enduring fascination with the existential struggles modern society faces, teetering between desire and societal roles.
Max Beckmann's legacy is cemented not just by his unique approach to modernism but also by his influence on subsequent generations of artists, particularly in the United States, where he spent his final years teaching and working. Despite a path that often diverged from the mainstream narratives of art history, Beckmann's work continues to resonate, housed in prestigious institutions like The Museum of Modern Art and The Metropolitan Museum of Art in New York.
For collectors and experts in art and antiques, Max Beckmann's oeuvre offers a compelling exploration of 20th-century art and history. To stay informed about new discoveries, sales, and auction events related to Max Beckmann, consider signing up for updates. This subscription ensures access to the latest opportunities to engage with the work of one of modernism's most individual voices.
Hans-Peter Feldmann is a German visual artist. Feldmann's approach to art-making is one of collecting, ordering and re-presenting.
Hans-Peter Feldmann is a figure in the conceptual art movement and practitioner in the artist book and multiple formats.
Erich Hartmann was a German modernist and expressionist painter.
Gregor von Bochmann was a Baltic-German landscape and genre painter.
Hermann Kauffmann (the elder) was a German painter and lithographer, and one of the main representatives of the Hamburger Schule.
Eilert Adelsteen Normann was a Norwegian painter who worked in Berlin. He was a noted painter of landscapes of Norway. Normann was the artist who invited Edvard Munch to Berlin, where he painted The Scream. Normann's fjord paintings are credited with making the Norwegian fjords a more popular tourist destination.